I’ve always wanted a long telephoto lens for the Fuji X system because I love love love the skin tones & nuanced colour that Fuji produces. I saw the K&F Concept lens adapter for Nikon G/AI lenses to the X mount for a mind blowing $30 bones on Amazon. I didn’t have any high hopes at all about the quality or usability of the adaptor but for the cheap price, how wrong could a guy go? So I got one shipped out.
I opened the box and was blown away. The whole thing is metal. It has a built in aperture control for Nikon’s new G lenses that don’t have an aperture ring. And it works to keep the lens wide open, stopped all the way down and a couple of in between settings that are largely guesses. None of the settings register with the camera because there is no communication between camera and lens. It’s just a simple adaptor. So it’s manual everything. But Fuji’s focus peaking even at 1.8 is a snap. Works great!
I slapped on the 70-200 f/4 which balances decently with the small camera body. You could shoot wildlife with it gaining the extra reach of the crop sensor but manual focus on fast moving subjects requires ninja like reflexes that I no longer possess.
But for portrait stuff………
I’d say it works just fine. These two sample images are straight out of camera other than my resize for web lightroom setting. Here’s a 100% crop of Phoebe’s eye:
It is tack sharp! This is wide open too. You’ll see from the included info that the camera only records the shutter speed & ISO settings. Aperture is not and for some reason it defaults to a 50mm lens. But the results are awesome. The skin tones are so, so great. And it’s sharp! Did I say that already? So this image is 200mm 1/180 ISO 200 handheld JPEG shot with a Nikon SB-900 through a Lumiquest Softbox III triggered with Phottix Ares triggers! How’s that a for a FrankenSetup!? lol
I love Fuji lenses and they rock the set. But for 30 bucks, you can’t go wrong with the K&F Concept adaptor. Highly recommend picking one up!
So I got some new flash triggers to try out. The Phottix Ares triggers are excellent! They are a simple, no frills, no TTL, no HSS “dumb” trigger that is perfect for manually controlled off camera flash. They are simple, reliable and best thing is: no sync cords! They are shoe mounted so no more flopping around. I made a YouTube video to review them:
They’re been great performers for me and they are highly recommended, especially for people just getting started with Off Camera Flash work. But even for seasoned flash veterans, they are a welcome addition to the bag to replace those flopping Pocket Wizard Plus X sync-cable-ridden triggers.
They are a great price in the US. In Canada not so much. I had mine shipped from Amazon.com and saved a bundle.
Here’s a couple of test shots with the Phottix Ares triggers.
Once again, Lent has come to a close. As is my tradition, I give up shaving for Lent. It’s been more of a long standing joke than anything, much to the chagrin of pretty much everyone. But since 2009 I have been growing a beard, then taking it off in stages on Holy Saturday. I try to get as many different beard looks as a I can from the one beard. I’m following this awesome beard quest project that I found ages ago. It’s so great. I’ve pretty much got them all now–at least the ones you can do in a month and a half of bearding.
Lent 2016 hath brought forth the following beards:
It is also important to note that Phoebe was the photographer and art director on the set today. We decided to go for an open, airy, lifestyle type look with one flash to augment the natural light. She coordinated wardrobe to match the beard looks. She framed all the shots and did a great job. Thanks also to the Nikon Df and the 85mm 1.8G.
So, in conclusion to the bearded Lenten Journey, surely Christ the Lord has borne our griefs. We esteem Him stricken, smitten and afflicted.
He died for me, I’ll beard for Him!
Another one of Fuji’s film simulations is the Pro Neg Std. This setting is described as being for portraits with soft gradations and skin tones. The Hi version of my last blog post has a bit more of a contrasty look. This article on Fuji vs. Fuji does a great job of comparing all the simulation modes. But suffice it to say, the skin tone rendering is really, really pleasing in both the Hi and Std. modes. Just look at these kids. They look at least 17% better shot with Fuji. LOL. I do want to do a side by side comparison to my Nikons and see how the JPEGs compare. I never shoot Nikon JPEGs so I really don’t know if there is much difference. I’ll check it out in a future blog post.
I shot these Black & White images in the Monochrome setting with a yellow filter. It gives little extra to the skin tonality I think.
