Light is Everything!

Cameras

Nikon 1 V3 Review Video

Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera. :cool: Check out the full video review here:

 

I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible.  Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers! :D

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Happy Valentine’s!

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Nikon 1 V3 + FT-1 Adaptor with 105mm f/18 1/250 ISO 200

 

The Nikon 1 series of cameras are really suited for close up macro/micro work. That small CX sensor is the bomb for getting loads of the image in focus. Normally you might not want that, for portraits and such. But for close up stuff, it’s just what the doctor ordered. I stole my Valentine’s ring for some close up shots and I was impressed. The image quality is great and there is a tonne of detail available. I was lighting these images with a ring flash mod on an SB-900 that I had to cheat a bit to make work. It’s a shame that the R2-D2 pop up flash on the V3 doesn’t allow for Nikon CLS control. That would be sweet sassy molassy and could be added in a future firmware update.

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Nikon 1 V3 + FT-1 Adaptor with 105mm f/18 1/250 ISO 200

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Nikon 1 V3 + FT-1 Adaptor with 105mm f/11 1/250 ISO 200

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Nikon 1 V3 + FT-1 Adaptor with 105mm f/11 1/250 ISO 200

Macro ring shots are something that I do at every wedding we shoot. So the extra detail that this smaller sensor can capture is great, especially when coupled with an FT-1 adaptor and Nikon’s 105mm micro lens. In all truth, it’s too long for this kind of work. Probably Nikon’s sleeper 60mm micro 2.8 would be just the ticket for working with the FT-1 adaptor.

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Nikon 1 V3 + FT-1 Adaptor with 105mm f/8 1/4 ISO 200

With the same setup I shot this peacock feather. The detail is very good with the 18MP sensor. Also diffraction sets in super fast with the 105. Probably f/8 is more than enough to capture detail and still have a sharp image.

Again, the image quality and capability of the V3 camera is stellar. The possibilities for creativity with it are only limited by one’s imagination! :cool:


Nikon 1 V3 Does Wedding Photography?

We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.

It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.

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Nikon 1 V3 18.5mm 1/160 f/1.8 ISO1600 Netural Picture Control JPG Straight from Camera

I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:

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Nikon Df Image JPG from RAW 50mm f1.8 1/125 ISO 800

It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.

Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.

Nikon1 V3 ISO1600 Crop

Nikon1 V3 ISO1600 Crop

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You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!

Nikon1V3SkinTonesHere is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.

Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill. :cool:

 

 


The Nikon 1 V3

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My whole entire life just got incredibly busy! More on that later! But in the mean time, Nikon Canada sent me the latest Nikon 1 camera to play with. The V3 is a sleek new mirrorless camera from Nikon and it is a tremendous upgrade from the V1 that I currently own. When I was contacted about doing the product test, I had my choice of the 1 Series lenses to try out. I opted for the 18.5 f/1.8 lens. I wanted to see how a fast aperture would work on the little camera. In a nutshell, it works great! There are so many features about this camera that are really impressive. One is the wifi. Having the built-in ability to transfer and view files on your phone from the camera is awesome. You can use the free wifi utility app to take pictures too, though the functionality of that feature is quite limited. More details to come about this experience though.

IMG_0611I shot the above photo this morning using the FT1 mount adapter I also requested from Nikon. I’ve wanted to try this since it came out and haven’t had the opportunity. As I have a bunch of Full Frame Nikon glass at my disposal when you strap them onto the tiny mirrorless system it unleashes all kinds of creative opportunities. I can see two really practical applications in the incredibly awesome telephoto reach this combination of a tiny sensor and big lenses gives you. (2.7x crop factor makes my 200mm f/4 lens a 540mm f/4!). But also  the macro possibilities are exciting as well. That small 18MP sensor will capture a load of detail.

IMG_0622Also, I wanted to see how Nikon had improved the CX sensor’s low light performance. So far it is looking fantastic. The image above was taken at 3200 ISO and it looks very good. Both of these images here were transferred straight out of the camera with no post processing. So, on the first glance, the V3 looks like a super camera! I’m sure consumers who would likely buy an entry level DSLR will find the V3 sufficient for their needs and beyond. I’ll probably do a video review of this setup in the near future and discuss it in more detail. I’m impressed so far and the articulating touch screen is awesome! :cool:


Nikon Df with old Manual Lenses

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My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.

That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.

I wanted to pretend I had a Leica. :cool: I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.

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It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.

I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.

I wanted to try it out. But I don’t really live near any streets. LOL. :cool: I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.

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Just compose and boom!

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It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!

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Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.

20141111-28mm-014And it’s got a nice creamy bokehliciousness to it as well. Wide(r) angles aren’t really known for the bokeh. But this is pleasing enough for me! :cool:

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Happy New Year!

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2015 is here! I thought we would be burning around in flying cars by now! Guess not. But what we do have are really tremendous cameras. I think the old film guys would be doing backflips in their graves if they could shoot with the stuff we have now. So many photo blogs and sites compare the features of this camera and that camera – but you know what? All the technologies in these new cameras are really fantastic. Auto Focus is awesome, even on less than stellar performing cameras. None of the old guys had it. Just try turning your AF off on your camera and shoot for a day. You’ll appreciate even slow AF after that! :D

As I look over my husky collection of personal images (like 66,000 or something crazy), Lightroom allows me to sort them by metadata. Such as which camera took what number of images. My old & sold D300s definitely took the most as that was the camera I really learned photography with. But the most used camera I own isn’t my Nikon D800 or the Df – both of which I certainly do love. Rather, it is the FujiFilm X100s. The bulk of my professional work is still shot with DSRL. But my family/personal camera is the omnipresent X100s. It’s a camera that I naturally just pick up. The Nikon Df also has this spirit about it too. I love the manual controls and dials on these retro-styled cameras. But there is just something about the Fuji. It’s sum is somehow greater than its parts.

Ergonomically, it’s a winner. Small profile. Virtually silent. And then there’s the features: Macro capability, Killer sharp optics, stellar high ISO performance, leaf shutter flash sync speeds, AMAZINGLY ASTOUNDING COLOR. And this is the big one for me. The X-Trans sensor is a colour ninja. All the photo gurus go on and on about this but it is so true. This sensor renders a scene exactly as your eye sees it. Nuances of colour exist that even my D800 and Df just cannot replicate despite being bigger and 3 times more expensive. I snapped this shot just to see how the X-Trans would negotiate the wild mixture of light in this photo: Tungsten lamps in the living & kitchen illuminating the family, daylight balanced wall sconces and Christmas LEDs in the family room in the background. This is a JPEG image shot in auto WB mode! It’s amazing! And the skin tones are incredible. And look at the various shades of blue! I’m constantly blown away by this camera.

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I used the X100s exclusively over the Christmas season for capturing family memories. I shoot it in JPEG. I wouldn’t dream of doing that with the Nikons. The pre-processing of the camera makes this possible. Using the X-Trans for professional work would be a dream, especially for weddings. Being able to produce pre-processed JPEG images – that are FANTASTIC – would save hours and hours of editing time. And the black and whites are the best in the business. Bar none. No contest. The FujiFilm Black and White is incredible. I’d love to compare them to say the Leica M Monochrom. So Leica, if you’re reading, send me a setup to try! :cool: I shot this one of my Nephew in very low light, using MF focus peaking to get it sharp. It was f/2 1/60 at ISO 6400. At 1:1, you can count his eyelashes. And the “noise” looks like film grain at 400 ASA. It’s astounding. Like my nephew who is the most striking little gaffer ever. His eyes are jet black!

20141225-NYBlog-004 Also, because of that tiny little profile and silent shutter, you can nab moments. Nobody even knows you are taking photos!

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Sony made and is making a big splash right now with its full frame Mirrorless A7 cameras. Rightly so. They’ve beat both Canon and Nikon to the punch in changing the history of photography for the better. DSLR technology is just analogue film tech ported over to digital. Mirrorless is true digital photography. No old analogue tech work arounds. It’s the real deal. I’ve looked seriously at switching to Sony, particularly with the release of the A7II. Awesome kit with killer in camera stabilization. Way less weight to lug around all day. What’s not to love? Not much. . . . Except that it uses the same sensors that Nikon does. (Or, rather, Nikon uses Sony’s sensors). This isn’t a draw back. The sensors rock the set. But as I look at the X-Trans images, I prefer the look and feel of them. The tonality and colour can’t be matched, not even by Sony’s incredible full frame sensors (Sorry Canon, you’re beaten like a rented mule on this one). I’m not ruling out Sony stuff, that’s for sure. It’s an exciting time for photography! Loads of awesome image making options. But let’s just say that I’m anxiously waiting for the X-Pro2 release. So Fuji, if you’re reading, send me a setup to try! :cool:

