My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.
That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.
I wanted to pretend I had a Leica. :cool: I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.
It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.
I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.
I wanted to try it out. But I don’t really live near any streets. LOL. :cool: I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.
Just compose and boom!
It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!
Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.
2015 is here! I thought we would be burning around in flying cars by now! Guess not. But what we do have are really tremendous cameras. I think the old film guys would be doing backflips in their graves if they could shoot with the stuff we have now. So many photo blogs and sites compare the features of this camera and that camera – but you know what? All the technologies in these new cameras are really fantastic. Auto Focus is awesome, even on less than stellar performing cameras. None of the old guys had it. Just try turning your AF off on your camera and shoot for a day. You’ll appreciate even slow AF after that! :D
As I look over my husky collection of personal images (like 66,000 or something crazy), Lightroom allows me to sort them by metadata. Such as which camera took what number of images. My old & sold D300s definitely took the most as that was the camera I really learned photography with. But the most used camera I own isn’t my Nikon D800 or the Df – both of which I certainly do love. Rather, it is the FujiFilm X100s. The bulk of my professional work is still shot with DSRL. But my family/personal camera is the omnipresent X100s. It’s a camera that I naturally just pick up. The Nikon Df also has this spirit about it too. I love the manual controls and dials on these retro-styled cameras. But there is just something about the Fuji. It’s sum is somehow greater than its parts.
Ergonomically, it’s a winner. Small profile. Virtually silent. And then there’s the features: Macro capability, Killer sharp optics, stellar high ISO performance, leaf shutter flash sync speeds, AMAZINGLY ASTOUNDING COLOR. And this is the big one for me. The X-Trans sensor is a colour ninja. All the photo gurus go on and on about this but it is so true. This sensor renders a scene exactly as your eye sees it. Nuances of colour exist that even my D800 and Df just cannot replicate despite being bigger and 3 times more expensive. I snapped this shot just to see how the X-Trans would negotiate the wild mixture of light in this photo: Tungsten lamps in the living & kitchen illuminating the family, daylight balanced wall sconces and Christmas LEDs in the family room in the background. This is a JPEG image shot in auto WB mode! It’s amazing! And the skin tones are incredible. And look at the various shades of blue! I’m constantly blown away by this camera.
I used the X100s exclusively over the Christmas season for capturing family memories. I shoot it in JPEG. I wouldn’t dream of doing that with the Nikons. The pre-processing of the camera makes this possible. Using the X-Trans for professional work would be a dream, especially for weddings. Being able to produce pre-processed JPEG images – that are FANTASTIC – would save hours and hours of editing time. And the black and whites are the best in the business. Bar none. No contest. The FujiFilm Black and White is incredible. I’d love to compare them to say the Leica M Monochrom. So Leica, if you’re reading, send me a setup to try! :cool: I shot this one of my Nephew in very low light, using MF focus peaking to get it sharp. It was f/2 1/60 at ISO 6400. At 1:1, you can count his eyelashes. And the “noise” looks like film grain at 400 ASA. It’s astounding. Like my nephew who is the most striking little gaffer ever. His eyes are jet black!
Sony made and is making a big splash right now with its full frame Mirrorless A7 cameras. Rightly so. They’ve beat both Canon and Nikon to the punch in changing the history of photography for the better. DSLR technology is just analogue film tech ported over to digital. Mirrorless is true digital photography. No old analogue tech work arounds. It’s the real deal. I’ve looked seriously at switching to Sony, particularly with the release of the A7II. Awesome kit with killer in camera stabilization. Way less weight to lug around all day. What’s not to love? Not much. . . . Except that it uses the same sensors that Nikon does. (Or, rather, Nikon uses Sony’s sensors). This isn’t a draw back. The sensors rock the set. But as I look at the X-Trans images, I prefer the look and feel of them. The tonality and colour can’t be matched, not even by Sony’s incredible full frame sensors (Sorry Canon, you’re beaten like a rented mule on this one). I’m not ruling out Sony stuff, that’s for sure. It’s an exciting time for photography! Loads of awesome image making options. But let’s just say that I’m anxiously waiting for the X-Pro2 release. So Fuji, if you’re reading, send me a setup to try! :cool:
My last point about Fuji that I want to touch on is their approach to their customers. No other camera manufacturer respects their customers more than Fuji. When you buy a camera, undoubtedly there will be some glitches and bugs to get worked out. Firmware releases generally fix those up. But that’s all they do. Seldom, if ever, is more functionality introduced to a camera – and especially not if an upgraded model has already been released. You have to buy said upgrade to get the new features. Not so with FujiFilm. They so respect their customers that they release firmware updates that make the existing products better. Even products that have already been replaced with updated models! That’s awesome! It instills confidence in the purchase for the customer. I know that my investment in Fuji is not a one time deal. They will bless me with greater functionality in the future. This is how a company can create a jubilant base of hardcore fans and supporters. It’s a two way relationship with Fuji. And they keep on giving. They show respect to the customer and for that, I give a very deep and long bow (not to mention further business in the future).