The kids got haircuts the other day. There always cutest fresh from the salon so I grabbed once again the X100s and wanted to try the Pro Neg H simulation. Fuji has the best skin tones in the business (in my opinion) and this simulation does a really great job of bringing them out. The H vs. S rendition has a bit more punch and contrast. But the skin tones are really great. I did the one black and white conversion in Lightroom afterwards for more of a high key look. Still looks nice.
But the colours are so great. Fuji really makes your photos pop!
Mine baby is 8 years old today! That’s insane & unbelievable. It seems like just yesterday we were going to the hospital to have her. She’s the sweetest, most caring and compassionate person I have ever met. And she’s ridiculously cute!
I busted out the ol’ photo mill (Nikon Df, 50mm & 85mm 1.8G) for some birthday pics. We used 1 light (Nikon SB-900 flash triggered by a SU-800 commander) with 3 different modifiers used in 4 different ways.
The first setup was the good old shoot through umbrella. It produces winning light all the time. It’s soft. It’s directional. It’s fool proof, quick goto lighting. It’s also pretty boring. Good thing Phoebe is cute. I said that already though. 😎
Next, was a small soft box. The LumiQuest Softbox III to be specific. It introduces more shadow tonality. A bit more depth and interest to the shots. It’s pretty cool light, especially when used in close to the subject.
Then it was a Honl grid. Deep shadows. Much more intrigue and edginess, almost teenaged light. But she’s only 8 so we had to back it off and bring the shadows up a notch.
So viola! We went back to the umbrella but this time I bounced the light off the white ceiling and back down through the umbrella that she was holding as a prop. It gives a double defused ultra soft giant look to the light. Shadows are very, very soft and silky smooth.
I had to order something from B&H a while ago and to get free shipping to Canada, I needed to bump up my order. So I ordered a grid for my Photoflex Medium Litedom soft box. Grids are ridiculously expensive for softboxes, leading one to believe they are made of Unicorn Tears and Saskatchewan seal skin bindings. Or some such other mystical material. So I ordered the Impact brand 24×32 grid. It works and fits like a charm for the Photoflex box. I should have had a grid on that soft box from forever ago. They are so perfect for controlling light spill and adding amazing direction to the light. I hadn’t had a chance to even try it out much so I grabbed Ethan and some gear and we went outside to cash in on the amazing hoarfrost that stuck around all day.
In the really blue shots, I was playing with color temperature and gels. I went with a tungsten balance to shift the image to blue, then double CTO gelled my flash to bring the light back to a really nice warm temp. It’s a very interesting contrast in the light colours. For the other shots I used a simple overcast warmer temperature of around 6300K with a 1/4 CTO gel to give a bit warmer skin tone. The control that the grid gives is superb. There is no spill around the subject to illuminate everything. If you want to keep an image interesting, then pay close attention to what isn’t lit.
Our neighbour came home and I made her step into the set for a shot or two. It worked out well! I was using the FujiFilm X100s for these shots with the 3 stop ND filter engaged. This helped knock down the ambient light which would have been too much for a single LumoPro LP180 flash that I was using blasting through two gels, two layers of diffusion and the grid. These exposures were in the neighbourhood of f/2 1/250 ISO 200 plus or minus. And they are all JPEG images too. I seldom ever shoot my Fuji in RAW because the JPEGs are soooooooo great. Not so my Nikons. They live in RAW all the time. But Fuji has such incredible and captivating colour and skin tones. So, it’s JPEG for this Fuji slinging flashgun cowboy. So if you have a light, slap a grid on there and leave it there. You’ll be glad you did! 😎
What a whirlwind tour this last little bit of time has been for us. We were up to Edmonton for a friend’s wedding that I also ended up doing some pictures for. Then on the way back we had to stop at one of Saskatchewan’s craziest spots: The Crooked Bush. We had heard about it in a tourism book and we decided that it was worth the stop. So we detoured at North Battleford on our return journey and navigated to this crazy little plot of trees. It’s literally just that. A strange little aspen wood plot in the middle of nowhere. The bluff of trees right beside it are straight and normal. But these trees are totally gnarly and wild looking! Such a cool place to stop and check out. Nobody knows for sure why this little grove of trees are so crooked. Some have speculated a genetic defect in the trees, other say a UFO crashed there. Others still say that a lawyer is buried there. Ha! 😀
Now because we had been shooting the wedding, I had all my big lighting gear with me. So we took a few shots of the kids. It was very dramatic light that day so we played with it a bit and turned out some pretty cool keepsake images in a really cool place! If you are ever up there near Hafford, SK, be sure to check out the crooked bush!
