Our weather has finally, FINALLY stopped being nasty/scary/oppressive/cold/miserable. And, we had a clear night! I’ve been dying to try out the Nikon Df’s lowlight awesomeness with the 24mm AF-S 1.4G lens. They work really nice together. I was actually able to shoot at very low ISO (kind of defeating the purpose of the experiment. LOL) :D But I decided to throw a little light painting in for good luck. Just a wee smidgeon of light from my iPod. Cool little accent. The final EXIF stats were: ISO 800 24mm f2.8 20sec. The only reason for this shutter speed was to give me time to get out into the frame.
I give you the “StarScape Selfie” :cool:
I love DSLR technology, don’t get me wrong. But there is something about the FujiFilm X100s that opens one’s eyes to a different kind of reality. It’s beyond the sensor and retro styling. It’s beyond all the amazing technology smooshed into a neat little X-Package. ;) The whole photographic experience changes when you’ve got one camera with one lens. It forces you to see the world differently but gives you all the tools you need. I love walking around with a camera that is so compact but also ready for nearly any situation. I went for a little walk with the dog the other day to nab some more fall color. I didn’t feel like lugging the D800 and a lens bag around so I chucked the X100s in my pocket and away I went. I really wanted to make use of the Fuji’s in camera processing film styles. This is truly a versatile camera. Being able to tweak the shadow and highlight zones is super for enhancing a mood. In the case of fall quickly coming to a close, dark deep shadows and gloomy skies really bring out the over all death theme of the season. But at the same time, the rich velvia colours can really pop and make us think “no, all is not lost yet!” Some life still remains. :cool:
As much as a I hate winter, I love fall. More precisely, the fall colours. Which only last for 3.4 days in the prairies. ;) Except this year! We’ve had a very nice slow start to autumn and it’s brought a lot of beautiful colour. I love shooting fall landscapes to nab the colours but the photos are never as vivid or as saturated as I perceive them to be. So I decided to do a new twist on shooting fall landscapes. Abstract! :cool: The colours can’t help but pop in their full glory on account of that’s all the photos have going for them is colour. I kinda like it! :D
Try it for yourself. Don’t be a Photoshop pansy. You can do these shots in camera. I used the superb new Nikon 70-200 f/4 for all of these shots. It’s sharp and light but it also stops way down to f/32. Which is where I shot these. I shot at ISO 100 because it was already bright this morning at 7:30. Crank your aperture down as far it will go and then just adjust your shutter speed down till you get the desired exposure. In my case, I was shooting these at 1/5 of a second. And then comes the twist. Just zoom your lens and you get way cool motion blur and super amazing colour. It’s kinda fun and gives you a new twist on fall! :)
Every time I goto Grenfell, Saskatchewan I see incredible displays of Northern Lights. This last trip was no exception. I stayed up late to nab a few snaps with my Fuji X100s at the farm. The colour is incredible! So glad I had my tripod along!
I was out on Saturday night
partying playing poker with the guys getting water in Alameda. I threw the X100s in last minute, anticipating a way cool sunset. Some nice colors started happening. I found a subject, grabbed the camera and realized I had no card in it. #doh #facepalm :roll: Thankfully there’s a wee smidgeon of internal memory available for potential customers to check the images in store morons like me to use. I took an exposure metered for balance and here it is: Not too shabby. It’s metered for the sky and the structures go to mostly silhouette. I could meter for the building but then I’d lose the richness of the color of the sky. Or, I could use flash and illuminate the whole terminal. (Well, I could but that would be dumb). So the only other option is HDR, right? Layer several exposures together in software and get the shot. Well, not any more!
One of the other extremely awesome things about the X100s is the ability to take tonal control of the image. You can manually adjust the shadows, highlights, color and sharpness of any image before you take it. So, after reviewing the first one, I decided to hit the ol’ Q button and tweak away. Here’s the next image:
This image has got the Velvia Film simulation going plus -1 dialed into shadow tone, decreasing the shadow contrast. Look how much more detail is there from one simple adjustment! It’s awesome! But I wanted to push it one step further and here’s the final image:
There’s even more detail held with no sacrifice of color. I kicked it up a notch in camera. And, by switching to fluorescent white balance, I got a beautiful dusty rose tint to the image. That’s pure awesome! :D
These images are all straight out of camera JPEGS with exception of watermark and resize for web. The Fuji Rocks the Set. I rest my case. :cool:
Granted, I’m a little late to the party. But I want to set the record straight on the Nikon 1 V1. “It doesn’t suck!” It’s amazing little camera! This image of the kids is straight out of camera with no edits (other than water mark and resize). The colours are amazingly vibrant! All the images are very contrasty and punchy, and I like it! I finally had the chance to go for a little walk around today with it and shot a couple of landscapes. Other than the fact that it was a foggy abysmal day, I found that it set the stage for some cool black and white. I shot in JPEG and RAW and had a good experience with both. RAW always gives more latitude, but the JPEG performance is really nice. The only achilles heel is the high ISO, which is to be expected for a small sensor camera. But it’s not that bad, all things considered. When you evaluate the performance against my current DSLR, the D300s, it doesn’t lose by that much in color and dynamic range. It’s negligible really. ISO get’s punched in the face, but we already knew that. For outdoor day to day stuff, in my opinion, the Nikon 1 brings the thunder. And, its far more portable. But I already mentioned that. :cool:
It was cold this morning, mercury was dipped to -22C. Cold enough even for the creepy crawly critters to seek out a warm sunny spot. :cool: I watched this coyote walk up the ridge opposite to our house. He slowly climbed down over a big snow bank and spun around a few times, making a cozy little spot to catch some rays. I was on breakfast detail so after I had finished my chores, I grabbed the camera and snuck out in our backyard to see if I could nab a shot. My trusty 70-300 has always been my goto wildlife lens, though it’s performance is sluggish. I barely made one frame of the coyote before he saw me and got nervous. The slow AF on the lens didn’t help much either as I wasted precious seconds trying to acquire focus. But I nabbed one while he was resting and a couple more as he began to flee.
The thing about coyotes is, they’re survivors. When World War III happens and nuclear armageddon is unleashed, the last thing walking around will be a coyote. This one looks like it will survive the winter just fine. :) Unless it keeps hanging around my yard. Then it might have a little visit from Dr.223… :twisted: I took a couple other shots of those cool winter patterns and textures too.
This post is not intended to be a mantra for hunting season. Ahem. :cool: It’s about seizing the moment before it’s gone. The “capture” aspect of photography is really of the essence. Event photographers and wedding folk know this well. But even landscapers or point and shooters can glean a lesson from it. If a picture is happening before you, go shoot it. Don’t wait and come back later. Chances are good it won’t be there. Take the 5 minutes to stop, get out and make the frame. Like time, you can never get it back. And personally, I hate living with that “Doh! I wish I would have stopped and got that photo!” It applies to all of life.
This shot was one of those times. I was on my way back from a shoot and saw these 3 combines and the grain cart tractor parked in a harvested field. All of them red. With a nice little moon overhead. I had to stop. I pulled the car over and walked out into the field. I didn’t have a tripod but I had a step ladder with me. So, I used it as a rest and was able to take some frames to make this HDR image. I’m pleased with how it turned out as it grabs what harvest time on the prairies is all about. I could have drove past, but I’m glad I seized the moment! :cool: