So my newborn is like 5 months old. Where did that go?!! And, because she is the 4th child, I basically have no photos of her. LOL. The first kid always has 50 billion photos and the subsequent kids grow up to think that nobody loves them! 🤣 But rest assured baby number 4, we do love thee!
I grabbed the Fuji X-Pro2 and the trusty 50mm f/2 lens and took some candids in the window light. All of these photos are completely unedited, other than the resize for the blog. Fuji absolutely nails skin tones. Every. Single. Time.
I shot all of these images in JPEG and used the various film simulation modes. The warmer ones were Astia and the cooler ones are Classic Chrome. I think the warmth of Astia is a little bit nice for a baby especially one as doughy as my Esther. 😊
I was having some weird focusing issues with the 50mm earlier in the year. It seemed to back focus quite a bit/randomly. I was happy to see that this shoot seemed to nail focus pretty good, yielding some super sharp results at 100% crop. The Fuji face/eye detect setting works surprisingly well and is no gimmick. I’ll be using that setup forever when shooting this lens wide open.
The other thing I love to death about the film simulation modes is ACROS. This yields such glorious black and white images it’s scary. To think that you can get this kind of look in camera with no extra editing? It’s just awesome. I’ve always been a huge fan of ACROS and the really nice “filmic” type grain it has. I setup my Q menu settings with NR -2, Across with a Yellow filter (makes skin glow a bit), Highlight & Shadow Tone -1 and Sharp +1. It seems to yield pretty nice results.
For another look at the various filter effects with ACROS, look at this page. It has some really good side by side comparison. The green filter would be better for character portraits to flatten out the skin a bit. But for doughy babies, yellow is where it’s at! 😎
So we had some really neat chunky snow flakes the other day. I ran out early in the morning and nabbed a few macro photos while the wind was low. The trusty 105mm Nikkor and the stalwart Nikon D800 were the weapons of choice for this hunt – maximum resolution and resolving power!
It’s incredible to see the intricacies of frozen water up close like this. I have included a square cropped image here of the larger picture to see more of the detail.
It’s pretty wild stuff to see!
The “ball” images above here are frozen chokecherries. They are almost the same image, the only difference is lighting. On the darker blue image I lit the chokecherry with a flashlight in close and feathered a bit to give the image some shape and specular highlights – which we didn’t get with the flat cloudy ambient light. #Sparkle 🤩
In this block of images you can see the crops of the above. The creative genius of God on display for our viewing pleasure! 😎👍🙏