Being that I am a Pastor by day, Photographer by day off, I have a few connections with other Pastors and Churches. When the two worlds collide it’s a cool experience. I was up in Regina, Saskatchewan doing some photography for Mount Olive Lutheran Church. Such projects include building/grounds photos, portraits of staff & workers as well as a library of stock images that can be used on websites, e-publications, etc. It’s a lot of fun with lots of opportunities to be creative.
One of the other cool extras of this assignment was that Rev. Ted Giese, one of the pastors at Mount Olive along with Rev. Terry Defoe, is that Rev. Giese does movie reviews from a Christian perspective. He is regularly featured on an American Lutheran Radio program called Issues, etc. As such, I knew I wanted to do a movie-poster-inspired portrait of Ted that was a bit more edgy than the regular “nice light” I typically do for such a project.
So for this portrait I shifted the color spectrum into tungsten to give the photo a very cool and shadowy feel. The BTS photo below shows the location of this two light setup. By using an empty corner for the shot you get a free, nifty background location with varying degrees of light fall off shadows and gradients. I used a soft lighter on the floor with my Alien Bee 1600 for the fill light. It was just left in daylight white balance which was shifted blue by the tungsten control in camera. The key light was an SB-900 in a Lumiquest Softbox III that was gelled CTO taking it back to a daylight color. Had I done this shot over again, I would have thrown on an extra 1/2 cut of CTO to warm that key light up more and give it an extra color contrast. But the end result is a really cool feeling movie-reviewing-Reverend type look. 😀
Barrel racing is one of those things that runs in the blood, like farming or hunting or so many other things that exist in a symbiotic relationship with people and animals. My friend Maria wanted some photos of her and her horse Honey. So we picked one of the coldest days of the year when the light was falling fast! LOL 😎 The cloud cover was thick and it was quite dark. We were able to do a bunch of natural light stuff rather quickly but then the sky burst forth a wee silver of gold for us. We had a good 5-7 minutes to work the light before it completely faded into blue. We had to work quickly but we managed to hammer out a bunch of different looks using flash and ambient. The EXIF of the top image was 1/8 of a second at f/7.1. I was trying to drag the shutter as much as possible to get adequate ambient exposure and then use flash for the subject exposure. This relatively longer shutter speed allowed both Maria hair and Honey’s mane to motion blur in the wind but the flash exposure keeps them sharp. Handheld at 1/8 is no sweat with my 16-35mm f/4 Nikkor with VR.
I quickly moved from ambient to flash and back to ambient again to nab the amazing sky for silhouettes. The color was so juicy and rich that it made for the perfect background! You can’t sunset shots. They are like peanut butter and chocolate! The veritable Reese’s Pieces of the photographic world. They make for great photos & happy clients . . . and happy Photographers! 😎
I’ve been a hotshot flash dude forever. I was always blown away by McNally’s use of all things small flash and the amazing possibilities that they open up for making photos. The only bummer is when small flash isn’t enough. And there are 2 key places where that is the case. 1) Outside & 2) Big Groups.
Owning the sun with small flash can be done – but it’s not easy, and they scream at you with all they’re 60ws can muster. They’re just not designed for big light. Portability? Yes. Convenience? Check. But big, bad, photon wielding power? The answer is a big fat Nein! I’ve used them up to now by ganging three of them together in a tri-flash type unit but I couldn’t wring enough juice out of them. I got the shots but just barely. Which is why I concluded that having a monobloc was an essential, must have item to make my outside work 17% easier. 😀
I had my mind set on a Paul C. Buff Einstein light. Very excellent product at a very competitive price. But, then I really asked myself honestly, am I going to use all the features on it? Do I need the ultra fast flash duration? The answer was no. So I decided to go with the AB1600. The same power output as the Einstein, but more analogue – which I actually prefer for outside work. Just move the power lever up or down. Easy peasy.
