I’ve always wanted a long telephoto lens for the Fuji X system because I love love love the skin tones & nuanced colour that Fuji produces. I saw the K&F Concept lens adapter for Nikon G/AI lenses to the X mount for a mind blowing $30 bones on Amazon. I didn’t have any high hopes at all about the quality or usability of the adaptor but for the cheap price, how wrong could a guy go? So I got one shipped out.
I opened the box and was blown away. The whole thing is metal. It has a built in aperture control for Nikon’s new G lenses that don’t have an aperture ring. And it works to keep the lens wide open, stopped all the way down and a couple of in between settings that are largely guesses. None of the settings register with the camera because there is no communication between camera and lens. It’s just a simple adaptor. So it’s manual everything. But Fuji’s focus peaking even at 1.8 is a snap. Works great!
I slapped on the 70-200 f/4 which balances decently with the small camera body. You could shoot wildlife with it gaining the extra reach of the crop sensor but manual focus on fast moving subjects requires ninja like reflexes that I no longer possess.
But for portrait stuff………
I’d say it works just fine. These two sample images are straight out of camera other than my resize for web lightroom setting. Here’s a 100% crop of Phoebe’s eye:
It is tack sharp! This is wide open too. You’ll see from the included info that the camera only records the shutter speed & ISO settings. Aperture is not and for some reason it defaults to a 50mm lens. But the results are awesome. The skin tones are so, so great. And it’s sharp! Did I say that already? So this image is 200mm 1/180 ISO 200 handheld JPEG shot with a Nikon SB-900 through a Lumiquest Softbox III triggered with Phottix Ares triggers! How’s that a for a FrankenSetup!? lol
I love Fuji lenses and they rock the set. But for 30 bucks, you can’t go wrong with the K&F Concept adaptor. Highly recommend picking one up!
The kids got haircuts the other day. There always cutest fresh from the salon so I grabbed once again the X100s and wanted to try the Pro Neg H simulation. Fuji has the best skin tones in the business (in my opinion) and this simulation does a really great job of bringing them out. The H vs. S rendition has a bit more punch and contrast. But the skin tones are really great. I did the one black and white conversion in Lightroom afterwards for more of a high key look. Still looks nice.
But the colours are so great. Fuji really makes your photos pop!
There was some pretty neat fog out this morning when I was out and about. It gradually lifted but still hung on for a bit. I threw the X100s in the car. The black and white images are all just FujiFilm JPEGs with a bit of extra contrast dialled in. I’m really excited about the release of the X-Pro2 in that it has an Acros film simulation. I already love Fuji B&W so much that the Acros will be icing on the monochrome cake! Can’t wait for that camera! 😎
2015 is here! I thought we would be burning around in flying cars by now! Guess not. But what we do have are really tremendous cameras. I think the old film guys would be doing backflips in their graves if they could shoot with the stuff we have now. So many photo blogs and sites compare the features of this camera and that camera – but you know what? All the technologies in these new cameras are really fantastic. Auto Focus is awesome, even on less than stellar performing cameras. None of the old guys had it. Just try turning your AF off on your camera and shoot for a day. You’ll appreciate even slow AF after that! 😀
As I look over my husky collection of personal images (like 66,000 or something crazy), Lightroom allows me to sort them by metadata. Such as which camera took what number of images. My old & sold D300s definitely took the most as that was the camera I really learned photography with. But the most used camera I own isn’t my Nikon D800 or the Df – both of which I certainly do love. Rather, it is the FujiFilm X100s. The bulk of my professional work is still shot with DSRL. But my family/personal camera is the omnipresent X100s. It’s a camera that I naturally just pick up. The Nikon Df also has this spirit about it too. I love the manual controls and dials on these retro-styled cameras. But there is just something about the Fuji. It’s sum is somehow greater than its parts.
Ergonomically, it’s a winner. Small profile. Virtually silent. And then there’s the features: Macro capability, Killer sharp optics, stellar high ISO performance, leaf shutter flash sync speeds, AMAZINGLY ASTOUNDING COLOR. And this is the big one for me. The X-Trans sensor is a colour ninja. All the photo gurus go on and on about this but it is so true. This sensor renders a scene exactly as your eye sees it. Nuances of colour exist that even my D800 and Df just cannot replicate despite being bigger and 3 times more expensive. I snapped this shot just to see how the X-Trans would negotiate the wild mixture of light in this photo: Tungsten lamps in the living & kitchen illuminating the family, daylight balanced wall sconces and Christmas LEDs in the family room in the background. This is a JPEG image shot in auto WB mode! It’s amazing! And the skin tones are incredible. And look at the various shades of blue! I’m constantly blown away by this camera.
I used the X100s exclusively over the Christmas season for capturing family memories. I shoot it in JPEG. I wouldn’t dream of doing that with the Nikons. The pre-processing of the camera makes this possible. Using the X-Trans for professional work would be a dream, especially for weddings. Being able to produce pre-processed JPEG images – that are FANTASTIC – would save hours and hours of editing time. And the black and whites are the best in the business. Bar none. No contest. The FujiFilm Black and White is incredible. I’d love to compare them to say the Leica M Monochrom. So Leica, if you’re reading, send me a setup to try! 😎 I shot this one of my Nephew in very low light, using MF focus peaking to get it sharp. It was f/2 1/60 at ISO 6400. At 1:1, you can count his eyelashes. And the “noise” looks like film grain at 400 ASA. It’s astounding. Like my nephew who is the most striking little gaffer ever. His eyes are jet black!
Sony made and is making a big splash right now with its full frame Mirrorless A7 cameras. Rightly so. They’ve beat both Canon and Nikon to the punch in changing the history of photography for the better. DSLR technology is just analogue film tech ported over to digital. Mirrorless is true digital photography. No old analogue tech work arounds. It’s the real deal. I’ve looked seriously at switching to Sony, particularly with the release of the A7II. Awesome kit with killer in camera stabilization. Way less weight to lug around all day. What’s not to love? Not much. . . . Except that it uses the same sensors that Nikon does. (Or, rather, Nikon uses Sony’s sensors). This isn’t a draw back. The sensors rock the set. But as I look at the X-Trans images, I prefer the look and feel of them. The tonality and colour can’t be matched, not even by Sony’s incredible full frame sensors (Sorry Canon, you’re beaten like a rented mule on this one). I’m not ruling out Sony stuff, that’s for sure. It’s an exciting time for photography! Loads of awesome image making options. But let’s just say that I’m anxiously waiting for the X-Pro2 release. So Fuji, if you’re reading, send me a setup to try! 😎
My last point about Fuji that I want to touch on is their approach to their customers. No other camera manufacturer respects their customers more than Fuji. When you buy a camera, undoubtedly there will be some glitches and bugs to get worked out. Firmware releases generally fix those up. But that’s all they do. Seldom, if ever, is more functionality introduced to a camera – and especially not if an upgraded model has already been released. You have to buy said upgrade to get the new features. Not so with FujiFilm. They so respect their customers that they release firmware updates that make the existing products better. Even products that have already been replaced with updated models! That’s awesome! It instills confidence in the purchase for the customer. I know that my investment in Fuji is not a one time deal. They will bless me with greater functionality in the future. This is how a company can create a jubilant base of hardcore fans and supporters. It’s a two way relationship with Fuji. And they keep on giving. They show respect to the customer and for that, I give a very deep and long bow (not to mention further business in the future).
So here’s to a happy new year of image making in 2015! May all your pixels be bright! 😉
I read a photography blog post the other day where the author responded to the general claim that Fuji’s colour reproduction is magical. He claimed that the consensus of celebrity pro-togs who love Fuji have their heads up their posteriors. It’s all hear say and media hype. Now, I love Nikon and I also love Fuji (specifically the X100s). I’ve had great success with both. But is the colour really that much better on the magical Fuji? Well I had the opportunity to really test that out today at my daughters birthday party. One of the fun activities was making bead necklaces. So we had lots of different coloured beads available. I brought my cameras and here’s the skinny. 😎
Caveat: Any of these “scientific” colour tests are inherently skewed because it’s impossible to get everything the same across camera platforms. Lenses are different, sensors are different, blah blah blah. You get the idea. 🙂
I normalized the cameras as much as I could across the settings and exposures. I decided that I would use an on camera flash to bounce the same exact light across each exposure. The frame is lit entirely by flash with no ambient bleed. The settings were: JPEG files straight out of camera with no editing whatsoever (other than the down sample of the full res files to 1024px). Fuji was on factory Provia and Nikon was on factory Standard settings. 1/250 f4 35mm ISO 200 WB Sunny/Fine. SB-600 Speedlight on Camera zoomed to 35mm shot in Manual mode at 1/32 power for both. FujiFilm X100s (23mm = ~35mm on FX) vs Nikon D800 with 16-35mm f/4 AF-S VR. Take a look at the results and see for yourself.
I put the photos side by side in Lightroom and did screen captures. I didn’t downsize the D800 so they don’t line up. I put them both at 1:1 just to compare the colour. In all the shots, the Nikon file is on the left side.
So, what do you think? I noticed that there was about a 1/3 stop exposure difference between the two files. I made the histograms the same in post and brought the Nikon exposure down -.35 in Lightroom – but that difference is not shown here. These are all SOOC. Even with the slight exposure tweak, the files to my eye are different. The Fuji has an extra little bit of contrast and pop straight out of camera. And whatever it is, this magical Fuji special sauce is what all the Fuji hype is about. 😎 Just look at the difference in the pinks (read SKIN TONES), it’s quite remarkable!
Here’s the thing with the FujiFilm X100s camera. Color. It does colour, really, really well. 😎 I’m not kidding. It nails colour in a gorgeous richness. My daughter had this amazing little dress on and I knew I had to capture that colour. So I grabbed yonder X100s, a flash on a stand and away we went. The above image was 1/500 f/2.8 ISO 100 via pocket wizard plus x. Every time I pick up that camera, I get stoked about the images that I peel off the card. JPG for crying 😯 out loud! I’m thoroughly in love with my beautiful daughter and the camera that forever has frozen these images for me!
So I’m really liking the Fuji X100s. Leaf shutters are amazing creations, like hydraulics and GPS. Basically, it allows you to sync a flash at any speed. You don’t have to worry about 1/250 or 1/200. You can rock out at 1/1000s at f/2 in full sunshine and still sync a flash – at 1/8 power!!! 😈 It’s crazy! The flash photo options available with this camera are nearly limitless! 😎 I took a 1 light setup outside yesterday to try and see how the X100s does in full sunshine. I locked on the internal 3 stop ND filter and was able to underexpose the ambient at ISO 200, 1/1000s at f/2. That’s pure sweetness! In contrast, to do this with a DSLR, you’d need to drop your sync speed to 1/250 and crank your aperture to f/5.6 to get the same exposure (before an ND filter). But the Fuji nails the sweet bokehlicious backgrounds and, I can overpower the sun with a speedlight on 1/8th power!!!!!!! Like, what’s not to love?! 😀
Here’s the results (JPEGs shot in Astia simulation mode)
I was super fortunate to be able to take my new Fuji X100s for an extended tour of duty as a travel & event photographer. It was precisely for these two applications that I bought this camera, but after using it, it is quickly becoming my “go to” camera. I’ve never owned or shot any traditional film rangefinder cameras and I’m coming to the X100s from a D800 and other Nikon DLSRs. So it was a new experience and a nifty learning curve but this camera fits like a glove. All the reviews of the internet celebrity bloggers like Arias, Hobby, and others have lauded this camera and all I can say is that everything is true. It is THAT good. Even if your friends accuse you of down grading from a DSLR, just smile and nod. 😆
You can look up the tech specs on Fuji’s website. This review is about the user experience and the pure can of whoop @$$ this camera packs into such a sweet little package. Firstly, it is a dream to use. It’s an extremely tactile camera, everything clicks. Nicely. The buttons have a great feel to them and are easy to use. The only gripe I have is that the on/off switch can easily be flicked unawares when putting the camera into a pocket. But that is an extremely minor gripe. The new “Q” button is really, really handy for making changes on the fly. Also the 3 custom user modes are perfect for events as you can switch back and forth to customized presets without having to burn through tonnes of menus. LOVE that feature. During my trip we attended a friend’s wedding and I shot the X100s in Black and White mode mostly because I love the look of the files (and being able to tweak the tonality of shadows and highlights is the bees knees). But, I could switch back to Provia colour in a button flick. It’s a really great experience all round in using the camera. The one fixed 23mm f/2 lens is super sharp and you don’t have to worry about changing lenses. Ever. 🙂
I found that the camera truly was ready for nearly anything. Not even once did I wish I had my D800. The low profile of the rangefinder style is really unique. I found that people were less nervous getting their photos taken by it. The camera changes the photographic relationship if that makes sense. It certainly makes you push in closer to get the shot, which was a bit uncomfortable at first for me. I’m naturally “telephoto eyed”. I love my 85mm 1.8 and I take mostly everything with that. So the 35mm equivalent made me get closer and in so doing created a photo and look that I really enjoyed. While at the wedding service, the paid pro was walking around with a loud Canon 5D Mwhatver and the shutter sounded like a Clydesdale horse plodding through the mud “Clug-clock, clug-clock, clug-clock!” Meanwhile my X100s set to silent mode was like a ninja’s shadow! Truly, it’s totally silent and unobtrusive. Thank you leaf shutter! 😎
The image quality is outstanding. I shot the camera at 3200 ISO nearly the whole time I was at the different events on my trip and when I got home to look the files over, they blew me away. The files aren’t D3s clean but there’s no noise. It’s a silky grain that adds to the character and personality of the camera. The color. The color is unbelievable. I can’t get over how amazing and beautiful and rich and vibrant and . . . you get the idea . . . the color is. I love color and the Fuji files pop off the screen with scrumptious tonality. The photo of the roses was shot in a Costco under those heinous “sodium-vapourizer-punch-your-auto-WB-in-the-face” lights. Auto white balance and like all the photos on this review, SOOC JPG.
This window light portrait was shot at ISO 400, f/2.8. I really love the over all look of the files. The skin tones are amazing, the colors pop. What more can I say?! The files are gorgeous straight out of camera, as is my smokin’ hot wife. 😀
I feel about the X100s the same way I felt when I got my first DSLR (Nikon D40) – Romeo & Juliet. I’m in love! 😎 But the best part is, we’re not star-crossed in any way. The camera is a finely revised version of an already great model. It brings the thunder in every way. It’s no nonsense. The user experience is great. The autofocus speed is slick. The files are pure awesome. It’s literally anything anyone would want in a compact travel/event camera in nearly any situation. If you are a rangefinder retro-style junkie, buy this camera. If you have an X100, buy this camera. If you want a camera that you can pick up and feel that it is an extension of your photographic creativity and skill, buy this camera. It’s a 5 out of 5 star camera only because I can’t give it 6 out of 5. It’s cooler than the other side of the pillow. 😀