What happens when you mix hockey, baseball and gorgeous grad dress? Enter: Morgan!
For Morgan we did lots of the “nice” grad photos that Grandma wants to see. But then, we also hammered out some pretty cool athletic styled shots as well. We did some cool blue rim lights to compliment the blue dress and the orange bat. It really spiced up a traditional Grad shoot. I shot these with a 3 light setup. Two LumoPro LP180 flashes gelled blue for the rims and an Alien Bee 1600 through a Photoflex gridded softbox for the key. Despite the cloud cover, there was major ambient light to overcome. The final camera settings were ISO 100 f/13 1/200! To light everything up to f/13 through a modifier takes major watt seconds.
All in all we had a great time and captured a pretty good variety of photos! Thanks again and all the best to Morgan in the future!
Whenever you get to shoot a dancer, your day improves by at least 17%! They always have a keen sense of motion and shape which for photographers is a super blessing. Most people are unnatural in front of a camera. They are either uncharacteristically stiff or fake smiling. Dancers though have this 6th sense which makes the usual go far, far away.
We were able to do quite a few dance shots in unconventional places. This shot was lit with a speed light in simple white shoot through umbrella boomed overhead.
It was back to my favourite blue wall to get this shot. Amy was super full of life which made this shoot a lot of fun. All the best, Amy! You are going places!
I had a wonderful grad shoot with Hannah! She’s full of character and gave lots of creative energy to the session. It was another beautiful day for a shoot.
This blue wall is really cool. It provides a fun backdrop for some off the wall shots!
We ended the shoot back at the farm with some horse photos. The aptly named “Boo” was Hannah’s baby and he really put on a show for us too! What a smile!
Thanks for the good times and great shots Hannah!
Grad shoots are all but wrapped up now for 2018! It was probably the most random time of my life shooting photos this year as our 4th child was due at exactly the same time as these shoots were piling up! She was overdue which got quite dicey trying to schedule everything. But it all worked out and for that I am supremely thankful!
I started my Oxbow grad run this year with Michaela. What a great day we had. It was before the 17 billion mosquitos set in and before the weather got sweltering hot! The image at the top of this post was the last frame I shot during the shoot and I love how it turned out. We had a great sky and the colour contrast of her dress and the grass is super.
For this image we were working in full sun. I tried a new trick that actually worked really well. I held up a white shoot thru umbrella to modify the natural hard sunlight. It put Michaela into uniform shadow and caused her to be lit with this beautiful soft wrapping light that looks like flash but is all natural. I’ll keep this setup in the tickle trunk for the future for sure.
All in all we had a great shoot and got some nice shots! All the best Michaela in the future!
It’s a super cool experience taking grad photos for people you’ve known since they were little. Shawna is one of those such people for me. It’s hard to believe she’s graduating! The time has gone by far too fast!
This photo below here is Shawna beside a tree she planted on the first day of Kindergarten! How fitting to have a photo beside it when she graduated!
All the best & God bless, Shawna! You’re going to go far!
Every year the Frey family has their Bull Sale. It’s a wonderful family tradition. I was able to attend this year and did a little bit of event photography for them. It was a very difficult sale as Melissa Frey’s father Tommy just passed away literally the night before. As a result there was a very somber mood to the sale that is characteristically upbeat. Everyone carried on and made it through but it was tough.
The sale invites buyers to come to the farm and take a look at the bulls and the heifers. This year they had video footage of the stock and played the videos on a television screen during the auction sale so that you don’t have to get the animals riled up walking through a show ring. It makes for a much better experience all round.
As you can tell from the photos, Freyburn Farms raise Black Angus cattle. The Angus association has done a wonderful job promoting the breed, especially for meat. You can go into many chain restaurants and in the menus they will often boldly say “Black Angus Steak!” They are a very biddable breed and generally good to manage.
It’s really fun to attend the sale. It’s a very family friendly atmosphere and the Frey’s are exceedingly welcoming and gracious hosts. If you like pie, it is the place to be!
I was doing a two camera setup for this shoot. FujiFilm X-Pro2 with a 50mm and my Nikon Df with a 16-35mm. I have always found a super wide angle to be very helpful in event photography and the Fuji system kept the system light and mobile on the telephoto end.
All in all it was a really great sale, despite having to deal with very tough family circumstances. Coming together as family and friends and enduring the challenges in the hard times is what gives prairie people their true grit.
I haven’t been shooting much Macro Photography as of late. And there is no greater bang for your photo buck than a macro lens. It is super versatile! But I do really like it as a genre. I find it very relaxing (in a Shaolin Monk balancing on one finger kind of way). It’s a very precise art form. It varies considerably from taking photos of people. There is a similarity in the patience and preparation needed to get a great shot. My Mom gave us a bleeding heart plant and we put it in our front garden. Every year it comes back and blooms these beautiful little flowers. I’ve been meaning to photograph it for a few years now and never got around to it. So last night I went for broke and got these two shots I was happy with.
Here’s a behind the scenes iPhone photo of how I made the images. I was using a speed light in an orbis ring flash for the main light. For a kicker on the top image I used an OLight S1 Baton. That little extra bit of light really adds to the 3D quality of the image. The bottom image was just the orbis from above instead of on axis to give the shot a more “studio” quality light feel.
We went up to the Red Barn north of Kenosee Lake a couple of Sundays ago. It’s quite the place. They have live entertainment, a market with all kinds of sellers and crafts and all around fun atmosphere. We checked it out for a while and used the opportunity to test out my 23mm f2 WR lens from Fuji. As I mentioned in my last blog post, it’s a stellar lens. Not too wide and not too close, that 35mm on full frame is nearly a perfect lens for human group life.
It allows you get a cool perspective on life. If you back up, you get more. If you get closer, you get more.
From the Barn we went into Kenosee lake park. I wanted to take some maternity pics of my wife before she had the baby. (This is the ideal way to do maternity photos. lol). For the maternity shoot I relied upon my 50mm Fuji lens. It’s a really sweet stunner at an oddish 76mm full frame equivalent. Not many lenses were made at that focal length which adds to the unique feel of the images it produces.
We went to the beach and let the kids splash and play a bit and I captured a few more candids using all the “FujiCrons”.
We finished out our time at Kenosee by capturing a few more family pictures by the chalet. It’s such an incredible building and asset to the park! I shot a lot in ACROS film simulation which I LOVE. I have no problem ditching Fuji’s amazing colour for Black and White when using ACROS. I know I could shoot RAW and have it all but I love the Fuji JPEGs so much that I don’t even bother. There is something magical about ACROS!
Well I finally completed my collection of Fuji Lenses. I got the last of the “FujiCron” series – Fuji’s f2 WR lenses. The first was the 35mm (50mm full frame equivalent) which I took to Vegas. Then I got the 50mm (76mmFF) which gets me back to my preferred focal length neighbourhood of gateway telephoto. And finally, I sold my XE2 & 18-55 setup and bought the 23mm (35FF). This whole series of lenses is super fantastic. They are sharp and optically sweet even wide open and above everything else, they are compact. I can carry the XPro2, the 3 lenses, spare batteries and more in a small Domke bag. It’s an ideal travel setup.
I really like the 23mm/35mm focal length. It’s a really versatile way to view the world. I find it superb for environmental portraits. It shows just enough background with emphasis on the subject.
The other night we had our Souris Moose Creek Adventure Club night kayaking and canoeing along the Souris river. I threw the off camera flash bag in as well and waited for the sun to dip a bit. I had with my favourite flash of choice: LumoPro LP180. If Tony Stark invented a flash, it would be this one. It’s all manual for ultimate control. And thrown through an umbrella up close it does a great job.
I was shooting the XPro2 in Astia and Classic Chrome simulations. It kind of made for a cool colour contrast along the water.
All in all I can’t recommend the “FujiCrons” enough. I really love using them and they always do a fabulous job. One of the images in this post is an iPhone 7 photo. See if you can spot which one it is!
First of all, Christ is Risen! He is Risen Indeed! Alleluia! A blessed Easter season to everyone! As is my tradition, every year I give up shaving for Lent. My Lenten beard is both legendary as well as epic (LOL). I also usually try to do a collection of beards as I shave the beard off, taking some photos as I go as a joke.
My setup was in the garage. I had my ratty grey backdrop and 3 speed lights to do these photos. The background light was a LumoPro 180 gelled with 2 cuts of various colours. The kicker light was my SB-900 (which has a broken locking mechanism -BOO!) also gelled. And the key was another LumoPro 180 gelled 1/2 CTO in a gridded softbox. Everything was triggered with one Phottix Ares trigger, the other two flashes on slave mode.
This shot was just the softbox alone. Very moody light with deep shadows. The grid helps focus the light in one area.
This next shot (which will be my avatar for 2018) is using the three light setup. 2 cuts of drama blue on the background. 2 cuts of CTO for the kicker. 1/2 CTO in the softbox. I held a reflector out front for some fill & sunglass highlights.
The final shot was basically the same, I simply changed the gels and moved the background light in closer to the background for quicker fall off.
It’s a really simple and effective way to do a headshot. The real special sauce though was using the XPRO2 and the 50mm WR lens – basically a 76mm equivalent. It’s an excellent length for headshots and very versatile. The best part though was being able to control the camera from my cellphone app. That’s awesome. I could focus the camera and take the photo super easy. Makes such tasks really fast. And, because you can see the image as you are making it, it means very little editing. Like maybe a vignette. Thats it. It’s soooo efficient. Love Fuji!
As the weather (hopefully) will be warming up soon, I’ll have more frequent blog posts. Have a wonderful Easter season and see you soon!