And for groups, the big light volume is really, really nice. I shot all these photos with the AB1600 in a Photek Softlighter (a giant, reflected & diffused light mod) from f/5 to f/16. I love the studio quality of light it produces and with far faster recycle times than ganging bunch-load of speed lights together. Plus, the affordability of the Paul C. Buff products is a no brainer. I also picked up the Vagabond Mini portable battery for location work. It’s gonna be sweet to own the sun everywhere & always! 😎
I covered the Oxbow Dance dress rehearsal photos last Friday. It was pure awesome as it always is. The kids are ridiculously cute! 🙂 Miss Halynne does an absolutely remarkable job getting the kids into recital ready shape. In what must be like herding cats when it comes to the tiny tots, they all do their routines marvellously well! The rehearsal shots were fast and furious. We had an enormous turnout of parents who wanted individual shots of their dancers. I thank everyone for their patience as we proceeded with the photo shoots. The discs are all burned now and ready to be delivered. Everybody is also getting a copy of their child’s group shot included free of charge. Free is good! 😎
Every year I give up shaving for Lent as a joke. And on every Holy Saturday, I shave off my beard trying to do as many different looks as a I can from the master beard of 45 days. Since 2009, I have been able to grow 18 unique looks. In the first years I was doing this, I could get loads of different looks, but as time goes on you don’t get as many from each beard. So, I present to you the Looks of Lent 2014. 😎
Every year, as a joke, I give up shaving for Lent. I follow the ancient fasting rules for real. But for years, much to the chagrin of my wife, family and friends, I grow a Lenten beard. Then I take a bunch of goofy photos in stages as shave it off. My life is small. 😎 But anyways, this is said beard for 2014.
I thought I would do a little BTS explaining of how I made this image. Here is the studio setup:
First of all I’m in my garage. I’ve got a grey back drop permanently mounted to the ceiling. I got the idea for that setup from Jay P. Morgan’s vid. Check it out, it’s awesome! I received an old backdrop from a photographer friend who passed away. I painted it “Photo Grey,” a colour you can get at Home Hardware in Canada. But the colour didn’t matter for this shoot as a I changed it for the shot.
It’s helpful to think about lighting and photography in “zones.” They are like layers in photoshop. First of all, we’ll start with the subject. I had the idea for the shoot already conceived. Myself and my glorious Lenten beard right side in the frame, looking camera left. So for the key light, I’ve got a speed light gelled CTO with a Honl grid. Very narrow shaft of hard light. Oppositely, Ive got another SB with a snoot (a flash bender) with cold daylight hard light. This is a classic cross lighting setup adding 3 dimensionality and separation from the background. For the next layer, for fill and to bring some detail into the beard, I setup my DIY Light Scrim and shot a 1/4 CTO gelled SB through that. It’s acting as a huge reflector and light source at the same time, filling the shadow zone. Once I was happy with that, I went to work on the background. I gelled a LumoPro 180 with a theatrical red gel. The red looked cool but it needed more. Being that this is a Lenten/Good Friday type photo, I decided a cross would be a nice addition. I didn’t really have a big random cross lying around so I quickly made one out of a paint stir stick (from the photo grey background project previously mentioned) and couple pieces of Gaffer tape. Looks legit to me! 🙂 I muddled with the light placement to get the right size and perspective of the cross “shadow” on the background. It’s essentially a spiritual gobo!
So there you have the BTS breakdown. A hard-light portrait, 4 light setup, 2 different zones of light, layered together for key, fill, kicker and background. I edited the photo in Lightroom 5 and Nik software for the final grading and grunge look. Have a very blessed Holy Week & Easter season!
