This is just a quick blog post showing how I was shooting some macro shots of my favourite cameras this evening.
This behind the scenes iPhone shot shows the exceedingly crude setup. Main light is an AlienBee 1600 through a gridded Photoflex soft box. I setup my home made scrim as a big reflector and did a simple blue gelled flash pointed at the back wall to give a bit of colour. Very simple setup with a decent result.
I also shot the good ol’ Nikon Df with an old 28mm manual focus lens from 19 diggity 5. I took more of a macro approach with this shot and used that same blue flash to add that hint of glancing colour to the shadow side. The blue sets it off just that extra little bit.
I shot the same kind of angle of the X-Pro2 but it doesn’t work as well to me. The X-Pro2 is more minimalistic in its design, lending to a more covert external appearance anyways (which I like). There’s just not as much going on for the accent light to bring attention too. Anyways, just a fun little shoot for something to do.
Here’s a link to the Nikon photo in 4K resolution. I shot all these files with the Nikon D800 RAW so there’s resolution to burn. 😎👍
UPDATE: April 11, 2017
I’ve still got the 2 SB-600s up for grabs as well as the mini soft box. Everything else is sold!
It’s all in Oxbow, SK Canada and shipping can be arranged. Drop me a line if you’re interested.
Next I’ve got a couple of SB-600 flashes. They are a perfect starter flash for someone new to photography & may not want to spend a pile of money. They are in really good shape, a few scuffs and dings. They come with original box, all manuals, stand, protective bag. They do TTL and manual control and work with Nikon’s Creative Lighting System (CLS). Asking $200 each but will accept reasonable offers. (As they are discontinued now, they are going for around $250 on eBay. Manufacturer Info Here.
I’ve also got an Aurora LiteBank mini softbox for a speedlite. I’ll throw it in for free if you buy an SB-600. Or it can be yours for the low low price of $15 bones.
2016 is not only the year that Nikon got its mojo back, but it is FujiFilm’s year to shine! Since the release announcement of the X-Pro2, X-E2s, X-70 and sweet new telephoto lens, the interwebs have been a buzz with excitement. I’m no different. I’ve been with the X-System for 3 years now when I got the X100s – still a goto camera for me. It’s been an omnipresent companion on all my family trips and events because of the size/ergonomics and of course phenomenal image quality & colour rendition from a crop sensor. I still love that camera and will never sell it.
I’m totally stoked for the X-Pro2. The first version was a fantastic camera with its own quirks and quickly rose to cult status – as did the whole X-System really. While other manufacturers continue to pump out updated models, FujiFilm takes their time. They make their current products better with firmware updates. That immediately garnered my respect. Sure, lots of manufacturers fix up bugs in their products with firmware updates, but seldom if ever do they add new features. Instead, you must buy the updated release version to get them. I love FujiFilm!
The X-Pro2 caught my attention because it is the long awaited update to the classic first version. I knew that Fuji would take their time, gain input from photographers who know and love their products, and then produce an amazing camera that people can’t wait to purchase. They have not disappointed! There are already several amazing reviews/first impression blogs & videos up now. As I haven’t actually seen or used the camera in real life I have nothing of value to add to the discussion. However, the features I’m most interested in are as follows.
The first thing is that they’ve done a great job in making the camera weather resistant. The new Fujinon lenses will all be weather sealed too. This really puts the “Pro” in X-Pro2. I’m thinking of wedding photographers or landscape people or even travel documentary photographers. Having gear that can keep up to the elements is a must.
Also hardware wise, I’m delighted to hear that it has dual SD card slots. This in my mind is another Pro feature. Whether for redundancy on critical wedding jobs or over flow or a JPEG/RAW workflow, this is an excellent feature to have. Glad they included a UHS-II slot too for fast data transfer. This will help immensely for buffer clearing, especially RAW files which will be bigger on the all new 24MP sensor. This is a welcome jump up from 16 in my books. FujiFilm colour and skin tones are absolutely incredible. And now with 24MP, you get more glorious pixels of both. And phenomenal high ISO performance as well. So exciting!
Another feature I’m really excited about is the new ACROS black and white film simulation. I’m a huge fan of Fuji black and white straight out of camera. In fact, I almost never shoot my X100s in RAW. The JPEGs are so great and I love the colour so much I just go JPEG. Especially for black and white. But now to have a really punchy and contrasty black and white option in the ACROS film simulation, it’s all kicked up to notches unknown to mankind. I’m looking at you Leica Monochrom! It will be great to see how the new X-Trans sensor handles the B&W tonality.
