So here’s a bit of nerdy post. In the midst of Corona-Mania-2019, I managed to run out and nab a photo of the super moon on April 7. I used the same lens for both of these photos, the veritable 70-200 f/4 Nikkor. On the left is it on a full frame, 36MP Nikon D800 camera. On the right it is on the 24MP Fuji X-Pro2 with an adaptor. Fuji is a crop sensor so you get the effective extra reach of the lens. But it is interesting how the fuji seems to capture more detail.
Some of the increased acuity comes from Lightroom’s rendering of Fuji RAW files. The dreaded “wormy” details show up as noise in the image which does have the effect of making it look sharper. This is a side effect of how Adobe render’s the X-Trans sensor images. They have made gains to correct it with Adobe Camera RAW but it’s still present to my eye.
The Nikon file doesn’t have the wormy detail. But as a result it doesn’t look quite as sharp.
This discussion is taking place at 300% – which is stupid. Pixel peeping this close is a thing nobody really does except camera nerds. And maybe u if you’re still reading! 😂
So there’s the Pink Super Moon on two cameras with the same lens. If you’ve ever wondered why this is called a “Pink” super moon or a Wolf moon, check out this article. The Pink moon has the added blessing of calculating the date of Easter. 😎 🙏
We’ve been super fortunate to have this pack of wild turkeys hanging out at our place. They come right into the yard, struttin’ their stuff. They’ve been around for quite a few years but this year they have been really quite prevalent. It made for some sweet photo ops early this morning. I took some shots through window glass and then stalked them out into the back prairie. I was able to get within 10-15′ of the birds which was pretty sweet. 😎
The Crocuses have once again returned to the prairies. I saw the most perfect one ever today out back on the prairie and I went back to get a couple macro shots.
Here is the hi-tech lighting setup. Full noon day sun through a reflector scrim. Really nice wrapping and soft light. Nikon D800 with the 105mm macro lens.
They truly are a magnificent aspect of prairie life! 😎
Hey! When winter time rolls around, my cameras basically never see the light of day. If they get any use, it’s all indoors. I’ve got some posts coming up about indoor macro work I have been doing but in terms of getting outside, forgetaboutit! It’s way too cold and miserable for me to mess around with gear.
That said, I couldn’t help myself yesterday. There were the most incredible sundogs I’ve ever seen! It was -50 BillionºC but I ran out with the D800 and 16-35mm f/4 lens. There was this “double rainbow” sundog that I’ve never encountered up above the complete ring around the sun. It was worth freezing my baguettes off! 🤣
They were impressive enough in the landscape orientation but even with 16mm I couldn’t get in that top reflection so portrait orientation won the day! ☀️🐶
So we had some really neat chunky snow flakes the other day. I ran out early in the morning and nabbed a few macro photos while the wind was low. The trusty 105mm Nikkor and the stalwart Nikon D800 were the weapons of choice for this hunt – maximum resolution and resolving power!
It’s incredible to see the intricacies of frozen water up close like this. I have included a square cropped image here of the larger picture to see more of the detail.
It’s pretty wild stuff to see!
The “ball” images above here are frozen chokecherries. They are almost the same image, the only difference is lighting. On the darker blue image I lit the chokecherry with a flashlight in close and feathered a bit to give the image some shape and specular highlights – which we didn’t get with the flat cloudy ambient light. #Sparkle 🤩
In this block of images you can see the crops of the above. The creative genius of God on display for our viewing pleasure! 😎👍🙏
This is just a quick blog post showing how I was shooting some macro shots of my favourite cameras this evening.
This behind the scenes iPhone shot shows the exceedingly crude setup. Main light is an AlienBee 1600 through a gridded Photoflex soft box. I setup my home made scrim as a big reflector and did a simple blue gelled flash pointed at the back wall to give a bit of colour. Very simple setup with a decent result.
I also shot the good ol’ Nikon Df with an old 28mm manual focus lens from 19 diggity 5. I took more of a macro approach with this shot and used that same blue flash to add that hint of glancing colour to the shadow side. The blue sets it off just that extra little bit.
I shot the same kind of angle of the X-Pro2 but it doesn’t work as well to me. The X-Pro2 is more minimalistic in its design, lending to a more covert external appearance anyways (which I like). There’s just not as much going on for the accent light to bring attention too. Anyways, just a fun little shoot for something to do.
Here’s a link to the Nikon photo in 4K resolution. I shot all these files with the Nikon D800 RAW so there’s resolution to burn. 😎👍
I was out for a little nature walk the other day. I took the D800 and my 105mm Nikkor macro lens which I haven’t shot in a long time. With macro, you need a good tripod to be locked down tight. And, you need cooperative subjects (read: not windy) that stay still. But this particular day I didn’t bring a tripod. In fact, I didn’t even focus. On purpose. With most macro and landscape photography, you want hyperfocal focus and even focus stacking to get a big, crisp, tack sharp photo as the end result. But what would happen if you did nature photography out of focus??
