So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
Hello blogosphere! Contrary to popular belief, I’m not dead! I’m alive. Busy but alive. The days are just packed! (That’s an old Calvin & Hobbes comic book that I still have on my shelf). Between church life, family life, Estate executor life and professional photography life, I haven’t had time to have a blog life! Better late than never!
We took an amazing family get away in the first part of October to Cypress Hills and stayed at the Resort. We rented cabins which were perfect for us, two bedrooms, kitchenette, beautiful setting. We had the run of the place as there weren’t any other people booked in. The temperatures were crisp in the evening and a bit windy but the days were glorious. Sunny & warm! We had such a blast. Grandma & Grandpa got to hang out with the grandkids, we all got to go on some beautiful hikes and of course, take pictures!
For this trip I brought my full Nikon setup. Usually I’ve replaced the whole kit with my Fuji X100s for family trips because of the versatility, small size and awesome image quality. But for this trip, I wanted to shoot the forest in full frame with my D800. Also I knew I’d be doing some family portraits that showed the glorious fall colour that was still there (Thank the Lord!). So I brought out the dynamic range duo of the D800 & the Df. It’s the best of both worlds for low light performance and resolution.
We went to Conglomerate Cliffs the first day there. It was incredibly windy but still breathtakingly beautiful. I shot some family photos there with flash. I brought along my Alien Bee 1600 and battery pack. It’s such a great light. Super value for the money and I love the volume of light it produces. Quick Photoflex soft box and there you go. Instant Christmas Card photo magic.
We also had some fun doing light painting with the kids and their glow sticks. They had fun whirling them around and seeing the cool streams of colour.
Cypress Hills also has a dark sky preserve with an observatory. We had a decent night but the clouds were rolling in. Were able to nab some northern lights though, and I think I caught a falling star too.
All in all it was a fantastic trip. I cannot recommend Cypress Hills enough. If you’ve never been, you’ve gotta go check it out. It’s provincial treasure! 😎
Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera. 😎 Check out the full video review here:
I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible. Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers! 😀
We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.
It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.
I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:
It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.
Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.
You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!
Here is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.
Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill. 😎
My whole entire life just got incredibly busy! More on that later! But in the mean time, Nikon Canada sent me the latest Nikon 1 camera to play with. The V3 is a sleek new mirrorless camera from Nikon and it is a tremendous upgrade from the V1 that I currently own. When I was contacted about doing the product test, I had my choice of the 1 Series lenses to try out. I opted for the 18.5 f/1.8 lens. I wanted to see how a fast aperture would work on the little camera. In a nutshell, it works great! There are so many features about this camera that are really impressive. One is the wifi. Having the built-in ability to transfer and view files on your phone from the camera is awesome. You can use the free wifi utility app to take pictures too, though the functionality of that feature is quite limited. More details to come about this experience though.
I shot the above photo this morning using the FT1 mount adapter I also requested from Nikon. I’ve wanted to try this since it came out and haven’t had the opportunity. As I have a bunch of Full Frame Nikon glass at my disposal when you strap them onto the tiny mirrorless system it unleashes all kinds of creative opportunities. I can see two really practical applications in the incredibly awesome telephoto reach this combination of a tiny sensor and big lenses gives you. (2.7x crop factor makes my 200mm f/4 lens a 540mm f/4!). But also the macro possibilities are exciting as well. That small 18MP sensor will capture a load of detail.
Also, I wanted to see how Nikon had improved the CX sensor’s low light performance. So far it is looking fantastic. The image above was taken at 3200 ISO and it looks very good. Both of these images here were transferred straight out of the camera with no post processing. So, on the first glance, the V3 looks like a super camera! I’m sure consumers who would likely buy an entry level DSLR will find the V3 sufficient for their needs and beyond. I’ll probably do a video review of this setup in the near future and discuss it in more detail. I’m impressed so far and the articulating touch screen is awesome! 😎
Normally, I would never use a 50mm lens for portrait work as shown here in this post. Why not? Because the 85mm is better. Way better. Always. People shots, like these ones, look better in telephoto. That is an undeniable, scientific fact. Take it to the bank. Ever since I got my 85 (Nikon’s new 1.8G version which is optically as good as the billion dollar 1.4 bigger brother version), my 50mm seldom saw the light of day. But I decided that I missed the 50mm focal length. It was my favourite for many years when I was shooting DX format (making it nearly an 85). So, I decided to get a copy of Nikon’s newest 50mm 1.8G lens. WOW. For the money, this lens is utterly fantastic!
