Every year, as a joke, I give up shaving for Lent. I follow the ancient fasting rules for real. But for years, much to the chagrin of my wife, family and friends, I grow a Lenten beard. Then I take a bunch of goofy photos in stages as shave it off. My life is small. 😎 But anyways, this is said beard for 2014.
I thought I would do a little BTS explaining of how I made this image. Here is the studio setup:
First of all I’m in my garage. I’ve got a grey back drop permanently mounted to the ceiling. I got the idea for that setup from Jay P. Morgan’s vid. Check it out, it’s awesome! I received an old backdrop from a photographer friend who passed away. I painted it “Photo Grey,” a colour you can get at Home Hardware in Canada. But the colour didn’t matter for this shoot as a I changed it for the shot.
It’s helpful to think about lighting and photography in “zones.” They are like layers in photoshop. First of all, we’ll start with the subject. I had the idea for the shoot already conceived. Myself and my glorious Lenten beard right side in the frame, looking camera left. So for the key light, I’ve got a speed light gelled CTO with a Honl grid. Very narrow shaft of hard light. Oppositely, Ive got another SB with a snoot (a flash bender) with cold daylight hard light. This is a classic cross lighting setup adding 3 dimensionality and separation from the background. For the next layer, for fill and to bring some detail into the beard, I setup my DIY Light Scrim and shot a 1/4 CTO gelled SB through that. It’s acting as a huge reflector and light source at the same time, filling the shadow zone. Once I was happy with that, I went to work on the background. I gelled a LumoPro 180 with a theatrical red gel. The red looked cool but it needed more. Being that this is a Lenten/Good Friday type photo, I decided a cross would be a nice addition. I didn’t really have a big random cross lying around so I quickly made one out of a paint stir stick (from the photo grey background project previously mentioned) and couple pieces of Gaffer tape. Looks legit to me! 🙂 I muddled with the light placement to get the right size and perspective of the cross “shadow” on the background. It’s essentially a spiritual gobo!
So there you have the BTS breakdown. A hard-light portrait, 4 light setup, 2 different zones of light, layered together for key, fill, kicker and background. I edited the photo in Lightroom 5 and Nik software for the final grading and grunge look. Have a very blessed Holy Week & Easter season!
But He was pierced for our transgressions; He was crushed for our iniquities; upon Him was the chastisement that brought us peace, and by His wounds we are healed. ~ Isaiah 53:5
So I’ve been shooting non stop with the Df for the past few days, exposing its weaknesses and revelling in its awesomeness. My original “paradoxical” concerns have all turned out to be true. 😐 But, it’s all trumped by the joy it is to shoot, its amazing image quality as well its killer good looks 😎 I’ve been doing lots of candid stuff of the kids, low light tests and a had a chance to use it on a shoot. I still primarily used my D800 but I wanted to see how the Df would do. It did fantastic! I had my lighting setup for a corporate headshot. Here’s a BTS shot of the setup, noting that my rim light had already been taken down when I remembered to make this shot. A sheet gaffer taped to the wall (DO NOT USE DUCT TAPE) was my background in a confined office space. Umbrella key, background light and a hair light was the 3 light setup. I tuned it all and shot with the D800 then simply swapped my SU-800 commander to the Df. Other than max shutter speeds being different (1/250 on D800 and 1/200 on the Df), everything operated the same. The metering between both cameras was spot on as well.The other cool thing I wanted to try with the Df is it’s spot white balancing ability in Live View. This is a super rad feature for nailing a white balance. Just pop the camera into live view, switch the White Balance to PRE, hold it, then measure your grey/white surface in the lighting conditions. It’s really, really accurate and pleasing! It’s not really in step with the “pure photography” mantra but I’ll take it nonetheless. It’s slick!
It was also nice to edit smaller RAW files than the D800 megapretzel madness. I was quite happy with how the Df rendered skin tones and colour. It seems to be a wee notch up from my other Nikons, which is a plus. I look forward to using the camera on assignments in the future! 🙂