Well I had the first Wedding of 2014 on the 3rd of the month. It was a very special wedding because it was Parishioners of mine who asked me to take a few photos after the ceremony. It was a very small gathering with only the couple and their witnesses present – which is just fine. Everyone thinks a wedding needs to be a big deal with metric tonnes of frills. It doesn’t. It can be a small, humble event, as this wedding was. And in all truth, it became one of my all time favourites! 😎 Hubert and Audrey were so excited to seek the Lord’s blessing on their relationship which is such a cool testament to their faith. At 80 plus most people would simply think living together would suffice. But nothing beats good ol’ fashioned marriage! And a good ol’ fashioned marriage deserves a good ol’ fashioned camera!
I brought along my
old film Leica FujiFilm X100s. The photos were going to be all posed portraits in the church sanctuary and I took a couple of candid shots afterwards. But I figured I could get it all done with the Fuji and it worked great. I brought along a very simple Off Camera Flash setup of 2 stands, 2 LP180 flashes and 2 umbrellas, triggered by Pocket Wizard PlusX units. Very simple and very effective, no nonsense kit. I carried the camera, triggers, gels and flashes in a small lowepro bag about the size of a milk carton. Who doesn’t love that?! We did lots of the typical “nice” photos everyone wants, then I had my lovely wife assist me for a shot with more dramatic lighting which turned out to be my favourite of the day. I LOVE the Fuji’s black and white JPGs with the yellow filter! 🙂
But I also love the Fuji’s rendition of colour. Just look at that candle smoke. The subtle blue is out of this world! It just nails colour every time, even in weird mixed light environments. Ahh, Fuji, is there anything you can’t do? 😉 All the best to the latest Mr. and Mrs. Freitag! May God give you many years!
Rider Pride, Nation Wide. That’s our motto and our mantra. From the moment of conception, all Saskatchewan residents are born Rider Fans. Some more crazy than others. To support our team headed to the 101st Grey Cup on Sunday, I wanted to do a little photo shoot. I had the idea in my mind and wanted to try out some cool lighting that is along the lines of Heisler-esque. I was stoked with how the interplay of colour took place in this image. I’ve included a BTS photo to explain how I made this shot come together.
Well, as you can see, it’s shot in my car hold. It’s a total of 4 lights. Black sheet background clamped onto some cupboard doors. The key light is an SB-600 in a soft box overhead via a C-Stand. It’s got 1/2 CTO on it which really makes this image. Two rim lights behind me on left and right. The camera left rim is pointing up at me and the right is coming down. It really chisels the outline with thick green theatrical gels on 2 LP180s. And the last light was a special for the banjo. The SB-900 was simply put on the floor in an Orbis ring light to circle the drum of the banjo. I couldn’t have made a light mod match a subject better! I had originally set it up as on axis fill but on the ground worked so much better and added to the overall dramatic feel. It was a fun way to spend an hour or so. 😎
So cheer on the Saskatchewan Roughriders to Grey Cup victory on Sunday! Green is the colour, football is the game!
This is a total Photo Nerd Post. If that applies to you, please read on :cool:.
So I was doing an advertising campaign shoot yesterday and I decided it was high time to try out my new LumoPro LP180 flashes on a real job. I was shooting a high key setup that required 4 flashes to do. I setup my Nikon SBs as key and backlights and I wanted to use the LP180 as a kicker.
So I set it up and took some test shots. Nothing worked. It was like the LP180 was killing all the other flashes’ signals. So I turned it off, everything worked perfectly. Weird. 😈 Then I remember that I must have the slave mode in the wrong setting. So I changed it and still the setup wouldn’t work. I was totally buffaloed. I was able to borrow an SB-910 to help me finish the shoot but when I got home, I had to figure out what the heck was going on. I setup the flashes and started running through the slave mode settings on the LP-180. When I got to S2-3, thats when the magic happened. Everything was working perfectly and my two LP180s were triggering just fine within the Nikon CLS. I was using my SU-800 commander remote which I love, but I tested it also with the pop up flash on camera. Worked perfectly. So, if you shoot Nikon CLS and want to use the awesome LumoPro LP180 flash alongside your Nikon kit, fear not! It works flawlessly in the S2-3 slave configuration. Cheers! 😎
Well shut my mouth! My new dynamic duo of LP180 flashes by LumoPro just arrived today. Shazam!! These flashes ROCK THE SET. This blog post will not be a lengthy review as the gurus and the wannabes have already put them up on YouTube. Here’s a cool vid from LumoPro!
I shoot Nikon CLS because it is convenient to us my SU-800 commander to control flash output from camera, and I won’t be leaving that system anytime soon. However, I wanted a couple more flashes. The problem is, Nikon CLS is an expensive premium to pay on every flash you buy. I thought about getting another SB-900 or 910, but they’re over $500 bones. The SB-700 is a good flash but still pricey at $350. And at most, I’d want the flashes to be accent lights or background lights or some such thing. But then LumoPro makes the best flash in the history of the world that you can quad sync (4 different ways), that comes with 2 sets of rocsco gels, that offers perfect, simple manual control, and I was totally sold . . . for $199 each! EACH! That’s awesome! It means that I bought 2 of these amazing flashes for less than one SB-910. Pure awesome! 😎
Here’s the best thing in the world about these flashes besides all the above mentioned awesomeness:
Uh huh. That’s right sports fans! That LP180 flash comes with a built in 1/4 x 20 mount on the side so you can just attach the flash directly to a stand and blast light right down the axis of the umbrella/light mod. THAT’S AWESOME!!!!! 😀 The light comes directly to the center of the mod instead of upright on a hot shoe, which is always precarious at best anyways. This system makes SO MUCH sense. I wish Nikon would add it to all their flashes.
The optical slaves work awesome, I tried triggering them with my D800 and SU-800 and they work perfectly. Which means they can be triggered by the infrared commander I use for my normal lighting setups. Which means they will seamlessly integrate into my workflow, other than having to be adjusted manually for power output. Big whoop! I’ll walk the extra 5 feet for what I saved in not buying Nikon CLS speedlights.