So here’s to a happy new year of image making in 2015! May all your pixels be bright! ;)
Wishing everyone a joyous and blessed Christmas as we celebrate the birth of Christ! :cool:
Christ is born! Glorify Him!
Christ descends from the heavens, welcome Him!
Christ is now on earth, O be jubilant!
Sing to the Lord, the whole earth,
And sing praises to Him with joy, O ye people,
For He has been exalted!”
What shall we present unto Thee, O Christ, For Thy coming to earth for us men?
Each of Thy creatures brings Thee a thank offering: The angels – singing; the heavens – a star; The Wise Men – treasures; the shepherds – devotion; The earth – a cave; the desert – a manger.
The wall of partition is destroyed,The flaming sword is dropped, The Cherubim withdraw from the Tree of Life, And I partake of the fruits of Paradise, Whence, for my disobedience, I was driven forth.
Heaven and earth now are united through Christ’s Birth!
Now is God come down to earth And man arisen to the heaven.
Today Christ is born in Bethlehem of the Virgin. Today He who is without a beginning begins, And the Word is made flesh. The powers of Heaven rejoice, The earth and her people are jubilant;
The Wise Men bring gifts to the Lord,
The shepherds marvel at the One who is born;
And we sing without ceasing:
“Glory to God in the Highest, And on earth peace, God’s good will toward men!”
People may complain about the high megapixels of today’s generation of DSLR cameras and I’d agree that yes, sometimes they are are über overkill. But then, some whitetail deer might show up 363 yards and all you might have with you is a 70-200mm lens. And then, you’re happy to have the D800 mega-pretzel madness! The photo above is a 100% crop of this photo: #LOL :cool:
It’s a bummer. I was too late grabbing the camera because this deer and another buck were sparring. I watched with binoculars for a bit then ran for the camera. When I got back, the other deer had already run off. To the victor goes the spoils! Cheers to next years Whitetail babies! :D
Family Sessions are pretty much finished off now, especially since winter has set in with a mighty wallop of cold temperatures & wind! It’s already been quite nasty other than not having a metric pile of snow which is great! And also, on the positive note, there has been none of that freezing rain malarky either. Two whoop whoops and a boo ya for -20ºC right off the hop of winter! LOL :cool:
Fall on the prairies is hellfire fast. But this year it was somewhat delayed which is a such a sweet bonus. It was rather rainy though which limited the shooting opportunities. But you have to be fast when it comes to hammering out all the best colour as it is usually here one day and gone the next. Here are two images I shot at the end of my crescent where there was this amazing red hedge. These photos were shot only 3 days apart. Crazy difference! I shot the same photo/pose with the families to illustrate this reality of fall photography in Saskatchewan: HURRY! :D
A little bit of wind can ruin your photo background in no time! That said, while we missed the red colour on the latter shoot, we also picked up some incredible yellow that wasn’t ready just 3 days before.
So you never know what kind of palette you will be given to work with from shoot to shoot. A couple of days is an enormous difference! But you can still wring it out even when the colour gets scarce. The photographer’s two best friends are Bokeh & Compression. Or, long focal lengths and wide apertures. This shot of Lexi was with my 85mm at f/2.5. A bit of telephoto compression and pretty wide aperture. Similar results could have been nabbed at 200mm and f/4. Charlea’s photo was similar, with my favorite 85mm at 2.8. She had much more colour at the red hedge while the bush behind lexi was really on it’s way out. But the bokeh goodness smooshes it into a pleasant blur of colour.
Being that I am a Pastor by day, Photographer by day off, I have a few connections with other Pastors and Churches. When the two worlds collide it’s a cool experience. I was up in Regina, Saskatchewan doing some photography for Mount Olive Lutheran Church. Such projects include building/grounds photos, portraits of staff & workers as well as a library of stock images that can be used on websites, e-publications, etc. It’s a lot of fun with lots of opportunities to be creative.
One of the other cool extras of this assignment was that Rev. Ted Giese, one of the pastors at Mount Olive along with Rev. Terry Defoe, is that Rev. Giese does movie reviews from a Christian perspective. He is regularly featured on an American Lutheran Radio program called Issues, etc. As such, I knew I wanted to do a movie-poster-inspired portrait of Ted that was a bit more edgy than the regular “nice light” I typically do for such a project.
So for this portrait I shifted the color spectrum into tungsten to give the photo a very cool and shadowy feel. The BTS photo below shows the location of this two light setup. By using an empty corner for the shot you get a free, nifty background location with varying degrees of light fall off shadows and gradients. I used a soft lighter on the floor with my Alien Bee 1600 for the fill light. It was just left in daylight white balance which was shifted blue by the tungsten control in camera. The key light was an SB-900 in a Lumiquest Softbox III that was gelled CTO taking it back to a daylight color. Had I done this shot over again, I would have thrown on an extra 1/2 cut of CTO to warm that key light up more and give it an extra color contrast. But the end result is a really cool feeling movie-reviewing-Reverend type look. :D