Another upgrade that may not seem like much is the sync speed for flash bumping up to 1/250s. This is awesome! I love using my X100s for flash stuff because of the leaf shutter and syncing capabilities it has. But to get that extra wee smidgeon of ambient killing power from 250 instead of 180 does help quite a bit. I’m dying to shoot the new X-Pro2 with some telephoto glass for portrait work. So far I’ve only ever shot the 23mm/35mm lens on the X100s. But if I could get the 90mm f/2 or the 56mm 1.2, I’d be a happy portraitist indeed.
There’s a zillion other features about the X-Pro2 that others have already commented on and will continue to do in the weeks to come. The stuff I listed just scratches the surface of what will undoubtedly become another classic camera for Fuji.
If you want one, get on the pre-order list ASAP. If you order from The Camera Store, they have a promo discount on the new 35mm f/2 lens as well.
Congratulations FujiFilm! 2016 is your year to shine!
Family photos, in my opinion, should fall into the category of “nice photos.” They are simply lit with one light or a reflector. They don’t look lit. They don’t look edgy. They have a very simple elegance about them. That’s been my aim, at least, for the majority of family shoots I do. I have experimented with ring flash but I find that it must be relegated into the realm of fill flash only in this context. As a main light, it’s just too much for this look. The look and feel of lighting is definitely worth paying heed too – especially for “nice photos.” Of the photos in this post, can you guess how they are lit? It’s tough to tell which was flash, reflector or just ambient? Watch the catchlights of course… 😎
Also, when shooting siblings, I almost always try to shoot sets of images – similar photos for each member of the family so they look like a cohesive whole on a photo wall. It’s a nice technique for nice photos. 😀
I’m fairly behind in these photos & post. Like 2 months behind. LOL Oh well, the time truly does fly. But our little FlowerPot Baby is 2. So I was told to get some updated pictures of the little gaffer. So here they are. Just to warn you, she’s ridiculously cute. 😀
Here’s the BTS photo geek information about how I made these photos.
First of all, these were all shot in harsh, direct sunlight. Very bright conditions. So the name of the game with harsh light is control followed by redirection. This is where your secret weapon, a collapsible scrim saves the day. I set mine up on c-stand because it’s basically a huge sail on the windy prairies. This provides a very nice softbox-esque light quality to the subject. The next thing is to make sure you have a contrasting background that won’t blow out as you increase your exposure. No sky. Find some trees or shrubs for better results. So using the scrim, the light is controlled & soft. But if you want more volume of light, you can easily do that by firing a flash through the same panel. It gives your images more pop if you want that look. Although, if you’re shooting at shallow depth of field, you’ll need to use high-speed sync with your flash. I used the scrim alone for some of the shots then additionally redirected some light back in via a flash & umbrella. The light panel scrim gives mucho nice catchlights in the eyes all by itself though. This setup really gives a light and airy look to the photos. So there you go. Quick and easy portraits in full sun. 😎
So I’ve been shooting non stop with the Df for the past few days, exposing its weaknesses and revelling in its awesomeness. My original “paradoxical” concerns have all turned out to be true. 😐 But, it’s all trumped by the joy it is to shoot, its amazing image quality as well its killer good looks 😎 I’ve been doing lots of candid stuff of the kids, low light tests and a had a chance to use it on a shoot. I still primarily used my D800 but I wanted to see how the Df would do. It did fantastic! I had my lighting setup for a corporate headshot. Here’s a BTS shot of the setup, noting that my rim light had already been taken down when I remembered to make this shot. A sheet gaffer taped to the wall (DO NOT USE DUCT TAPE) was my background in a confined office space. Umbrella key, background light and a hair light was the 3 light setup. I tuned it all and shot with the D800 then simply swapped my SU-800 commander to the Df. Other than max shutter speeds being different (1/250 on D800 and 1/200 on the Df), everything operated the same. The metering between both cameras was spot on as well.The other cool thing I wanted to try with the Df is it’s spot white balancing ability in Live View. This is a super rad feature for nailing a white balance. Just pop the camera into live view, switch the White Balance to PRE, hold it, then measure your grey/white surface in the lighting conditions. It’s really, really accurate and pleasing! It’s not really in step with the “pure photography” mantra but I’ll take it nonetheless. It’s slick!
