Leica just officially released the M-D Typ 262 camera. You’ll quickly notice that the back of the camera takes us back to the first digital cameras . . . that didn’t have LCD screens.
That’s right, sports fans, no viewing your photos on the back of the camera. No chimping. No showing others your great shots on camera. Nope. You gotta wait until you get home and
get your film back from the lab hook up to a computer. Immediately the camera was met with criticism on the inter webs:
It is true that Leica does now have the reputation of being a boutique camera for the rich and or famous. It’s always focused on the essentials (Das Wesentliche) in having very no frills operation, no AutoFocus until recent models, no video, etc. It has remained stalwartly old fashioned in the modern hi-tech era of photography. But taking away the LCD? It’s a bit odd.
However, I wonder if such an
advancement development would change the photographic experience? People go on and on and on about how photography isn’t about gear, it’s about developing your eye and looking for moments and colour and gesture and seeing etc. It’s not about the gear you use. It’s a nice sentiment, especially for making beginners feel great about photography and not self conscious about pro-level gear they can’t afford. But it’s also total BS.
Gear does make a difference to photography. It affords capability and quality that is not otherwise achievable. This is why pros use zillion dollar pro gear. It gives them an edge on the competition as well as ability to nab photos they otherwise couldn’t get. Like shooting at ISO 5 billion in the dark and still getting a usable photo. But not only these practical things, the gear actually changes the photos. It alters the way a photographer shoots. People who use Medium Format make different photos from the person using the iPhone camera. Likewise when people switch to mirrorless. They find that not lugging around the big heavy DSLR gear all day changes their photography. Using a fixed prime instead of a kit zoom changes the photography.
So what about removing the LCD screen? Will that change one’s photography? Yep. I’ll bet it would. One, you’d be more careful. No spray and pray shooting. You’d have to be extra conscious and aware during the photo taking process to make sure you had the exposure and composition right – because you won’t know until your looking at it on a screen back home, long after the fact. This alone would make everyones’ photography better. The film guys were careful. They were thoughtful. There was a level of “critical” that is almost gone in the digital age. There was some finality to the roll of film in a way that there isn’t with high capacity memory cards affording metric tonnes of available shots.
Ditching the LCD, will it bring back the ‘film thrill’? I don’t know. It would scare me to be honest. I rely heavily on the LCD in my photography. I’m always chimping, always checking the light and the highlights. It’s a part of my photography now. I’m sure I’d find not having the crutch there unnerving. But it also might be a freeing thing too. What do you think? Boutique camera with a stupid gimmick or photographic genius in the making?
PS: I wrote my article here before watching the video.😎
Very cool video worth a watch! Amazing to see how photography has exploded so rapidly, largely thanks to the iPhone.
Ok, well, here’s my quick experiment. These comparisons are never ever 100% but it does give a good idea. I normalized the settings in camera and then adjusted the Dynamic Range in post. The D800 sensor is more sensitive to light than the Fuji is so I had to bring up the Fuji file and bring down the Nikon. These files are JPEGs that haven’t been adjusted (other than the Dynamic Range tweaks and exported to web size). Fuji was in Pro Neg Std. Nikon was in the default Portrait picture control. These are both the suggested portrait settings from the manufacturers.
To my eye, the Fuji file is much, much more pleasing in the skin tones and over all colour. I guess this is completely up to personal preference in the end. But I could easily shoot Fuji JPEG for people photos for the rest of my life and be happy. To me the Nikon files almost always have a yellow undertone to the skin that must be overcome, which is why I always shoot Nikon in RAW. I don’t know for sure, but I’m wondering if Nikon colour was optimized for Asian skin tones. It would make sense to boost that skin colour’s tonality. But on caucasian skin it comes across almost jaundice to my eye. The Fuji files don’t seem to have that colour push. Maybe the X-Trans sensor is more precise in colour handling. Might just be a white balance tweaking question. Let me know what you think.
2016 is not only the year that Nikon got its mojo back, but it is FujiFilm’s year to shine! Since the release announcement of the X-Pro2, X-E2s, X-70 and sweet new telephoto lens, the interwebs have been a buzz with excitement. I’m no different. I’ve been with the X-System for 3 years now when I got the X100s – still a goto camera for me. It’s been an omnipresent companion on all my family trips and events because of the size/ergonomics and of course phenomenal image quality & colour rendition from a crop sensor. I still love that camera and will never sell it.
I’m totally stoked for the X-Pro2. The first version was a fantastic camera with its own quirks and quickly rose to cult status – as did the whole X-System really. While other manufacturers continue to pump out updated models, FujiFilm takes their time. They make their current products better with firmware updates. That immediately garnered my respect. Sure, lots of manufacturers fix up bugs in their products with firmware updates, but seldom if ever do they add new features. Instead, you must buy the updated release version to get them. I love FujiFilm!
