This is a total Photo Nerd Post. If that applies to you, please read on :cool:.
So I was doing an advertising campaign shoot yesterday and I decided it was high time to try out my new LumoPro LP180 flashes on a real job. I was shooting a high key setup that required 4 flashes to do. I setup my Nikon SBs as key and backlights and I wanted to use the LP180 as a kicker.
So I set it up and took some test shots. Nothing worked. It was like the LP180 was killing all the other flashes’ signals. So I turned it off, everything worked perfectly. Weird. Then I remember that I must have the slave mode in the wrong setting. So I changed it and still the setup wouldn’t work. I was totally buffaloed. I was able to borrow an SB-910 to help me finish the shoot but when I got home, I had to figure out what the heck was going on. I setup the flashes and started running through the slave mode settings on the LP-180. When I got to S2-3, thats when the magic happened. Everything was working perfectly and my two LP180s were triggering just fine within the Nikon CLS. I was using my SU-800 commander remote which I love, but I tested it also with the pop up flash on camera. Worked perfectly. So, if you shoot Nikon CLS and want to use the awesome LumoPro LP180 flash alongside your Nikon kit, fear not! It works flawlessly in the S2-3 slave configuration. Cheers!
Well shut my mouth! My new dynamic duo of LP180 flashes by LumoPro just arrived today. Shazam!! These flashes ROCK THE SET. This blog post will not be a lengthy review as the gurus and the wannabes have already put them up on YouTube. Here’s a cool vid from LumoPro!
I shoot Nikon CLS because it is convenient to us my SU-800 commander to control flash output from camera, and I won’t be leaving that system anytime soon. However, I wanted a couple more flashes. The problem is, Nikon CLS is an expensive premium to pay on every flash you buy. I thought about getting another SB-900 or 910, but they’re over $500 bones. The SB-700 is a good flash but still pricey at $350. And at most, I’d want the flashes to be accent lights or background lights or some such thing. But then LumoPro makes the best flash in the history of the world that you can quad sync (4 different ways), that comes with 2 sets of rocsco gels, that offers perfect, simple manual control, and I was totally sold . . . for $199 each! EACH! That’s awesome! It means that I bought 2 of these amazing flashes for less than one SB-910. Pure awesome!
Here’s the best thing in the world about these flashes besides all the above mentioned awesomeness:
Uh huh. That’s right sports fans! That LP180 flash comes with a built in 1/4 x 20 mount on the side so you can just attach the flash directly to a stand and blast light right down the axis of the umbrella/light mod. THAT’S AWESOME!!!!! The light comes directly to the center of the mod instead of upright on a hot shoe, which is always precarious at best anyways. This system makes SO MUCH sense. I wish Nikon would add it to all their flashes.
The optical slaves work awesome, I tried triggering them with my D800 and SU-800 and they work perfectly. Which means they can be triggered by the infrared commander I use for my normal lighting setups. Which means they will seamlessly integrate into my workflow, other than having to be adjusted manually for power output. Big whoop! I’ll walk the extra 5 feet for what I saved in not buying Nikon CLS speedlights.
Finally got a chance to use the X100s in a real world scenario. My good friend Susan from Susan Hill Photography had a wedding gig lined up and I asked if I could tag along as second shooter to really try out the Fuji. She graciously obliged. Not only was I using the X100s, I also got to try it out with my new pocket wizard plus x triggers. I’m happy to report that everything worked amazingly well. I confess though, that I’m naturally a telephoto-eyed shooter. So, I couldn’t leave my D800 at home. I had it with my 85mm f/1.8 on a black rapid strap as well as the Fuji. It truly was a dynamic duo as you get a pretty nice 35mm equivalent FOV from the Fuji and decent telephoto from the 85mm. And, the Fuji is so nice as a second camera because it is super lightweight. You can carry it around all day and not get played out. So all in all, it was a sweet mix. I just swapped the pocket wizard trigger back and forth from camera to camera as I needed to. I was using a simple one speedlight rig in a Photoflex octodome NXT XS on an ultralight LumoPro stand. It was a perfect on the move, versatile lighting setup.
I really wanted to push the Fuji on this gig. So I tried to use it as much as possible and it didn’t disappoint. Despite being a wide-ish angle lens, you can really get some nice subject isolation with it. The colour and skin tones are amazing. I shot everything in RAW and JPEG but the images on this blog entry are all JPEG – they are simply that good. And, they tweak very nicely in post.
Some stuff though is just made for telephoto and I did find myself swapping in the D800. I still believe that people look best shot with telephoto focal lengths. But the variety of having both cameras and not having to change lenses (hence lugging around WAY less kit) is pure awesome.
This wedding session was all formals with some candids with the big family at the end. We setup in the Carnduff golf course because after all, it’s May and there is still snow lying around… shudder. But, we did our best. So we found this little tranquil spot and knew we could do something with it. When I got home and looked at the file, it struck me. This image looks fake! It looks like my 1985 kindergarten portrait studio backdrop! I think it’s attributed to the being able to nuke the sun with the deadly combo of the Fuji’s built in 3 stop ND filter and higher sync speed. This one was f/2.8 at 1/500 via Pocket Wizards. Sweet sassy! I’m gonna like that capability more and more me thinks.
The other killer thing with a small, lightweight camera is that you can hand hold slow shutter speed shots no problem. There were a metric tonne of kidlets around for the big family photo and I thought, lets get them buzzing around the bride. With the ND filter still on, I cranked the aperture up to f/11 and dialled the shutter down to 1/30s. The bride is sharp handheld, the kids are pleasantly blurred. My only regret is not popping a wee bit o’ flash on the bride. It would have made for a stellar image. But one gets caught up in the moment.
All in all, it was a super fun 2 hours on duty with the Fuji. I love that it’s small, lightweight and ready for anything – like when all the kids in the family decide to start rolling down a goose crap encrusted golf course hill. It’s just there and ready to rock!