The Crocuses have once again returned to the prairies. I saw the most perfect one ever today out back on the prairie and I went back to get a couple macro shots.
Here is the hi-tech lighting setup. Full noon day sun through a reflector scrim. Really nice wrapping and soft light. Nikon D800 with the 105mm macro lens.
They truly are a magnificent aspect of prairie life! 😎
Hey! When winter time rolls around, my cameras basically never see the light of day. If they get any use, it’s all indoors. I’ve got some posts coming up about indoor macro work I have been doing but in terms of getting outside, forgetaboutit! It’s way too cold and miserable for me to mess around with gear.
That said, I couldn’t help myself yesterday. There were the most incredible sundogs I’ve ever seen! It was -50 BillionºC but I ran out with the D800 and 16-35mm f/4 lens. There was this “double rainbow” sundog that I’ve never encountered up above the complete ring around the sun. It was worth freezing my baguettes off! 🤣
They were impressive enough in the landscape orientation but even with 16mm I couldn’t get in that top reflection so portrait orientation won the day! ☀️🐶
Wishing all my clients, friends and family a very Merry Christmas and a wonderfully photo-filled 2019! All of God’s richest blessings! 🙏😎
👉 Photo Credit to Tatum Duryba of Paper Moon Photography.
So my newborn is like 5 months old. Where did that go?!! And, because she is the 4th child, I basically have no photos of her. LOL. The first kid always has 50 billion photos and the subsequent kids grow up to think that nobody loves them! 🤣 But rest assured baby number 4, we do love thee!
I grabbed the Fuji X-Pro2 and the trusty 50mm f/2 lens and took some candids in the window light. All of these photos are completely unedited, other than the resize for the blog. Fuji absolutely nails skin tones. Every. Single. Time.
I shot all of these images in JPEG and used the various film simulation modes. The warmer ones were Astia and the cooler ones are Classic Chrome. I think the warmth of Astia is a little bit nice for a baby especially one as doughy as my Esther. 😊
I was having some weird focusing issues with the 50mm earlier in the year. It seemed to back focus quite a bit/randomly. I was happy to see that this shoot seemed to nail focus pretty good, yielding some super sharp results at 100% crop. The Fuji face/eye detect setting works surprisingly well and is no gimmick. I’ll be using that setup forever when shooting this lens wide open.
The other thing I love to death about the film simulation modes is ACROS. This yields such glorious black and white images it’s scary. To think that you can get this kind of look in camera with no extra editing? It’s just awesome. I’ve always been a huge fan of ACROS and the really nice “filmic” type grain it has. I setup my Q menu settings with NR -2, Across with a Yellow filter (makes skin glow a bit), Highlight & Shadow Tone -1 and Sharp +1. It seems to yield pretty nice results.
For another look at the various filter effects with ACROS, look at this page. It has some really good side by side comparison. The green filter would be better for character portraits to flatten out the skin a bit. But for doughy babies, yellow is where it’s at! 😎
So we had some really neat chunky snow flakes the other day. I ran out early in the morning and nabbed a few macro photos while the wind was low. The trusty 105mm Nikkor and the stalwart Nikon D800 were the weapons of choice for this hunt – maximum resolution and resolving power!
It’s incredible to see the intricacies of frozen water up close like this. I have included a square cropped image here of the larger picture to see more of the detail.
It’s pretty wild stuff to see!
The “ball” images above here are frozen chokecherries. They are almost the same image, the only difference is lighting. On the darker blue image I lit the chokecherry with a flashlight in close and feathered a bit to give the image some shape and specular highlights – which we didn’t get with the flat cloudy ambient light. #Sparkle 🤩
In this block of images you can see the crops of the above. The creative genius of God on display for our viewing pleasure! 😎👍🙏
This is just a quick blog post showing how I was shooting some macro shots of my favourite cameras this evening.
This behind the scenes iPhone shot shows the exceedingly crude setup. Main light is an AlienBee 1600 through a gridded Photoflex soft box. I setup my home made scrim as a big reflector and did a simple blue gelled flash pointed at the back wall to give a bit of colour. Very simple setup with a decent result.
I also shot the good ol’ Nikon Df with an old 28mm manual focus lens from 19 diggity 5. I took more of a macro approach with this shot and used that same blue flash to add that hint of glancing colour to the shadow side. The blue sets it off just that extra little bit.
I shot the same kind of angle of the X-Pro2 but it doesn’t work as well to me. The X-Pro2 is more minimalistic in its design, lending to a more covert external appearance anyways (which I like). There’s just not as much going on for the accent light to bring attention too. Anyways, just a fun little shoot for something to do.
Here’s a link to the Nikon photo in 4K resolution. I shot all these files with the Nikon D800 RAW so there’s resolution to burn. 😎👍
I was out for a little nature walk the other day. I took the D800 and my 105mm Nikkor macro lens which I haven’t shot in a long time. With macro, you need a good tripod to be locked down tight. And, you need cooperative subjects (read: not windy) that stay still. But this particular day I didn’t bring a tripod. In fact, I didn’t even focus. On purpose. With most macro and landscape photography, you want hyperfocal focus and even focus stacking to get a big, crisp, tack sharp photo as the end result. But what would happen if you did nature photography out of focus??
It creates a pretty wild, abstract, bokehlicious result! Give it a whirl! 😎👍
On Saturday August 4 and Sunday August 5th the “Auction of the Century” was held at the Gervais family farm at Alida, SK. I had the gracious invite to come out early and take some photos of the immense collection of Saskatchewan history that was going up for sale. You can check out the Mac Auction site for the sale that includes the complete list of items that were for sale. Words fail 100% at trying to describe the enormity of this collection. It was the lifetime work and passion of Alex Gervais. You can read more in this CBC news article. To say this auction was mind blowing in every conceivable way is a gross understatement!
I went up to check out the sale and took along the FujiFilm XPro-2 with the 23mm f/2 lens. One camera. One lens. One epic location. I primarily shot with my Tri-X film simulation configuration. It’s a very contrasty black and white which helped set the mood for this series of photographs. There was some colour provided also, generally in the Classic Chrome and a few Velvia simulations.
The extreme versatility of the 23mm (35mm full frame) makes it a nearly perfect travel/event lens. It’s pretty fast at f/2. You can get pretty close with it for faux-macro work and yet it’s still fairly wide-ish for the landscape aspect.
And, it’s so, so compact. The more I shoot with my Fuji system the harder it is to return to full frame Nikon setup. I still really like my full frame stuff, but it gets tiresome to lug around all the equipment. The Fuji system makes for a very lightweight, out-of-the-way feeling kit.
I chose to move in and get more detailed/segments of the sale items. This perspective lens a more familiar feel to the images as opposed to a zoomed out/all in aspect that is captured in the sale images. To me it speaks more of Alex’s personal connection to the collection. The vintage vehicles were unbelievable and were in amazing condition for their age. They made for such cool and uncommon photo subjects. The breadth and variety of the Gervais collection was truly staggering.
The detail and character of the vehicles can’t be over stated enough. You could spend hours and hours just staring at the history that was before you!
I regret that I couldn’t be at the actual sale itself. It was the same weekend that my Sister in Law was getting married. I couldn’t really skip out on that as I was officiating the service! 🤣 But the family told me there were thousands and thousands of people that came to partake of this once in a lifetime sale. I was very happy to have been able to capture a bit of the collection for myself in these images.
Well at long last I’m finally putting up a blog entry about our latest baby! Esther came into our lives as an unexpected surprise and we couldn’t be happier. She’s such a wonderful baby with all the bells and whistles of sleeping amazingly through the night and not being fussy at all. We’ve been over the moon getting back into baby mode since the end of June. All of our other kids were fairly close together which, in hindsight, was tricky because you had to keep toddlers alive whilst having a newborn! This time round, we’ve got lots of big kids to change diapers and truly help out. Esther is probably the easiest baby we’ve had because of that! 😎
So for the birth announcement we did a couple of shoots. The first one was the soft newborn baby kind of shoot that everybody likes. The only problem was that Esther was 10 days overdue and more active/alert than most sleepy newborns. We managed to nab a shot that we eventually went with for the announcement.
This was shot on a bean bag chair with some extra blankets to support her, all on top of a big ultra soft blanket that went back to a stand to make it look like a seamless type setup. It was light with a huge 60″ soft lighter to make it really soft and wrapping like north facing window light. It was shot with a FujiFilm XPro2 with a 50mm f/2 lens in an Astia film simulation (I think).
I also did another shoot on a white seamless setup as well with the fascinator and frilly dress. It was soooo over the top but she smiled so cute. This photo nearly made the cut for the announcement but in the end we went with the other.
One winning setup for a siblings shot is just to put them all on the floor like we did here. That way they are all in the shot and (hopefully) looking the same direction. Again I lit them all with that same big soft lighter and an Alienbee 1600. It’s got lots of big light volume for a nice even wash of light. The sibling groups were also shot with the FujiFilm XPro2 with the 23mm lens, all JPEG. The skin tones from the Fuji colour are superb!
Well, needless to say I’ve been quite busy with family and work but I’m happy to get this blog post up. Thanks for tuning in! More to come… 😎