It creates a pretty wild, abstract, bokehlicious result! Give it a whirl! 😎👍
Every year the Frey family has their Bull Sale. It’s a wonderful family tradition. I was able to attend this year and did a little bit of event photography for them. It was a very difficult sale as Melissa Frey’s father Tommy just passed away literally the night before. As a result there was a very somber mood to the sale that is characteristically upbeat. Everyone carried on and made it through but it was tough.
The sale invites buyers to come to the farm and take a look at the bulls and the heifers. This year they had video footage of the stock and played the videos on a television screen during the auction sale so that you don’t have to get the animals riled up walking through a show ring. It makes for a much better experience all round.
As you can tell from the photos, Freyburn Farms raise Black Angus cattle. The Angus association has done a wonderful job promoting the breed, especially for meat. You can go into many chain restaurants and in the menus they will often boldly say “Black Angus Steak!” They are a very biddable breed and generally good to manage.
It’s really fun to attend the sale. It’s a very family friendly atmosphere and the Frey’s are exceedingly welcoming and gracious hosts. If you like pie, it is the place to be!
I was doing a two camera setup for this shoot. FujiFilm X-Pro2 with a 50mm and my Nikon Df with a 16-35mm. I have always found a super wide angle to be very helpful in event photography and the Fuji system kept the system light and mobile on the telephoto end.
All in all it was a really great sale, despite having to deal with very tough family circumstances. Coming together as family and friends and enduring the challenges in the hard times is what gives prairie people their true grit.
I haven’t been shooting much Macro Photography as of late. And there is no greater bang for your photo buck than a macro lens. It is super versatile! But I do really like it as a genre. I find it very relaxing (in a Shaolin Monk balancing on one finger kind of way). It’s a very precise art form. It varies considerably from taking photos of people. There is a similarity in the patience and preparation needed to get a great shot. My Mom gave us a bleeding heart plant and we put it in our front garden. Every year it comes back and blooms these beautiful little flowers. I’ve been meaning to photograph it for a few years now and never got around to it. So last night I went for broke and got these two shots I was happy with.
Here’s a behind the scenes iPhone photo of how I made the images. I was using a speed light in an orbis ring flash for the main light. For a kicker on the top image I used an OLight S1 Baton. That little extra bit of light really adds to the 3D quality of the image. The bottom image was just the orbis from above instead of on axis to give the shot a more “studio” quality light feel.
2017 has been an amazing year of travel and travel photography opportunities! This last venture took us to Waskesiu to stay in Prince Albert National Park at the tail end of September. It’s Saskatchewan’s favourite park (read BUSIEST) and so it was great to go there and not have any crowds and enjoy minimal bugs! We stayed in an oTENTik – which was nice but severely overpriced. They wanted $120 a night for a tent with no bathroom or lights. A bit of a rip. But the location is worth the money. The fall colour peaked a few days before we arrived but it was still absolutely glorious! I brought along the big Nikon gear to sop it all up in the dynamic range of the D800. 24mm 1.8G lens & 85mm 1.8G are all I took. I was hoping to get some cool flash shots of the kids in the colour but it rained too much and put a kibosh on my off camera flash dreams.
The Elk rut was still on too which meant raspy bugles could be heard throughout the park. We managed to approach one bull and a harem of cows but they were hanging out on the golf course. It makes for pretty crappy wildlife photos to have them eating fairway grass! So we continued on our way and did a hike through the Boundary Bog. It was incredible! Tiny Tamarack trees were everywhere in a brilliant display of yellows and reds. I can only imagine how insane the mosquitos would be here during the summer months. Very glad to hit up the location in the fall!
We were able to do one more hike down by the Waskesiu River before the next big rain storm hit. It really hampered the photo opportunities but I was able to snag a few more shots along the boardwalk before having to head for the hills.
Our last night cleared off quite nicely and I was able to get some cool milky way shots through the trees in the campsite. That’s where the 1.8 lenses really shine. Prime Time baby! [cool]
We had a good time in Waskesiu, taking advantage of the Canada 150 no entrance fee perk. It was a great time to be in the north, dodging the crowds and the bugs. We could have probably stayed another couple of days which would have been great to maybe avoid the rain. But you get what you get and you don’t get upset! On to the next adventure!
We made it up to Edmonton for their amazing winter Ice Castles event. It was really a cool event, except that it wasn’t cool. It was melting! Ridiculously warm temperatures were reducing the ice castles to slush condos! Despite the melting mayhem, it was still a very, very great event to take in. We focused our time mainly on the castles. Periodic releases of fireworks added to the ice and lights quite nicely, as did the fire dancers. Very slick!