But He was pierced for our transgressions; He was crushed for our iniquities; upon Him was the chastisement that brought us peace, and by His wounds we are healed. ~ Isaiah 53:5
So I’ve been shooting non stop with the Df for the past few days, exposing its weaknesses and revelling in its awesomeness. My original “paradoxical” concerns have all turned out to be true. 😐 But, it’s all trumped by the joy it is to shoot, its amazing image quality as well its killer good looks 😎 I’ve been doing lots of candid stuff of the kids, low light tests and a had a chance to use it on a shoot. I still primarily used my D800 but I wanted to see how the Df would do. It did fantastic! I had my lighting setup for a corporate headshot. Here’s a BTS shot of the setup, noting that my rim light had already been taken down when I remembered to make this shot. A sheet gaffer taped to the wall (DO NOT USE DUCT TAPE) was my background in a confined office space. Umbrella key, background light and a hair light was the 3 light setup. I tuned it all and shot with the D800 then simply swapped my SU-800 commander to the Df. Other than max shutter speeds being different (1/250 on D800 and 1/200 on the Df), everything operated the same. The metering between both cameras was spot on as well.The other cool thing I wanted to try with the Df is it’s spot white balancing ability in Live View. This is a super rad feature for nailing a white balance. Just pop the camera into live view, switch the White Balance to PRE, hold it, then measure your grey/white surface in the lighting conditions. It’s really, really accurate and pleasing! It’s not really in step with the “pure photography” mantra but I’ll take it nonetheless. It’s slick!
It was also nice to edit smaller RAW files than the D800 megapretzel madness. I was quite happy with how the Df rendered skin tones and colour. It seems to be a wee notch up from my other Nikons, which is a plus. I look forward to using the camera on assignments in the future! 🙂
This last month of December hath been a whirlwind of adventure to say the least. I’ve hardly had any time to blog between family commitments and church work stuff. Lots going on and too many irons in the fire. But as 2013 comes to a close, I thought I would go back over the year (and the literally tens of thousands of images I shot) and put together a couple of slideshows of my favourites. They may or may not be my very best work. Probably more of the emotional connection I have with them. 😎 But I realized that since I got the FujiFilm X100s, it’s really become my camera of choice for my personal work. I attribute this to 2 main factors. 1) Fuji is awesome. The image quality is fantastic and the cameras a literal joy to use because they work great and have a compact form. And 2) as a Pater Familias, I’m usually chasing after my kids or at least have them in tow. DSLR is a good system but its bulky and not conducive to life with wee ones. The X100s has really filled my camera needs and I used it for probably around 75% of my personal photography this year. It’s been a great experience. So much so that I would consider completely switching to Fuji mirrorless cameras totally! I’ve heard a rumour that a weather sealed X is coming in January. That camera with the 10-24, 35 and new 56 1.2 lenses and I’d be one happy customer. That said, I do love my D800 and I made good use of it for the majority of my client work this past year. The image quality is really tremendous. And of course Nikon’s CLS system is awesome for lighting on the fly and working with speed during weddings. So I probably won’t be parting from it anytime soon. But Fuji keeps beaconing me. 😀
For 2014 I want to do more work on my personal projects. And I think I’m going to get a big printer and enter into the photo printing foray. It’s definitely more art than science. But having complete control of my images will be nice, as well as having the in house ability to make big prints whenever I want. That will be a fun addition! Should be a fun 2014! 😎
But for now, here’s my photography from 2013 in review. This first video is my personal and family shots while the second video has client work.
Thanks again for your views and interest! Have a very blessed 2014. 😀
Rider Pride, Nation Wide. That’s our motto and our mantra. From the moment of conception, all Saskatchewan residents are born Rider Fans. Some more crazy than others. To support our team headed to the 101st Grey Cup on Sunday, I wanted to do a little photo shoot. I had the idea in my mind and wanted to try out some cool lighting that is along the lines of Heisler-esque. I was stoked with how the interplay of colour took place in this image. I’ve included a BTS photo to explain how I made this shot come together.
Well, as you can see, it’s shot in my car hold. It’s a total of 4 lights. Black sheet background clamped onto some cupboard doors. The key light is an SB-600 in a soft box overhead via a C-Stand. It’s got 1/2 CTO on it which really makes this image. Two rim lights behind me on left and right. The camera left rim is pointing up at me and the right is coming down. It really chisels the outline with thick green theatrical gels on 2 LP180s. And the last light was a special for the banjo. The SB-900 was simply put on the floor in an Orbis ring light to circle the drum of the banjo. I couldn’t have made a light mod match a subject better! I had originally set it up as on axis fill but on the ground worked so much better and added to the overall dramatic feel. It was a fun way to spend an hour or so. 😎
So cheer on the Saskatchewan Roughriders to Grey Cup victory on Sunday! Green is the colour, football is the game!
Oxbow is having an art exhibition tomorrow September 28 at 7PM at Safe-tee Management. It’s going to be exciting! A few of us local area photographers have stuff to display as well as artists and musicians. Entry to the event is free will offering with all proceeds going to the OPHS Band Program. This is the first event of its kind for Oxbow as far as I can tell. I hope everyone can come out and take part, it’s going to be a metric tonne of fun! I’m showing 12 large prints under the theme of “People of the Living Skies.” It shows a variety of environmental portraits I’ve done over the years featuring our awesome Saskatchewan prairie skies. Don’t miss it! 😎
I had a cool opportunity to shoot a really unique family session the other day for fellow photographer Emily Rutledge of One Thousand Words Photography. She had this amazing idea of a themed family photo shoot, in this case a circus. She came up with idea and did all the setup. I basically showed up and lit it. 😎 It was great! Plus, I didn’t have to do any editing. 😀 BONUS! But I did a little bit on these photos, a wee smidgeon of the shoot. It was super fun and made for some really creative family memories. I’d love to do more of this kind of shoot in the future as it’s super fun and out of the ordinary. Plus, the whole family can be involved and the kids think its awesome. They were very cooperative during the shoot!
The group photo was rather involved so here’s the breakdown:
There are no white lights in this image. All the flashes have gels to some extent.
Background: I decided to light up the barn to add drama to the awesome texture and further the circus theme. Simple red and blue theatrical gels were on 2 SB-600 speed lights in the back.
Fill: I had a small soft box boomed up high from a c-stand with an SB-900 gelled full CTO to give a super warm fill light to the image.
Key(s): I used two LumoPro LP180 flashes in shoot through umbrellas with 1/4 CTO gels on the boys to light them. They did double duty by hitting the girls in the middle and letting the overhead fill light do the rest.
ATTENTION: PHOTO NERD POST – if this is not you, please move aside. 😎
In my previous post on this, I had Nikon’s Creative Lighting System working flawlessly with my LumoPro 180s. But then, all of a sudden it didn’t work anymore in the S2-3 slave mode. I was buffaloed once again. So, I determined to figure out why (in my home office, not during a wedding shoot when it was critical. Doh.). 😉 So anyways, I tried all the configurations of Nikon’s CLS system triggering from an SU-800 commander on camera. Here’s what I came up with. The LP180s will work with all the configurations, they just have to be set in the appropriate slave mode as per your CLS configuration. I made up a cheat sheet to keep with you. Feel free to download and share it as you wish. Cheers! 😀
ADDENDUM EDIT: I’ve had an anonymous commenter (H. Simpson, no wait, that’s too obvious, Homer S.) inquire about what the settings would be for CLS combinations not listed in the chart – precisely a BC group. Given that Nikon’s CLS system makes the most sense when used as A Group for Key, B Group for Fill and C Group for Accent/Kicker lights, a BC Group configuration doesn’t make any sense at all ever. Just use an AB Group in the S2-2 setting, it’s accomplishing the same thing as 2 setting group like BC.
This is a total Photo Nerd Post. If that applies to you, please read on :cool:.
So I was doing an advertising campaign shoot yesterday and I decided it was high time to try out my new LumoPro LP180 flashes on a real job. I was shooting a high key setup that required 4 flashes to do. I setup my Nikon SBs as key and backlights and I wanted to use the LP180 as a kicker.
