The good ol’ skatin’ rink! There are not many more iconic small town venues. We had the extended family down for a couple days and took part in the public skating. Our rink upgraded their lighting from horrid barf green sodium vapour to glorious LEDs which is awesome x 100000000. However, I still shot black and white in a street photography style because I like it. Before, you used to have to shoot B&W to get rid of the putrid lighting. But now, we have the freedom to do it for fun! 😎
I shot this all with the FujiFilm XPro2 and the beloved 35mm f/2 lens. I shot JPEGs and locked them into my ultra contrasty black and white TRI-X film simulation. Here’s the settings:
I did cheat and shoot a bit of colour for the baby and the water tower which was bathed in glorious golden light. But that’s our little secret! 😉
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
We just got back from the first half of Christmas holidays with my wife’s side of the family in Grenfell, SK. Rather than post cute pics of the kids opening Christmas presents, I figured I’d instead post this blog about a little photowalk I went on while I was there. The weather was mild but also very flat and almost bleak – the perfect scenario for black and white. I slammed the ol’ FujiFilm X100s into B&W mode and literally went to town. I was fun and refreshing to walk around and basically shoot street in a small town.
We’re having a heat wave! And it is fantastic! Our weather has gone absolutely crazy. We’ve swung from -50 billionºC with a windchill to +6ºC. For January in Saskatchewan, that is pure craziness. We’ve been hibernating in our homes for the past few weeks so it feels tremendous to get outside and grab some fresh air and take some photos! I was dying to get out and shoot the new 50mm 1.8G lens. So, when the weather was unbelievably great, I locked it on the Df and went for a walk with the family. It was super great. I can’t overstate how great this 50mm is. It’s so light on the Df that it feels like you’re carrying a mirrorless system. And it performs great.
For this walk I had it stopped down to around f/8. The light was extremely bright and contrasty so I set my picture style to Monochrome, even though I shot RAW. It’s cool to see the shots in black and white in camera, but know you still have colour to work with in post. To match the high contrast lighting conditions, I pushed these files with heavy contrast in Lightroom. I wanted to capture that iconic “street photography” look. It was a lot of fun! And, there was a lot of laundry to do when we got home. Thankfully, that’s not my department. 😎
My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.
That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.
I wanted to pretend I had a Leica. 😎 I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.
It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.
I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.
I wanted to try it out. But I don’t really live near any streets. LOL. 😎 I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.
Just compose and boom!
It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!
Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.