Every year the Frey family has their Bull Sale. It’s a wonderful family tradition. I was able to attend this year and did a little bit of event photography for them. It was a very difficult sale as Melissa Frey’s father Tommy just passed away literally the night before. As a result there was a very somber mood to the sale that is characteristically upbeat. Everyone carried on and made it through but it was tough.
The sale invites buyers to come to the farm and take a look at the bulls and the heifers. This year they had video footage of the stock and played the videos on a television screen during the auction sale so that you don’t have to get the animals riled up walking through a show ring. It makes for a much better experience all round.
As you can tell from the photos, Freyburn Farms raise Black Angus cattle. The Angus association has done a wonderful job promoting the breed, especially for meat. You can go into many chain restaurants and in the menus they will often boldly say “Black Angus Steak!” They are a very biddable breed and generally good to manage.
It’s really fun to attend the sale. It’s a very family friendly atmosphere and the Frey’s are exceedingly welcoming and gracious hosts. If you like pie, it is the place to be!
I was doing a two camera setup for this shoot. FujiFilm X-Pro2 with a 50mm and my Nikon Df with a 16-35mm. I have always found a super wide angle to be very helpful in event photography and the Fuji system kept the system light and mobile on the telephoto end.
All in all it was a really great sale, despite having to deal with very tough family circumstances. Coming together as family and friends and enduring the challenges in the hard times is what gives prairie people their true grit.
We went up to the Red Barn north of Kenosee Lake a couple of Sundays ago. It’s quite the place. They have live entertainment, a market with all kinds of sellers and crafts and all around fun atmosphere. We checked it out for a while and used the opportunity to test out my 23mm f2 WR lens from Fuji. As I mentioned in my last blog post, it’s a stellar lens. Not too wide and not too close, that 35mm on full frame is nearly a perfect lens for human group life.
It allows you get a cool perspective on life. If you back up, you get more. If you get closer, you get more.
From the Barn we went into Kenosee lake park. I wanted to take some maternity pics of my wife before she had the baby. (This is the ideal way to do maternity photos. lol). For the maternity shoot I relied upon my 50mm Fuji lens. It’s a really sweet stunner at an oddish 76mm full frame equivalent. Not many lenses were made at that focal length which adds to the unique feel of the images it produces.
We went to the beach and let the kids splash and play a bit and I captured a few more candids using all the “FujiCrons”.
We finished out our time at Kenosee by capturing a few more family pictures by the chalet. It’s such an incredible building and asset to the park! I shot a lot in ACROS film simulation which I LOVE. I have no problem ditching Fuji’s amazing colour for Black and White when using ACROS. I know I could shoot RAW and have it all but I love the Fuji JPEGs so much that I don’t even bother. There is something magical about ACROS!
Well I finally completed my collection of Fuji Lenses. I got the last of the “FujiCron” series – Fuji’s f2 WR lenses. The first was the 35mm (50mm full frame equivalent) which I took to Vegas. Then I got the 50mm (76mmFF) which gets me back to my preferred focal length neighbourhood of gateway telephoto. And finally, I sold my XE2 & 18-55 setup and bought the 23mm (35FF). This whole series of lenses is super fantastic. They are sharp and optically sweet even wide open and above everything else, they are compact. I can carry the XPro2, the 3 lenses, spare batteries and more in a small Domke bag. It’s an ideal travel setup.
I really like the 23mm/35mm focal length. It’s a really versatile way to view the world. I find it superb for environmental portraits. It shows just enough background with emphasis on the subject.
The other night we had our Souris Moose Creek Adventure Club night kayaking and canoeing along the Souris river. I threw the off camera flash bag in as well and waited for the sun to dip a bit. I had with my favourite flash of choice: LumoPro LP180. If Tony Stark invented a flash, it would be this one. It’s all manual for ultimate control. And thrown through an umbrella up close it does a great job.
I was shooting the XPro2 in Astia and Classic Chrome simulations. It kind of made for a cool colour contrast along the water.
All in all I can’t recommend the “FujiCrons” enough. I really love using them and they always do a fabulous job. One of the images in this post is an iPhone 7 photo. See if you can spot which one it is!
Our SMCAC (Souris Moose Creek Adventure Club) recently did an Intro to Trapping & Skinning event. It goes without saying that trapping fur bearing game is no longer a popular activity. In fact, it is looked down upon and even chastised by the politically-correct
cesspool society we now live in. But nothing can change the fact that the nation of Canada was created by the fur trade. It’s a Canadian tradition and is something that should be upheld, not only for nostalgic and historical reasons but also as a humane way of managing wildlife populations – a responsibility that has fallen to all of mankind.
Our event introduced young and older alike to the art of trapping and skinning. The day began with a racoon skinning demonstration by Trent Lyon, and a discussion of various traps and techniques.
The participants then had their chance to try skinning a muskrat. The kids dove right into the challenge! (Though many of the adults weren’t so keen!)
After the skinning portion, we all went out to an abandoned farm to observe an actual racoon trapline. Many racoons often will inhabit an old farm house as it provides great shelter for them, additionally so if there are grain bins nearby that have a ready supply of winter vittles!
Photographically, it was FujiFilm X-Pro 2 all day long with the 35mm f/2 WR lens. Having it all be totally weather sealed is the only way to go for our harsh Canadian climate. These JPEGs are all from camera with very little post production editing. Provia film simulation for that great Fuji colour. 😎
I pulled the trigger on getting a FujiFilm X-Pro2. Sight unseen. But I had been coveting one since it was announced. But I thought “nah, I’ve got loads of Nikon gear. What do I need an X-PRO2 for? It’s not a need. It’s a want.”