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My last point about Fuji that I want to touch on is their approach to their customers. No other camera manufacturer respects their customers more than Fuji. When you buy a camera, undoubtedly there will be some glitches and bugs to get worked out. Firmware releases generally fix those up. But that’s all they do. Seldom, if ever, is more functionality introduced to a camera – and especially not if an upgraded model has already been released. You have to buy said upgrade to get the new features. Not so with FujiFilm. They so respect their customers that they release firmware updates that make the existing products better. Even products that have already been replaced with updated models! That’s awesome! It instills confidence in the purchase for the customer. I know that my investment in Fuji is not a one time deal. They will bless me with greater functionality in the future. This is how a company can create a jubilant base of hardcore fans and supporters. It’s a two way relationship with Fuji. And they keep on giving. They show respect to the customer and for that, I give a very deep and long bow (not to mention further business in the future).

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So here’s to a happy new year of image making in 2015! May all your pixels be bright! ;)


Whitetails at 36MP

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People may complain about the high megapixels of today’s generation of DSLR cameras and I’d agree that yes, sometimes they are are über overkill. But then, some whitetail deer might show up 363 yards and all you might have with you is a 70-200mm lens. And then, you’re happy to have the D800 mega-pretzel madness! The photo above is a 100% crop of this photo: #LOL :cool:

20141118-Deerts-001It’s a bummer. I was too late grabbing the camera because this deer and another buck were sparring. I watched with binoculars for a bit then ran for the camera. When I got back, the other deer had already run off. To the victor goes the spoils! Cheers to next years Whitetail babies! :D

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X100sB&W

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I must confess, ever since I got the Nikon Df, my X100s has been on vacation. I still love it to death. But I find that the Df gives me more versatility with my DSLR lenses. However, every time I go and re-pick up the X100s, I think I could totally sell all my DSLR gear and just go mirror less Fuji. They are so light and wonderful in almost every way. So compact. So handy and versatile. And of course, the B&W.  I love shooting the X100s in black and white. I just love how the Fuji renders the files. I have to do virtually nothing to them providing I shot the exposure right in camera.  I had it along as the image maker today and shot primarily in black and white. Most JPEG and a few RAW files – which are easy to edit into Black and White gold since Lightroom has got the Fuji camera profiles now.  Quick user preset of wee exposure tweaks and you are golden. I love this camera!!! It was the perfect camera to enjoy a day up at Kenosee Lake with the family. :cool:


#Camping2014

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It’s been quite busy as of late! We’ve been campin’ up a storm all over Saskatchewan and most recently Manitoba. Child’s Lake has a really terrific campground, as well as tons of other cool stuff. It’s been my in-law’s campground of choice for years. This year we had great weather but the bugs were heinous verging on horrendous. Lots of water = lots of mosquitos. Our poor children looked like walking mosquito bites, despite slathering them down with all manor of DEET bearing spray known to mankind! :evil: But we always have a good time. Weather was good. There was only one rogue black bear in the campground to worry about so that’s not bad either. :cool:

My favourite shot from the trip was the banner image from this post. I was really wanting a nice sunset image of Child’s Lake. But the sunset was quasi-lackluster. And boats galore were chopping up the lake for some last minute water skiing and tubing. So I had to with them out until it was almost too late. Plus I was getting eaten alive by the winged vampires – despite the army of dragonflies eating them by the metric truck load above my head. I had the Nikon Df on a tripod and made the 13 second exposure with the 24mm AFS f/1.4 lens. That lens is a cracker jack piece of glass! When I’m travelling I only ever bring a prime kit (24, 50, 85), or just my FujiFilm X100s if I want to be truly ultralight. I opted for the Df because I knew I wanted to make this image that required a bit wider of a lens than the X100s has. The super long exposure turned the water into a polished mirror. As the seconds ticked by the haunting call of loons filled the lake. One notch off of paradise I’d reckon. :)


Nikon Df review video

I finally got my Nikon Df review video online. It sums up those 5 paradoxical things about the camera and offers my thoughts about buying it. I really do love the Df. :D It’s a fantastic all-rounder camera despite it’s flaws. I got to try out my dads old school film lenses on it as well this past weekend. They work great! I was blown away by the old 35mm f/2.8 lens. It’s sharp with no chromatic aberration wide open. Not even one of my modern AF-S Nikon primes can boast that!

This video was my first kick at the cat trying “cinematic filming techniques.” I’m no videographer, that’s for sure, but I had fun putting the montage together. Although, I recorded the outdoor scenes at temperatures between -25 and -50C (no, that’s not a typo) which made it very tricky and somewhat miserable! And I didn’t even freeze to death. Yay! :cool:


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