I used this venue to really try out my new 24mm 1.8G lens. I shot it alone on the Nikon Df. What a combo! Really fast glass with great high ISO performance on the Df made for a great all round experience. The wide open performance of the lens is tremendous and even better when stopped down a smidgeon to f/2 or 2.2.
But it was very challenging conditions. You had the lights illuminating the ice castles from within which was cool but then total darkness. So there was mucho dynamic range difference. If you could have shot from a tripod and maybe layered the images you could really do well with the venue. But I was shooting hand held. I threw in an old SB-600 small flash to use occasionally too but more often than not just shooting the ambient was more desirable.
The ice castles are a must see event! Be sure to check them out. Click here for more info. Take a look at a few extra pics! 😎
So I just got the Nikon 24mm 1.8G lens. My overall Nikon kit was lacking a fast aperture wide angle option. So now the Nikon bag is full. I’m rounding out my 85mm & 50mm 1.8G collection with the 24mm. This compliments my 16-35mm f/4 & 70-200 f/4 with fast primes. I’m really pleased with the lens so far, though I haven’t sufficiently put the lens through it’s paces yet – it’s coming soon.
Here’s a couple of sample photos from it, focusing on bokeh & centre sharpness. This lens is phenomenal wide open. The bokeh is as good as it gets for a wide angle (which aren’t known for being cream-cheese soft).
I’ll focus on this 100% crop. This was shot wide open at ISO 800 with window light. The detail of the eye lashes is unreal! The lens stacks up really well on the D800. Shooting on anything less will be even better, as the D800 sensor is pretty tough on glass.
So there you go. More review to come on this one in the near future, but suffice it to say, the lens is fantastic sharp, and very light and manageable. 😎
I was going through some junk today and at the bottom of the pile was this long forgotten red Nikon filter from back in Dad’s film days. 52mm thread. My old 50mm 1.8 AF-D lens fits it as well as my sweet 28mm 2.8 manual lens. There also happened to be this ginormous storm rolling in. Black and White + Red filter. Very cool Ansel Adams setup. I drove around town doing some ad hoc landscape/cloudscape/street stuff. Shot in JPEG today too, rather than RAW. Not sure why. Felt like a JPEG kinda day. [cool]
UPDATE: April 11, 2017
I’ve still got the 2 SB-600s up for grabs as well as the mini soft box. Everything else is sold!
It’s all in Oxbow, SK Canada and shipping can be arranged. Drop me a line if you’re interested.
Next I’ve got a couple of SB-600 flashes. They are a perfect starter flash for someone new to photography & may not want to spend a pile of money. They are in really good shape, a few scuffs and dings. They come with original box, all manuals, stand, protective bag. They do TTL and manual control and work with Nikon’s Creative Lighting System (CLS). Asking $200 each but will accept reasonable offers. (As they are discontinued now, they are going for around $250 on eBay. Manufacturer Info Here.
I’ve also got an Aurora LiteBank mini softbox for a speedlite. I’ll throw it in for free if you buy an SB-600. Or it can be yours for the low low price of $15 bones.
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
Hello blogosphere! Contrary to popular belief, I’m not dead! I’m alive. Busy but alive. The days are just packed! (That’s an old Calvin & Hobbes comic book that I still have on my shelf). Between church life, family life, Estate executor life and professional photography life, I haven’t had time to have a blog life! Better late than never!
We took an amazing family get away in the first part of October to Cypress Hills and stayed at the Resort. We rented cabins which were perfect for us, two bedrooms, kitchenette, beautiful setting. We had the run of the place as there weren’t any other people booked in. The temperatures were crisp in the evening and a bit windy but the days were glorious. Sunny & warm! We had such a blast. Grandma & Grandpa got to hang out with the grandkids, we all got to go on some beautiful hikes and of course, take pictures!
For this trip I brought my full Nikon setup. Usually I’ve replaced the whole kit with my Fuji X100s for family trips because of the versatility, small size and awesome image quality. But for this trip, I wanted to shoot the forest in full frame with my D800. Also I knew I’d be doing some family portraits that showed the glorious fall colour that was still there (Thank the Lord!). So I brought out the dynamic range duo of the D800 & the Df. It’s the best of both worlds for low light performance and resolution.
We went to Conglomerate Cliffs the first day there. It was incredibly windy but still breathtakingly beautiful. I shot some family photos there with flash. I brought along my Alien Bee 1600 and battery pack. It’s such a great light. Super value for the money and I love the volume of light it produces. Quick Photoflex soft box and there you go. Instant Christmas Card photo magic.
We also had some fun doing light painting with the kids and their glow sticks. They had fun whirling them around and seeing the cool streams of colour.
Cypress Hills also has a dark sky preserve with an observatory. We had a decent night but the clouds were rolling in. Were able to nab some northern lights though, and I think I caught a falling star too.
All in all it was a fantastic trip. I cannot recommend Cypress Hills enough. If you’ve never been, you’ve gotta go check it out. It’s provincial treasure! 😎
Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera. 😎 Check out the full video review here:
I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible. Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers! 😀
We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.
It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.
I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:
It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.
Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.
You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!
Here is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.
Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill. 😎
My whole entire life just got incredibly busy! More on that later! But in the mean time, Nikon Canada sent me the latest Nikon 1 camera to play with. The V3 is a sleek new mirrorless camera from Nikon and it is a tremendous upgrade from the V1 that I currently own. When I was contacted about doing the product test, I had my choice of the 1 Series lenses to try out. I opted for the 18.5 f/1.8 lens. I wanted to see how a fast aperture would work on the little camera. In a nutshell, it works great! There are so many features about this camera that are really impressive. One is the wifi. Having the built-in ability to transfer and view files on your phone from the camera is awesome. You can use the free wifi utility app to take pictures too, though the functionality of that feature is quite limited. More details to come about this experience though.
I shot the above photo this morning using the FT1 mount adapter I also requested from Nikon. I’ve wanted to try this since it came out and haven’t had the opportunity. As I have a bunch of Full Frame Nikon glass at my disposal when you strap them onto the tiny mirrorless system it unleashes all kinds of creative opportunities. I can see two really practical applications in the incredibly awesome telephoto reach this combination of a tiny sensor and big lenses gives you. (2.7x crop factor makes my 200mm f/4 lens a 540mm f/4!). But also the macro possibilities are exciting as well. That small 18MP sensor will capture a load of detail.
Also, I wanted to see how Nikon had improved the CX sensor’s low light performance. So far it is looking fantastic. The image above was taken at 3200 ISO and it looks very good. Both of these images here were transferred straight out of the camera with no post processing. So, on the first glance, the V3 looks like a super camera! I’m sure consumers who would likely buy an entry level DSLR will find the V3 sufficient for their needs and beyond. I’ll probably do a video review of this setup in the near future and discuss it in more detail. I’m impressed so far and the articulating touch screen is awesome! 😎
Normally, I would never use a 50mm lens for portrait work as shown here in this post. Why not? Because the 85mm is better. Way better. Always. People shots, like these ones, look better in telephoto. That is an undeniable, scientific fact. Take it to the bank. Ever since I got my 85 (Nikon’s new 1.8G version which is optically as good as the billion dollar 1.4 bigger brother version), my 50mm seldom saw the light of day. But I decided that I missed the 50mm focal length. It was my favourite for many years when I was shooting DX format (making it nearly an 85). So, I decided to get a copy of Nikon’s newest 50mm 1.8G lens. WOW. For the money, this lens is utterly fantastic!
I bought it because I want to shoot it at 1.8. I had heard about how great it was wide open and I had to see for myself. So, yep. It totally lives up to the hype. It’s awesome. It’s colours are punchy and saturated. It’s bokeh is great. It’s SHARP wide open and only gets better as you stop down. There is very little chromatic aberration. Sure, it’s a quick fix in Lightroom (like vignetting), but it’s great to know that the lens you are using is made well enough to handle it. The lens is also light. It’s compact. It’s inexpensive. What’s not to love?! This lens is Nikon’s gift to the photography world, for amateur and pro alike. Seldom do you ever run into a product that is of such good quality at an affordable price. #DEAL!
After cajoling the children to come and sit in a chair by a window (patio door, in point of fact), here’s the results. I shot the images mainly at 1.8, one at 5.6 to see the stopped-down performance and 2.2 which is where I would normally shoot a 1.8 lens. I like to stop down a little bit to gain extra performance and sharpness. But with this lens, you don’t have to. You can actually shoot it wide open and the results are superb.
Here is a 100% crop wide open. Aside from a quadrillion dollar Zeiss Otus, it doesn’t get much better than this in the 50mm range! Nikon currently doesn’t make a “Professional” Gold-Ring Nikkor at 50mm. They did come out with the 58mm 1.4G at a whopping $1700 (?!) but I’m not convinced the results are all that different to warrant the extra expense. In fact, it has several optical issues that, while they may give it character, it’s still not performing as clean as this 50 1.8G. Bang for your buck wise, Nikon’s current generation of 1.8G prime lenses are just awesome and worth every penny. I’ve greatly owning them and using them constantly. For the price points, the lenses are so good, it hardly warrants spending the extra thousand dollars to get the gold rings. Unless you care about showing off gold rings. Gold paint at the dollar store is like, a dollar. 😎
When I saw the sun raking across the clouds this morning, I ran back in and grabbed the camera! 😎
My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.
That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.
I wanted to pretend I had a Leica. 😎 I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.
It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.
I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.
I wanted to try it out. But I don’t really live near any streets. LOL. 😎 I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.
Just compose and boom!
It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!
Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.