The X-Pro2 caught my attention because it is the long awaited update to the classic first version. I knew that Fuji would take their time, gain input from photographers who know and love their products, and then produce an amazing camera that people can’t wait to purchase. They have not disappointed! There are already several amazing reviews/first impression blogs & videos up now. As I haven’t actually seen or used the camera in real life I have nothing of value to add to the discussion. However, the features I’m most interested in are as follows.
The first thing is that they’ve done a great job in making the camera weather resistant. The new Fujinon lenses will all be weather sealed too. This really puts the “Pro” in X-Pro2. I’m thinking of wedding photographers or landscape people or even travel documentary photographers. Having gear that can keep up to the elements is a must.
Also hardware wise, I’m delighted to hear that it has dual SD card slots. This in my mind is another Pro feature. Whether for redundancy on critical wedding jobs or over flow or a JPEG/RAW workflow, this is an excellent feature to have. Glad they included a UHS-II slot too for fast data transfer. This will help immensely for buffer clearing, especially RAW files which will be bigger on the all new 24MP sensor. This is a welcome jump up from 16 in my books. FujiFilm colour and skin tones are absolutely incredible. And now with 24MP, you get more glorious pixels of both. And phenomenal high ISO performance as well. So exciting!
Another feature I’m really excited about is the new ACROS black and white film simulation. I’m a huge fan of Fuji black and white straight out of camera. In fact, I almost never shoot my X100s in RAW. The JPEGs are so great and I love the colour so much I just go JPEG. Especially for black and white. But now to have a really punchy and contrasty black and white option in the ACROS film simulation, it’s all kicked up to notches unknown to mankind. I’m looking at you Leica Monochrom! It will be great to see how the new X-Trans sensor handles the B&W tonality.
Another upgrade that may not seem like much is the sync speed for flash bumping up to 1/250s. This is awesome! I love using my X100s for flash stuff because of the leaf shutter and syncing capabilities it has. But to get that extra wee smidgeon of ambient killing power from 250 instead of 180 does help quite a bit. I’m dying to shoot the new X-Pro2 with some telephoto glass for portrait work. So far I’ve only ever shot the 23mm/35mm lens on the X100s. But if I could get the 90mm f/2 or the 56mm 1.2, I’d be a happy portraitist indeed.
There’s a zillion other features about the X-Pro2 that others have already commented on and will continue to do in the weeks to come. The stuff I listed just scratches the surface of what will undoubtedly become another classic camera for Fuji.
If you want one, get on the pre-order list ASAP. If you order from The Camera Store, they have a promo discount on the new 35mm f/2 lens as well.
Congratulations FujiFilm! 2016 is your year to shine!
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera.😎 Check out the full video review here:
I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible. Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers!😀
We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.
It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.
I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:
It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.
Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.
You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!
Here is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.
Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill.😎
My whole entire life just got incredibly busy! More on that later! But in the mean time, Nikon Canada sent me the latest Nikon 1 camera to play with. The V3 is a sleek new mirrorless camera from Nikon and it is a tremendous upgrade from the V1 that I currently own. When I was contacted about doing the product test, I had my choice of the 1 Series lenses to try out. I opted for the 18.5 f/1.8 lens. I wanted to see how a fast aperture would work on the little camera. In a nutshell, it works great! There are so many features about this camera that are really impressive. One is the wifi. Having the built-in ability to transfer and view files on your phone from the camera is awesome. You can use the free wifi utility app to take pictures too, though the functionality of that feature is quite limited. More details to come about this experience though.
I shot the above photo this morning using the FT1 mount adapter I also requested from Nikon. I’ve wanted to try this since it came out and haven’t had the opportunity. As I have a bunch of Full Frame Nikon glass at my disposal when you strap them onto the tiny mirrorless system it unleashes all kinds of creative opportunities. I can see two really practical applications in the incredibly awesome telephoto reach this combination of a tiny sensor and big lenses gives you. (2.7x crop factor makes my 200mm f/4 lens a 540mm f/4!). But also the macro possibilities are exciting as well. That small 18MP sensor will capture a load of detail.
Also, I wanted to see how Nikon had improved the CX sensor’s low light performance. So far it is looking fantastic. The image above was taken at 3200 ISO and it looks very good. Both of these images here were transferred straight out of the camera with no post processing. So, on the first glance, the V3 looks like a super camera! I’m sure consumers who would likely buy an entry level DSLR will find the V3 sufficient for their needs and beyond. I’ll probably do a video review of this setup in the near future and discuss it in more detail. I’m impressed so far and the articulating touch screen is awesome!😎
My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.
That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.
I wanted to pretend I had a Leica.😎 I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.
It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.
I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.
I wanted to try it out. But I don’t really live near any streets. LOL.😎 I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.
Just compose and boom!
It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!
Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.