So I set it up and took some test shots. Nothing worked. It was like the LP180 was killing all the other flashes’ signals. So I turned it off, everything worked perfectly. Weird. 😈 Then I remember that I must have the slave mode in the wrong setting. So I changed it and still the setup wouldn’t work. I was totally buffaloed. I was able to borrow an SB-910 to help me finish the shoot but when I got home, I had to figure out what the heck was going on. I setup the flashes and started running through the slave mode settings on the LP-180. When I got to S2-3, thats when the magic happened. Everything was working perfectly and my two LP180s were triggering just fine within the Nikon CLS. I was using my SU-800 commander remote which I love, but I tested it also with the pop up flash on camera. Worked perfectly. So, if you shoot Nikon CLS and want to use the awesome LumoPro LP180 flash alongside your Nikon kit, fear not! It works flawlessly in the S2-3 slave configuration. Cheers! 😎
One of my latest acquisitions is the Orbis Ring Flash. LOVE IT!!!! I’ve only used it for 10 minutes and it rocks the set. I love the quality of light! It’s unlike any other mod I’ve ever used and the catch lights are super cool. I can’t wait to try this out on some glam/wedding stuff. But I also wanna do the David Hobby signature look with an umbrella over head and ring light as fill. It’s gonna be awesome! 😎 My local, on site guinea pigs were handy to try out the new mod. Hanky and Ethan couldn’t wait to be my subjects. Ethan just finished a cup of hot chocolate, hence the gribbly jib. 😉 No time to edit!
Well shut my mouth! My new dynamic duo of LP180 flashes by LumoPro just arrived today. Shazam!! These flashes ROCK THE SET. This blog post will not be a lengthy review as the gurus and the wannabes have already put them up on YouTube. Here’s a cool vid from LumoPro!
I shoot Nikon CLS because it is convenient to us my SU-800 commander to control flash output from camera, and I won’t be leaving that system anytime soon. However, I wanted a couple more flashes. The problem is, Nikon CLS is an expensive premium to pay on every flash you buy. I thought about getting another SB-900 or 910, but they’re over $500 bones. The SB-700 is a good flash but still pricey at $350. And at most, I’d want the flashes to be accent lights or background lights or some such thing. But then LumoPro makes the best flash in the history of the world that you can quad sync (4 different ways), that comes with 2 sets of rocsco gels, that offers perfect, simple manual control, and I was totally sold . . . for $199 each! EACH! That’s awesome! It means that I bought 2 of these amazing flashes for less than one SB-910. Pure awesome! 😎
Here’s the best thing in the world about these flashes besides all the above mentioned awesomeness:
Uh huh. That’s right sports fans! That LP180 flash comes with a built in 1/4 x 20 mount on the side so you can just attach the flash directly to a stand and blast light right down the axis of the umbrella/light mod. THAT’S AWESOME!!!!! 😀 The light comes directly to the center of the mod instead of upright on a hot shoe, which is always precarious at best anyways. This system makes SO MUCH sense. I wish Nikon would add it to all their flashes.
The optical slaves work awesome, I tried triggering them with my D800 and SU-800 and they work perfectly. Which means they can be triggered by the infrared commander I use for my normal lighting setups. Which means they will seamlessly integrate into my workflow, other than having to be adjusted manually for power output. Big whoop! I’ll walk the extra 5 feet for what I saved in not buying Nikon CLS speedlights.
Well it’s been a bit of a gong show as of late. This past week was our Annual University pals campin’ trip. It was also the week when my Sacroiliac ligament decided to tell me to get bent. So, as my lovely wife boldly went camping as a single mom with our 3 hooligan children, I camped out on my mom and dad’s couch in Moose Jaw. It was brutally awful pain that left me debilitated and lying flat on a couch. I’ve never watched so many movies! But a couple of Chiropractor treatments and a massage later, I’m about 34% better. 😎 Needless to say, I didn’t do as much photo taking as I would have liked!
As the week went on, I was able to be a bit more mobil. I walked around mom’s garden and nabbed some flower shots with the X100s. The macro mode is pretty sweet. As mom and dad’s street was ripped up for construction, there was a bunch of heavy equipment lying around. My brother, who permanently looks like a heavy equipment operator was over so I conned him into doing a shot. Dad’s Canon 580 EX II flash through a mini beauty dish as key and my SB-900 on a small stand in an umbrella for fill triggered optically in SU-4 mode.
Then, after my final chiropractor treatment, I joined the campin’ throng in Grenfell for a couple of days. I blasted of some B&W candids of the kids and of course, our annual group photo.
And, I was able to nab a few shots of my buddy Craig who fortunately is ready for the next Zombie Apocalypse at all times. heheheheh… 😎 All in all it was a very nice “vacation” for me. It was great to see everyone even if it was only for a short time. I’m hoping to be back in the saddle soon and recover from my injuries. Lot’s of rest and more lying around. Woe to me. 😉