Way back in October I went to my cousin’s wedding in Saskatoon. My dad was the official photographer on the job. But I became a conscript shooter. No problemo. Because doing the gig got me the chance to use the epic Nikon 24mm f/1.4G. Dad’s friend Ham just happened to not be using this gem and wondered if I could put it to good use. One word: YEP. It’s near optical perfection. Unbelievable glass. I still love my 16-35 f/4 for events, but this 24 rocked the set. I slapped it on the D800, did a test shot for focus and used it for all the formals and the group work. Coupled with my 70-200 f/4, it was a dynamic duo. So it was a lot of fun from a photographic stand point.
But from a family stand point, it was even better. My cousins are insane! And this party was off the hook! It was a metric tonne of fun.
Now, as for the Beatles-esque post of the title, it never really hit me until I thought about it later. George was the bride’s last name. Paul was the groom’s last name. John was the groom’s brother. And Mike was the groom. Sorry Ringo, you just got ditched. So cheers to both Chelsea and Mikey! God grant you many years! It was an honour taking your pics!
Finally got a chance to use the X100s in a real world scenario. My good friend Susan from Susan Hill Photography had a wedding gig lined up and I asked if I could tag along as second shooter to really try out the Fuji. She graciously obliged. Not only was I using the X100s, I also got to try it out with my new pocket wizard plus x triggers. I’m happy to report that everything worked amazingly well. I confess though, that I’m naturally a telephoto-eyed shooter. So, I couldn’t leave my D800 at home. I had it with my 85mm f/1.8 on a black rapid strap as well as the Fuji. It truly was a dynamic duo as you get a pretty nice 35mm equivalent FOV from the Fuji and decent telephoto from the 85mm. And, the Fuji is so nice as a second camera because it is super lightweight. You can carry it around all day and not get played out. So all in all, it was a sweet mix. I just swapped the pocket wizard trigger back and forth from camera to camera as I needed to. I was using a simple one speedlight rig in a Photoflex octodome NXT XS on an ultralight LumoPro stand. It was a perfect on the move, versatile lighting setup.
I really wanted to push the Fuji on this gig. So I tried to use it as much as possible and it didn’t disappoint. Despite being a wide-ish angle lens, you can really get some nice subject isolation with it. The colour and skin tones are amazing. I shot everything in RAW and JPEG but the images on this blog entry are all JPEG – they are simply that good. And, they tweak very nicely in post.
Some stuff though is just made for telephoto and I did find myself swapping in the D800. I still believe that people look best shot with telephoto focal lengths. But the variety of having both cameras and not having to change lenses (hence lugging around WAY less kit) is pure awesome.
This wedding session was all formals with some candids with the big family at the end. We setup in the Carnduff golf course because after all, it’s May and there is still snow lying around… shudder. But, we did our best. So we found this little tranquil spot and knew we could do something with it. When I got home and looked at the file, it struck me. This image looks fake! It looks like my 1985 kindergarten portrait studio backdrop! I think it’s attributed to the being able to nuke the sun with the deadly combo of the Fuji’s built in 3 stop ND filter and higher sync speed. This one was f/2.8 at 1/500 via Pocket Wizards. Sweet sassy! I’m gonna like that capability more and more me thinks.
The other killer thing with a small, lightweight camera is that you can hand hold slow shutter speed shots no problem. There were a metric tonne of kidlets around for the big family photo and I thought, lets get them buzzing around the bride. With the ND filter still on, I cranked the aperture up to f/11 and dialled the shutter down to 1/30s. The bride is sharp handheld, the kids are pleasantly blurred. My only regret is not popping a wee bit o’ flash on the bride. It would have made for a stellar image. But one gets caught up in the moment.
All in all, it was a super fun 2 hours on duty with the Fuji. I love that it’s small, lightweight and ready for anything – like when all the kids in the family decide to start rolling down a goose crap encrusted golf course hill. It’s just there and ready to rock!
Recently on an episode of Fro Knows Photo, I watched the Fro & Greg edit a RAW file of some girl posed in a sitting position on a concrete ledge with a forest type background. At the end of the show, they were critiquing the shot such that it had been taken with a 50mm f/1.8 Canon. The general gist of what was said was that the bokeh on the 50mm 1.8 was not as pleasing as it could have been had the portrait been taken with a 70-200mm f/2.8.
Now, I happen to love 50mm primes. They are almost the perfect portrait lens on crop censor cameras, producing a sweet 75mm on my D300s. In fact, my new 50mm f/1.4 G lens should be arriving any day now. So while I wait, I decided to borrow a 70-200 f/2.8 lens from Jocelyn, setup my own miniature wedding photo shoot for John & Marsha and do a “which has better bokeh” test.
There are two main things going on that we need to be aware of: Bokeh & Compression. Bokeh is the Japanese word for “stuff that is out of focus in a photo.” Compression is described as an effect produced by a long lens (longer than 35mm) that smooshes and flattens backgrounds. It gives the effect of even more buttery bokeh. There are some people who contest this as a myth though.
For simplicity’s sake, longer telephoto lenses *should* produce more pleasing bokeh because it is “compressed” in addition to being out of focus. This is where Greg was coming from on the Fro episode. So, let’s check the results of my mini-field test and you can make up your own conclusions.
The situation was that John and Marsha surrounded by background and foreground elements (pineapple, spiderplant, gerbs and a happy face flower resting on two toddler chairs and a brick wall). This simulates a wedding couple in a park area with some trees & shrubs and thick forest behind them. The lenses used were Nikkor 70-200mm f/2.8 VR, 70-300mm f/4.5-5.6 VR, 105mm f/2.8 VR macro, and a 50mm f/1.8. All the lenses were mounted on a D300s on a tripod using mirror lock up and a cable release with VR off. Light levels and ISO remained constant. Distance was slightly changed to try and maintain similar perspective.
Here is a gallery of the results:
What do you think? Which lens has the most pleasing Bokeh? Which lens produces the most pleasing portrait?