YOU NEED AN X-PRO2
From the very first moment I picked the camera up, while it was still in the protective shipping plastic bag yet, I loved it. The camera is big and solid, hefty even. It feels perfect in the hand. I threw in a charged batter from my X-E2 (which are the same by the way) and slapped on the 35mm f/2 lens. What a dream. The camera is blazing fast to autofocus & accurate. I shot the normal test shots we all do of our keyboards to test focus and it was bang on. I quickly put the camera into ACROS film simulation. Wow.
The photos have this alive/organic/analog quality to them. The transfer from shadows to highlights is out of this world. The ACROS grain is so smooth and film like even at higher ISOs my jaw dropped when viewing the files. They seemed to jump off the screen at me.
I just kept shooting the kids. Shot after shot through the EVF, the shots were sharp, and had the same filmic quality. I was hooked from the very first few frames!
The shadows are so rich and the highlights are buttery perfectly. I was shooting the camera wide open at f2 and the files are sooo sweet. I always knew that the fuji JPGs were great, my X-E2 files are wonderful. But the X-PRO2 files are just that much better. I can’t wait to actually put the camera through it’s paces.
These quick shots here are straight from camera, no editing other than a resize for the blog. Again, I’m totally blown away by the camera. The tonality of the files is wonderful. I’ve never ever felt this way about a camera before or the photographic results. If you’ve ever been thinking of getting an X-PRO2, do it. I can already see how this camera is going to change my photography going forward. More to come!
Day 7 was laden with awesome water-based adventure! It all began around 11:15AM with a scenic float down the flathead river, courtesy of Montana Raft Co! It involved one excited 7 year old jumping overboard to his heart’s delight!
Every day of this incredible road trip just got better and better. We thought we had seen the most incredible stuff the day before and then we encounter more mind-blowing scenery and unbelievable vistas. That was Day 6 in a nutshell!
So Day 2 of our epic road trip took us to Waterton Park. It was only a few minutes from our campground and we spent the whole day there taking in the sights. Pictures and story after the jump.
I’ve always wanted a long telephoto lens for the Fuji X system because I love love love the skin tones & nuanced colour that Fuji produces. I saw the K&F Concept lens adapter for Nikon G/AI lenses to the X mount for a mind blowing $30 bones on Amazon. I didn’t have any high hopes at all about the quality or usability of the adaptor but for the cheap price, how wrong could a guy go? So I got one shipped out.
I opened the box and was blown away. The whole thing is metal. It has a built in aperture control for Nikon’s new G lenses that don’t have an aperture ring. And it works to keep the lens wide open, stopped all the way down and a couple of in between settings that are largely guesses. None of the settings register with the camera because there is no communication between camera and lens. It’s just a simple adaptor. So it’s manual everything. But Fuji’s focus peaking even at 1.8 is a snap. Works great!
I slapped on the 70-200 f/4 which balances decently with the small camera body. You could shoot wildlife with it gaining the extra reach of the crop sensor but manual focus on fast moving subjects requires ninja like reflexes that I no longer possess.
But for portrait stuff………
I’d say it works just fine. These two sample images are straight out of camera other than my resize for web lightroom setting. Here’s a 100% crop of Phoebe’s eye:
It is tack sharp! This is wide open too. You’ll see from the included info that the camera only records the shutter speed & ISO settings. Aperture is not and for some reason it defaults to a 50mm lens. But the results are awesome. The skin tones are so, so great. And it’s sharp! Did I say that already? So this image is 200mm 1/180 ISO 200 handheld JPEG shot with a Nikon SB-900 through a Lumiquest Softbox III triggered with Phottix Ares triggers! How’s that a for a FrankenSetup!? lol
I love Fuji lenses and they rock the set. But for 30 bucks, you can’t go wrong with the K&F Concept adaptor. Highly recommend picking one up!
I’m ultra behind in the blogging but I wanted to do an update. A mirrorless update. I’ve been a Fuji fan for quite a number of years now, using my omnipresent X100s camera all the time. Always JPEG. It became my high volume camera, especially for family trips where I refuse to lug around all my huge Nikon gear. But I want more quality and control than my iPhone camera gives me. The X100s was always the perfect companion. I love the 35mm equivalent field of view, especially for travel. It’s fantastic!
But it can be quite limiting. Which is almost always a good thing. Except for when it’s not. I found that all my travel photos, being the same focal length, were, well, the same. So I hummed and hawed about it and ended up getting a smokin’ deal on a FujiFilm XE2. I was going to buy the XPRO2 but didn’t (another blog post about that later). I got the XE2 with the “kit lens” which is an amazing lens, the 18-55. It’s a stunner. It’s sharp, it’s fast and it’s made of metal. Using Fuji is an experience in quality to say the least. Anyways, I’ve since picked up the 35mm f2 it’s a dream. But all summer long, all I shot was the 18-55.
I wanted to showcase the versatility of this compact mirrorless setup. These photos are travel photos from our cross Canada tour this summer. Western Manitoba all the way to Tofino, BC and back again. 4 provinces, thousands and thousands of kilometres traveled, Ocean, Waterfalls, Mountains, Forests, Prairies, all with one camera, one lens. Not only was it a versatile combination but it made the editing workflow nearly non-existent. By that I mean the XE2 utilizes a WYSIWYG viewfinder. The exposures seen through the eye piece are what you get in camera. Literally 97% of the time, it’s bang on. Very little editing has gone into these photos. The X system allows you to get it right in camera the first time, let alone the colour tweaks available through the film simulations. Fuji colour is the best, bar none! Anyways, here’s some photos.