It was also nice to edit smaller RAW files than the D800 megapretzel madness. I was quite happy with how the Df rendered skin tones and colour. It seems to be a wee notch up from my other Nikons, which is a plus. I look forward to using the camera on assignments in the future! 🙂
Well I had the first Wedding of 2014 on the 3rd of the month. It was a very special wedding because it was Parishioners of mine who asked me to take a few photos after the ceremony. It was a very small gathering with only the couple and their witnesses present – which is just fine. Everyone thinks a wedding needs to be a big deal with metric tonnes of frills. It doesn’t. It can be a small, humble event, as this wedding was. And in all truth, it became one of my all time favourites! 😎 Hubert and Audrey were so excited to seek the Lord’s blessing on their relationship which is such a cool testament to their faith. At 80 plus most people would simply think living together would suffice. But nothing beats good ol’ fashioned marriage! And a good ol’ fashioned marriage deserves a good ol’ fashioned camera!
I brought along my
old film Leica FujiFilm X100s. The photos were going to be all posed portraits in the church sanctuary and I took a couple of candid shots afterwards. But I figured I could get it all done with the Fuji and it worked great. I brought along a very simple Off Camera Flash setup of 2 stands, 2 LP180 flashes and 2 umbrellas, triggered by Pocket Wizard PlusX units. Very simple and very effective, no nonsense kit. I carried the camera, triggers, gels and flashes in a small lowepro bag about the size of a milk carton. Who doesn’t love that?! We did lots of the typical “nice” photos everyone wants, then I had my lovely wife assist me for a shot with more dramatic lighting which turned out to be my favourite of the day. I LOVE the Fuji’s black and white JPGs with the yellow filter! 🙂
But I also love the Fuji’s rendition of colour. Just look at that candle smoke. The subtle blue is out of this world! It just nails colour every time, even in weird mixed light environments. Ahh, Fuji, is there anything you can’t do? 😉 All the best to the latest Mr. and Mrs. Freitag! May God give you many years!
I’m very excited to make available an Off Camera Flash Lighting Workshop I’m doing in South East Saskatchewan on October 13th, 2012 in Roche Percee. It will cover the basics: fundamentals of lighting, getting started with Off Camera Flash techniques and knowledge, familiarization with gear and hands on opportunities to shoot a model on location. It’s going to be a lot of fun! 😎 There are a couple of spots still available so if you are interested, contact me. The cost is $100.00 each and the workshop will start at 1PM.
This post could be called D800 Snugs part 2. I took full advantage of Teresa’s camera while she was here. Ironically, I have been wanting to get a macro shot of a peacock feather for a long, long time. However, since the D800 came out, I’ve been waiting to use it to capitalize on the megapixels and get blown away by the sheer awesomeness of the detail. It didn’t disappoint. The 105mm micro lens is unreal sharp. I used it on the feather but also for the ad hoc portrait of Talitha . . . who’s last name is Peacock. Go figure. Serendipity? 😎 Talitha is a super rad girl and, she’s a harpist which makes me cool and couth by association. Check out her music here: http://peacocksmusic.com. I was blown away by the portrait. Goes without saying that Talitha is beautiful, but the quality of the file is unlike anything I’ve ever seen. The D800 really brings it! 😎 The feather image is going huge on my wall. I’ll see how 36×48 looks! 🙂
My two favourite nieces came by for a visit and we did a quick little photo shoot. Ruby is just about the same age as Pria is and both are just starting to be propped up. We grabbed the Bumbo chair, or the “wimbo” as Phoebe called it, and propped her up and had Piper sneak in beside. This photo was my fav from the set because Ruby has that “you lookin’ at me kid?” expression! 😉 heheheeh….. “I’m gonna buss a cap you keep lookin’ at me!” 😎
From there we went to just Ruby and locked this one in. I threw it into Black and White which always looks timeless and cool. Her eyes were very sparkly in this and her expression is, though less Goodfellas than above, super adorable.
A quick note about the lighting setup for these photos. Kids rarely if ever sit still and cooperate so I wanted to try a different lighting technique that would accommodate their squirmy nature but still give a nice result. I setup a reflector camera right on a stand and a flash camera left and bounced the light over the kids and off the flash on very low power, like 1/128 or 1/64. It has the awesome effect of feathering past the kids and also lighting up the reflector for a sweet little catch light in the eyes. I really like the technique and I will certainly try it again. The ambient light cooperated too with an overcast sky which helped for even fill light. I came across this setup in Kevin Kubota’s Lighting Notebook, which is a resource I recommend you check out if you’re interested in learning more about light. He has some great setups to share in there. You can checkout a preview vid for it here: