Every once in a while all the stars align and things work out. Magnascope had all their equipment in the yard the other day – an extreme rarity – and we were able to get together for a quick photo shoot. Fortunately the weather even cooperated. Utilizing a front end loader, I was able to get an elevated point of view from which to take the photos. It was really incredible to see all the trucks lined up in one place! I shot everything HDR to bring out the colour and texture of the sky. It all came together really well! 😎
It was only -38 with the windchill today so I thought I’d go and do some HDR photography… I’m insane. But it’s true, the worst weather often gives the best opportunities for making photos. We had killer sun dogs again today as the weather was diabolical. I actually didn’t really set out to do HDR. I wanted a slow shutter speed shot of drifting snow. But I realized I forgot my variable ND filter in my other camera bag. Doh. So HDR it was! (more…)
I saw this old car the other day and new I had to come back and grab an image. I wanted to try some HDR stuff with the D800. This was a composite of 5 RAW files in Nik Software’s HDR eFex Pro 2. It’s a bit of a grunt with 5 giant files, but it came together well. I was hoping for a more dramatic sunset, but I’ll take the sunburst instead. 🙂 I’m not a car guy, but I think this is a 1948 Chevy Fleetmaster.
The other morning was beautiful with “hooker frost” all over the place! 😎 Ok, Ok, it’s really hoarfrost, but I couldn’t resist! No matter how you slice it, it was better looking than Julia Roberts. I was out visiting some parishioners and stopped to nab a quick HDR of their barn, as well as a couple of other cool winter shots. Gotta love it! And of course, my favorite little snow bunny too. 🙂
Had to make a water run tonight to the supple bounty of Alameda. It was approaching golden light which is always exciting. It was also dusty as all get out. Dust, fog, mist – they are all the theme park of light. We lucked out and ran into much dust on the roads to let the sunset have the mucho fun. 😎
Capitalizing on the dismal fog, I ran out and came across this blast from the past. What a location! Old smashed farm house, decrepit stone barn ruins, racoon tracks hither and thither… it was a regular haunt of jackals! I was testing the VR function of the 16-35mm lens as I went with no tripod but was still able to do these HDR mashups with very little ghosting. Cool! 😎 I was really diggin’ the high contrast black and white feel when I was editing these ones. Adds to the overall bleakness… 😉
HDR! Boo ya! 😎
This is a brief tutorial on making HDR images. There’s zillions of other posts/pages on the information super highway already so you can look up more info there about it. But this is how I do it. Which makes it infinitely better. 8) Just kidding! 😉
HDR stands for High Dynamic Range. It’s been around forever conceptually, even since film days. But now, with digital it’s easy and fun. Get a camera and a tripod and find a scene that has loads of contrast: lots of lights and darks. The idea behind this kind of photography is to keep all the detail in the darks and in the light parts of the image. Because the camera currently cannot capture the same amount of dynamic range that the human eye can see, in one camera photo you don’t get as much range as you see with your eye. So, you take 3-7 photos of varied exposure and layer them together with software. I use Nik’s HDR eFex Pro. It’s super slick and comes with many final image presets you can apply to stylize the final image, making it look as surreal or as realistic as you want.
OK, here’s a sunset one I took the other night. And in all truth, it’s not how I typically do it. I was on top of my roof with my 70-300 lens and I did this handheld, which isn’t optimal. Get a tripod so there is no camera movement.
So, the first image: bang. Here it is.The camera meters the scene and determines that this is the best balance of light and dark. We get all that rich colour in the sky & the river. But the valley hills have gone dark and silhouetted the evergreen. This was at ISO 400 f/8 70mm and the shutter was 1/100.
The next shot speeds the shutter up to 1/200, recording an even darker, more saturated image. This one gives the mad colour, but kills off almost all the detail in the hills.The third image washes out the sky but it lifts the details up out of the hills with a slower shutter speed of 1/50. All three images are 1 stop of light apart from each other.
Now, technically, it would be better to get a couple more images here to further lift the details out of the dark regions. But, as I mentioned, this was handheld. If you have a tripod it’s easy to do.
Then, after feeding the photos into the Nik software (I use it as a plug in with Aperture) you can arrive at the final HDR image. There’s loads of darks and lights, rich colours and highlight detail that otherwise would have been lost. HDR is having your cake and eating it too. 8) When you stylize the image, you can make it look wild with texture, like I did here to make the clouds go boom. But you can also finish them to look realistic too which I did for this photo of Good Shepherd Lutheran Church in Regina. The light pouring in from that window would have made getting a balanced exposure difficult.