So I just got the Nikon 24mm 1.8G lens. My overall Nikon kit was lacking a fast aperture wide angle option. So now the Nikon bag is full. I’m rounding out my 85mm & 50mm 1.8G collection with the 24mm. This compliments my 16-35mm f/4 & 70-200 f/4 with fast primes. I’m really pleased with the lens so far, though I haven’t sufficiently put the lens through it’s paces yet – it’s coming soon.
Here’s a couple of sample photos from it, focusing on bokeh & centre sharpness. This lens is phenomenal wide open. The bokeh is as good as it gets for a wide angle (which aren’t known for being cream-cheese soft).
I’ll focus on this 100% crop. This was shot wide open at ISO 800 with window light. The detail of the eye lashes is unreal! The lens stacks up really well on the D800. Shooting on anything less will be even better, as the D800 sensor is pretty tough on glass.
So there you go. More review to come on this one in the near future, but suffice it to say, the lens is fantastic sharp, and very light and manageable. 😎
I’ve always wanted a long telephoto lens for the Fuji X system because I love love love the skin tones & nuanced colour that Fuji produces. I saw the K&F Concept lens adapter for Nikon G/AI lenses to the X mount for a mind blowing $30 bones on Amazon. I didn’t have any high hopes at all about the quality or usability of the adaptor but for the cheap price, how wrong could a guy go? So I got one shipped out.
I opened the box and was blown away. The whole thing is metal. It has a built in aperture control for Nikon’s new G lenses that don’t have an aperture ring. And it works to keep the lens wide open, stopped all the way down and a couple of in between settings that are largely guesses. None of the settings register with the camera because there is no communication between camera and lens. It’s just a simple adaptor. So it’s manual everything. But Fuji’s focus peaking even at 1.8 is a snap. Works great!
I slapped on the 70-200 f/4 which balances decently with the small camera body. You could shoot wildlife with it gaining the extra reach of the crop sensor but manual focus on fast moving subjects requires ninja like reflexes that I no longer possess.
But for portrait stuff………
I’d say it works just fine. These two sample images are straight out of camera other than my resize for web lightroom setting. Here’s a 100% crop of Phoebe’s eye:
It is tack sharp! This is wide open too. You’ll see from the included info that the camera only records the shutter speed & ISO settings. Aperture is not and for some reason it defaults to a 50mm lens. But the results are awesome. The skin tones are so, so great. And it’s sharp! Did I say that already? So this image is 200mm 1/180 ISO 200 handheld JPEG shot with a Nikon SB-900 through a Lumiquest Softbox III triggered with Phottix Ares triggers! How’s that a for a FrankenSetup!? lol
I love Fuji lenses and they rock the set. But for 30 bucks, you can’t go wrong with the K&F Concept adaptor. Highly recommend picking one up!
Leica just officially released the M-D Typ 262 camera. You’ll quickly notice that the back of the camera takes us back to the first digital cameras . . . that didn’t have LCD screens.
That’s right, sports fans, no viewing your photos on the back of the camera. No chimping. No showing others your great shots on camera. Nope. You gotta wait until you get home and
get your film back from the lab hook up to a computer. Immediately the camera was met with criticism on the inter webs:
It is true that Leica does now have the reputation of being a boutique camera for the rich and or famous. It’s always focused on the essentials (Das Wesentliche) in having very no frills operation, no AutoFocus until recent models, no video, etc. It has remained stalwartly old fashioned in the modern hi-tech era of photography. But taking away the LCD? It’s a bit odd.
However, I wonder if such an
advancement development would change the photographic experience? People go on and on and on about how photography isn’t about gear, it’s about developing your eye and looking for moments and colour and gesture and seeing etc. It’s not about the gear you use. It’s a nice sentiment, especially for making beginners feel great about photography and not self conscious about pro-level gear they can’t afford. But it’s also total BS.
Gear does make a difference to photography. It affords capability and quality that is not otherwise achievable. This is why pros use zillion dollar pro gear. It gives them an edge on the competition as well as ability to nab photos they otherwise couldn’t get. Like shooting at ISO 5 billion in the dark and still getting a usable photo. But not only these practical things, the gear actually changes the photos. It alters the way a photographer shoots. People who use Medium Format make different photos from the person using the iPhone camera. Likewise when people switch to mirrorless. They find that not lugging around the big heavy DSLR gear all day changes their photography. Using a fixed prime instead of a kit zoom changes the photography.
So what about removing the LCD screen? Will that change one’s photography? Yep. I’ll bet it would. One, you’d be more careful. No spray and pray shooting. You’d have to be extra conscious and aware during the photo taking process to make sure you had the exposure and composition right – because you won’t know until your looking at it on a screen back home, long after the fact. This alone would make everyones’ photography better. The film guys were careful. They were thoughtful. There was a level of “critical” that is almost gone in the digital age. There was some finality to the roll of film in a way that there isn’t with high capacity memory cards affording metric tonnes of available shots.
Ditching the LCD, will it bring back the ‘film thrill’? I don’t know. It would scare me to be honest. I rely heavily on the LCD in my photography. I’m always chimping, always checking the light and the highlights. It’s a part of my photography now. I’m sure I’d find not having the crutch there unnerving. But it also might be a freeing thing too. What do you think? Boutique camera with a stupid gimmick or photographic genius in the making?
PS: I wrote my article here before watching the video. 😎
Very cool video worth a watch! Amazing to see how photography has exploded so rapidly, largely thanks to the iPhone.
Ok, well, here’s my quick experiment. These comparisons are never ever 100% but it does give a good idea. I normalized the settings in camera and then adjusted the Dynamic Range in post. The D800 sensor is more sensitive to light than the Fuji is so I had to bring up the Fuji file and bring down the Nikon. These files are JPEGs that haven’t been adjusted (other than the Dynamic Range tweaks and exported to web size). Fuji was in Pro Neg Std. Nikon was in the default Portrait picture control. These are both the suggested portrait settings from the manufacturers.
To my eye, the Fuji file is much, much more pleasing in the skin tones and over all colour. I guess this is completely up to personal preference in the end. But I could easily shoot Fuji JPEG for people photos for the rest of my life and be happy. To me the Nikon files almost always have a yellow undertone to the skin that must be overcome, which is why I always shoot Nikon in RAW. I don’t know for sure, but I’m wondering if Nikon colour was optimized for Asian skin tones. It would make sense to boost that skin colour’s tonality. But on caucasian skin it comes across almost jaundice to my eye. The Fuji files don’t seem to have that colour push. Maybe the X-Trans sensor is more precise in colour handling. Might just be a white balance tweaking question. Let me know what you think.
2016 is not only the year that Nikon got its mojo back, but it is FujiFilm’s year to shine! Since the release announcement of the X-Pro2, X-E2s, X-70 and sweet new telephoto lens, the interwebs have been a buzz with excitement. I’m no different. I’ve been with the X-System for 3 years now when I got the X100s – still a goto camera for me. It’s been an omnipresent companion on all my family trips and events because of the size/ergonomics and of course phenomenal image quality & colour rendition from a crop sensor. I still love that camera and will never sell it.
I’m totally stoked for the X-Pro2. The first version was a fantastic camera with its own quirks and quickly rose to cult status – as did the whole X-System really. While other manufacturers continue to pump out updated models, FujiFilm takes their time. They make their current products better with firmware updates. That immediately garnered my respect. Sure, lots of manufacturers fix up bugs in their products with firmware updates, but seldom if ever do they add new features. Instead, you must buy the updated release version to get them. I love FujiFilm!
The X-Pro2 caught my attention because it is the long awaited update to the classic first version. I knew that Fuji would take their time, gain input from photographers who know and love their products, and then produce an amazing camera that people can’t wait to purchase. They have not disappointed! There are already several amazing reviews/first impression blogs & videos up now. As I haven’t actually seen or used the camera in real life I have nothing of value to add to the discussion. However, the features I’m most interested in are as follows.
The first thing is that they’ve done a great job in making the camera weather resistant. The new Fujinon lenses will all be weather sealed too. This really puts the “Pro” in X-Pro2. I’m thinking of wedding photographers or landscape people or even travel documentary photographers. Having gear that can keep up to the elements is a must.
Also hardware wise, I’m delighted to hear that it has dual SD card slots. This in my mind is another Pro feature. Whether for redundancy on critical wedding jobs or over flow or a JPEG/RAW workflow, this is an excellent feature to have. Glad they included a UHS-II slot too for fast data transfer. This will help immensely for buffer clearing, especially RAW files which will be bigger on the all new 24MP sensor. This is a welcome jump up from 16 in my books. FujiFilm colour and skin tones are absolutely incredible. And now with 24MP, you get more glorious pixels of both. And phenomenal high ISO performance as well. So exciting!
Another feature I’m really excited about is the new ACROS black and white film simulation. I’m a huge fan of Fuji black and white straight out of camera. In fact, I almost never shoot my X100s in RAW. The JPEGs are so great and I love the colour so much I just go JPEG. Especially for black and white. But now to have a really punchy and contrasty black and white option in the ACROS film simulation, it’s all kicked up to notches unknown to mankind. I’m looking at you Leica Monochrom! It will be great to see how the new X-Trans sensor handles the B&W tonality.
Another upgrade that may not seem like much is the sync speed for flash bumping up to 1/250s. This is awesome! I love using my X100s for flash stuff because of the leaf shutter and syncing capabilities it has. But to get that extra wee smidgeon of ambient killing power from 250 instead of 180 does help quite a bit. I’m dying to shoot the new X-Pro2 with some telephoto glass for portrait work. So far I’ve only ever shot the 23mm/35mm lens on the X100s. But if I could get the 90mm f/2 or the 56mm 1.2, I’d be a happy portraitist indeed.
There’s a zillion other features about the X-Pro2 that others have already commented on and will continue to do in the weeks to come. The stuff I listed just scratches the surface of what will undoubtedly become another classic camera for Fuji.
If you want one, get on the pre-order list ASAP. If you order from The Camera Store, they have a promo discount on the new 35mm f/2 lens as well.
Congratulations FujiFilm! 2016 is your year to shine!
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera. 😎 Check out the full video review here:
I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible. Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers! 😀
We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.
It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.
I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:
It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.
Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.
You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!
Here is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.
Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill. 😎