This is just a quick blog post showing how I was shooting some macro shots of my favourite cameras this evening.
This behind the scenes iPhone shot shows the exceedingly crude setup. Main light is an AlienBee 1600 through a gridded Photoflex soft box. I setup my home made scrim as a big reflector and did a simple blue gelled flash pointed at the back wall to give a bit of colour. Very simple setup with a decent result.
I also shot the good ol’ Nikon Df with an old 28mm manual focus lens from 19 diggity 5. I took more of a macro approach with this shot and used that same blue flash to add that hint of glancing colour to the shadow side. The blue sets it off just that extra little bit.
I shot the same kind of angle of the X-Pro2 but it doesn’t work as well to me. The X-Pro2 is more minimalistic in its design, lending to a more covert external appearance anyways (which I like). There’s just not as much going on for the accent light to bring attention too. Anyways, just a fun little shoot for something to do.
Here’s a link to the Nikon photo in 4K resolution. I shot all these files with the Nikon D800 RAW so there’s resolution to burn. 😎👍
ATTENTION: PHOTO NERD POST – if this is not you, please move aside. 😎
In my previous post on this, I had Nikon’s Creative Lighting System working flawlessly with my LumoPro 180s. But then, all of a sudden it didn’t work anymore in the S2-3 slave mode. I was buffaloed once again. So, I determined to figure out why (in my home office, not during a wedding shoot when it was critical. Doh.). 😉 So anyways, I tried all the configurations of Nikon’s CLS system triggering from an SU-800 commander on camera. Here’s what I came up with. The LP180s will work with all the configurations, they just have to be set in the appropriate slave mode as per your CLS configuration. I made up a cheat sheet to keep with you. Feel free to download and share it as you wish. Cheers! 😀
ADDENDUM EDIT: I’ve had an anonymous commenter (H. Simpson, no wait, that’s too obvious, Homer S.) inquire about what the settings would be for CLS combinations not listed in the chart – precisely a BC group. Given that Nikon’s CLS system makes the most sense when used as A Group for Key, B Group for Fill and C Group for Accent/Kicker lights, a BC Group configuration doesn’t make any sense at all ever. Just use an AB Group in the S2-2 setting, it’s accomplishing the same thing as 2 setting group like BC.