July 28th 2012. It’s the day two wonderful people made their vows and promised each other forever. It was also the day I became a
wedding photographer photographer who took wedding photos. :cool: Although, with a twist. I also officiated the wedding in my Pastoral capacity. Now, if I only did the catering and the DJ stuff, I’d truly be a jack of all trades. But as it was, the service and the photos were enough. Where to begin?! I thought I would elaborate on the experiences from the day a little bit in this blog post. First of all, as I mentioned it was my first wedding for photos. I did research, as I always do. I went to Manor to scope it out prior to the big day. I’d never been there before and I needed to know some locations. Also, because the wedding was in the evening, the photos needed to be taken care of first. That meant starting at 1PM when the sun was high. And, we had to capture the critical moment of the Bride & Groom seeing each other for the first time. Normally this happens at the ceremony, but with an evening wedding, the need to still capture those moments is key. We setup a little surprise for Kayla and it worked! Lucas caught her unaware and photos captured it all.
From there, I took several more photos of the couple together in the moment. It made for some really great candids. After a few minutes or so, my awesome assistant Michelle helped do some run and gun lighting setups. Nothing fancy, just 1 light in a medium softbox. It gave us a fantastic result and allowed us to keep moving quickly getting a wide variety of shots in the short time we had.
One technique I was dying to try out was Cliff Mautner’s signature lighting setup. No flash was used in this photo. And it was taken at 1:35PM. By turning your subject so that the sun is directly behind her, it gives you an evenly lit face and front. Juxtaposed against the dark backdrop, this technique works awesome. You have to shoot in Manual Mode to get it though as your camera’s meter is next to useless for getting this photo. The camera sees all the white and all the dark and goes “AAAAAHHHHHH!” You have to override the meter and chimp it to make sure your exposure is bang on. You could use spot metering for the face, but that’s too easy. ;) I love the result of this technique. Long lenses, wide apertures and awesome lighting. It’s the recipe for pure awesomeness. Thanks Cliff!
Speaking of Cliff Mautner, another shot he’s famous for I also wanted to try. It’s the “elevated perspective, shallow depth of field, mad-lens compression, way cool beauty shot.” Putting the focus cursor right on Kayla’s eyelash gave me this photo. I love it! It’s nearly angelic and royal, which is exactly what bride portraits should be.
After the bride and groom photos were wrapped up, we had the group shots to contend with. Fortunately for us, we lucked out with the beautiful location and the 3PM time slot. I knew that the sun would be lower by then so some nice north facing shade was perfect for getting everyone uniformly lit. Then, we used my typical group lighting setup with two speed lights & umbrellas to brighten the scene and add some much needed catchlights. I had Kayla make up a list of family shots she wanted in advance so we burned through the group shots in no time in an orderly fashion. I shot all the group stuff with my 50mm prime which ultimately looks better than a wide angle for groups.
A split second after we finished the family group shots, it started raining. Boo! Hiss! :( But, it didn’t stop us. We ducked for cover and made the most of it. Having Michelle with me was vital for getting these photos because she held the light and we burned around quickly and got all the bridal party shots we needed. I really like this technique of framing the bridal party members around each other for a portrait.
I got my thoughts together for the ceremony and gave my camera to Michelle. She nabbed some ceremony shots for me as it would have been a wee bit awkward to stop the ceremony to do photography… heheheheh…. :cool: But before we did the ceremony I also wanted a shot of the wedding bands. We framed up a macro shot, making use of what was on sight and in theme with the wedding.
After the ceremony there was the party! The rest of the night was candids of the moments that unfolded before us – which in many ways is easier. The shooting gallery is before you and the moments just happen! It’s awesome.
Like any hall, we always are faced with the problem of poor lighting. So to combat that, I put a flash on a stick and had Michelle keep her eyes on where I was going. It worked like a charm and made for some really cool, dramatic lighting as well as just some nice, evenly lit photos too. It was great to have that control and versatility at our finger tips.
So, all in all, it was an awesome day, albeit exhausting. I don’t think I will sign up for the “whole meal deal” again anytime soon, although not many other photographers can do your photos and your service! hehehhehe… ;) It was a really fun day and the couple was a dream to work with. I was thankful for the opportunity to try something I’ve never done before and I am very happy with the results. Thanks again to Michelle Needham for being an awesome assistant! And, all the best and God’s blessings to Lucas & Kayla! You guys are amazing! :D