As a kids I was involved with Cub Scouts. So when Oxbow got a scouting program we were keen to get involved. Our kids are in Beavers this year and we just had our first camping trip up to Kenosee Lake. It was a blast! We had such a great time and perfect weather. I threw in the trusty FujiFilm X100s. It totally held up in the winter conditions despite a lack of weather sealing. All in all it was a total blast!
Another one of Fuji’s film simulations is the Pro Neg Std. This setting is described as being for portraits with soft gradations and skin tones. The Hi version of my last blog post has a bit more of a contrasty look. This article on Fuji vs. Fuji does a great job of comparing all the simulation modes. But suffice it to say, the skin tone rendering is really, really pleasing in both the Hi and Std. modes. Just look at these kids. They look at least 17% better shot with Fuji. LOL. I do want to do a side by side comparison to my Nikons and see how the JPEGs compare. I never shoot Nikon JPEGs so I really don’t know if there is much difference. I’ll check it out in a future blog post.
I shot these Black & White images in the Monochrome setting with a yellow filter. It gives little extra to the skin tonality I think.
The kids got haircuts the other day. There always cutest fresh from the salon so I grabbed once again the X100s and wanted to try the Pro Neg H simulation. Fuji has the best skin tones in the business (in my opinion) and this simulation does a really great job of bringing them out. The H vs. S rendition has a bit more punch and contrast. But the skin tones are really great. I did the one black and white conversion in Lightroom afterwards for more of a high key look. Still looks nice.
But the colours are so great. Fuji really makes your photos pop!
Yesterday was a glorious winter day in SE Saskatchewan. We had amazing hoarfrost and then the sky opened up with a glorious blue backdrop. It was majestic as all get out. I slapped the ol’ X100s into Velvia film simulation which is known for it’s highly saturated bombastic colour. (You either love it or hate it I think). It gave an extra level of contrast to the colour palette. I was out visiting a parishioner and I drove past an old abandoned farm yard – except for racoons & squirrels. I stopped after my visit and walked around, capitalizing on all the beauty of the day and the history of the location.
There was some pretty neat fog out this morning when I was out and about. It gradually lifted but still hung on for a bit. I threw the X100s in the car. The black and white images are all just FujiFilm JPEGs with a bit of extra contrast dialled in. I’m really excited about the release of the X-Pro2 in that it has an Acros film simulation. I already love Fuji B&W so much that the Acros will be icing on the monochrome cake! Can’t wait for that camera! :cool:
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
We just got back from the first half of Christmas holidays with my wife’s side of the family in Grenfell, SK. Rather than post cute pics of the kids opening Christmas presents, I figured I’d instead post this blog about a little photowalk I went on while I was there. The weather was mild but also very flat and almost bleak – the perfect scenario for black and white. I slammed the ol’ FujiFilm X100s into B&W mode and literally went to town. I was fun and refreshing to walk around and basically shoot street in a small town.
I had to order something from B&H a while ago and to get free shipping to Canada, I needed to bump up my order. So I ordered a grid for my Photoflex Medium Litedom soft box. Grids are ridiculously expensive for softboxes, leading one to believe they are made of Unicorn Tears and Saskatchewan seal skin bindings. Or some such other mystical material. So I ordered the Impact brand 24×32 grid. It works and fits like a charm for the Photoflex box. I should have had a grid on that soft box from forever ago. They are so perfect for controlling light spill and adding amazing direction to the light. I hadn’t had a chance to even try it out much so I grabbed Ethan and some gear and we went outside to cash in on the amazing hoarfrost that stuck around all day.
In the really blue shots, I was playing with color temperature and gels. I went with a tungsten balance to shift the image to blue, then double CTO gelled my flash to bring the light back to a really nice warm temp. It’s a very interesting contrast in the light colours. For the other shots I used a simple overcast warmer temperature of around 6300K with a 1/4 CTO gel to give a bit warmer skin tone. The control that the grid gives is superb. There is no spill around the subject to illuminate everything. If you want to keep an image interesting, then pay close attention to what isn’t lit.
Our neighbour came home and I made her step into the set for a shot or two. It worked out well! I was using the FujiFilm X100s for these shots with the 3 stop ND filter engaged. This helped knock down the ambient light which would have been too much for a single LumoPro LP180 flash that I was using blasting through two gels, two layers of diffusion and the grid. These exposures were in the neighbourhood of f/2 1/250 ISO 200 plus or minus. And they are all JPEG images too. I seldom ever shoot my Fuji in RAW because the JPEGs are soooooooo great. Not so my Nikons. They live in RAW all the time. But Fuji has such incredible and captivating colour and skin tones. So, it’s JPEG for this Fuji slinging flashgun cowboy. So if you have a light, slap a grid on there and leave it there. You’ll be glad you did! :cool:
Things have been exceedingly chaotic for the last little while but are now starting to even out again. I’m quite behind in blogging and have lots of posts upcoming, even though they will be slightly delayed. I thought I would start the catch up practice with a post on a mini “stay-cation” we did back in the first part of July.
Enter: The Big Muddy. What a sensational place! It’s a lesser known gem of Saskatchewan. In fact, when we asked people in our area if they’d ever made the 300km trip west, it was largely a big No. It’s a provincial treasure though. Really different badlands style terrain and really cool history! Outlaws, live stock thieves, Native heritage sites. This stuff should be taught in school! We took an 8 hour van ride tour out of Coronach, SK. There were 9 different stops along the way. Our kids 3, 5, & 7 did amazingly well. There is lots of terrain to cover but so much cool stuff that it kept them entertained the whole time. The tour gives you a scenic view of the region as well as the ability to look at sites not publicly accessible.
We admired that the place hadn’t largely become “touricized” – turning the natural beauty of the place into a fools paradise of fences and signage. You can access some sites, like Castle Butte, just by driving up to it. You can climb all over it, go to the summit, take pictures and have a grand ol’ time. It’s fantastic! Other places you have to have permission to access. Or, take the tour we did because they are on fenced private land. The tour is the way to go because you get the low down on the area from local people. They leave out of Coronach, SK and have a variety of options to choose from. Check them out on this website.
Besides the “non-stereotypical Saskatchewan flat landscape” of the area, there is such cool history from the NWMP to the horse thieving outlaws who used the region to steal and sell livestock. Tamela Burgess of the Circle Y Ranch does an incredible job of highlighting the Outlaw Stories through her amazing artwork and story telling. By far this was one of the most interesting aspects of the tour. And, they’ve filmed a couple episodes of ManTracker on the ranch! It’s a very beautiful location.
If you haven’t gone and seen the Big Muddy, I highly recommend it. It’s a seldom seen provincial treasure! Check it out! The gallery contains a few photo highlights of the area all shot on the FujiFilm X100s.