I bought it because I want to shoot it at 1.8. I had heard about how great it was wide open and I had to see for myself. So, yep. It totally lives up to the hype. It’s awesome. It’s colours are punchy and saturated. It’s bokeh is great. It’s SHARP wide open and only gets better as you stop down. There is very little chromatic aberration. Sure, it’s a quick fix in Lightroom (like vignetting), but it’s great to know that the lens you are using is made well enough to handle it. The lens is also light. It’s compact. It’s inexpensive. What’s not to love?! This lens is Nikon’s gift to the photography world, for amateur and pro alike. Seldom do you ever run into a product that is of such good quality at an affordable price. #DEAL!
After cajoling the children to come and sit in a chair by a window (patio door, in point of fact), here’s the results. I shot the images mainly at 1.8, one at 5.6 to see the stopped-down performance and 2.2 which is where I would normally shoot a 1.8 lens. I like to stop down a little bit to gain extra performance and sharpness. But with this lens, you don’t have to. You can actually shoot it wide open and the results are superb.
Here is a 100% crop wide open. Aside from a quadrillion dollar Zeiss Otus, it doesn’t get much better than this in the 50mm range! Nikon currently doesn’t make a “Professional” Gold-Ring Nikkor at 50mm. They did come out with the 58mm 1.4G at a whopping $1700 (?!) but I’m not convinced the results are all that different to warrant the extra expense. In fact, it has several optical issues that, while they may give it character, it’s still not performing as clean as this 50 1.8G. Bang for your buck wise, Nikon’s current generation of 1.8G prime lenses are just awesome and worth every penny. I’ve greatly owning them and using them constantly. For the price points, the lenses are so good, it hardly warrants spending the extra thousand dollars to get the gold rings. Unless you care about showing off gold rings. Gold paint at the dollar store is like, a dollar. 😎
When I saw the sun raking across the clouds this morning, I ran back in and grabbed the camera! 😎
My Nikon lens kit is a pretty basic, do anything kit. I don’t have any of Nikon’s Holy Trinity f/2.8 zooms because they are extremely heavy and expensive. Instead, I picked up the newer, sharper, cheaper, lighter & slower f/4 zooms. 16-35 & 70-200. I don’t have the 24-120 as to my eye, there is nothing interesting happening in those focal lengths. Same goes for the do-it-all, ever versatile, ready for anything 24-70. I’ll never buy it. Too close to uncle Bob’s kit lens focal lengths. Nothing cool optically is happening there. Wide and telephoto is where it is at.
That being said, I’m primarily a prime shooter. I just like them better. A little sharper glass. Lighter in the hand. Easier to transport. Etc, etc, etc #PrimePraise. So for my prime kit, I have a Nikkor 50mm 1.4G & 1.8D, 85mm 1.8G & 105mm 2.8G Macro (And the Fuji X100s at 35mm equivalent f/2). I didn’t have a fast wide angle lens though. I thought about picking up Nikon’s new 20mm 1.8G. It looks awesome. Nassim just got his review done, check it out here. It’s affordable and awesome, a true winner. But I am honestly tired of spending money on photography gear. And, even more so, I didn’t want the 1.8 form factor. The new G lenses are larger and bulkier. Optically better, but just also bigger. I didn’t want that.
I wanted to pretend I had a Leica. 😎 I love the smaller form factor of the rangefinder systems, another reason I love the Fuji so much. But I also have my trusty Nikon Df with all of its awesome old school film inspired manual controls. So I started to think about picking up an old school lens to match. Nikon made some really killer glass back in the day. No AF. No weather sealing. No Magical Nano Crystals. Just glass & metal. So I looked at a couple of fast(er) primes and I settled on the old 28mm Nikkor f/2.8 AI-S. The old lenses in this form factor take the small 52mm filers. They are light and pocketable, much like Fuji’s X-series lenses, but fit full frame sensors.
It’s a sweet gem of a lens. It’s eagle talon sharp, even wide open. Very little lens distortion. Hardly any Chromatic Aberration (unlike much of Nikon’s new G stuff). It as hard stops on each end of the focus which is great for locking the lens into infinity focus for landscapes and astro photography. It’s all sweet, smooth manual focus baby – which is a rather sucky experience on Nikon. They do give you the green-dot-O’-focus but it’s not as good as using focus peaking on the mirrorless cameras. However, the focus and distance marks are still engraved on the old lenses which is awesome, especially for a technique known as zone focusing.
I’d never heard of this before but stumbled across it while looking into the Street Photography Genre. Suffice it to say, in a world without modern Auto Focus, how would photogs get sharp shots in the fast paced, ever changing world of the street? They would stop down and preset the focus on their lenses. This would essentially give the photographer a “zone of focus” – an area in the photo that would have an acceptable level of sharpness. Say f/8 at 5 feet away. This gives you roughly 6 feet of in focus area to work with, 1.7 feet in front of the subject, 4.2 feet behind. You just had to get good at manually guessing how far your subject was from you when you made your shot. If they were in that 5 foot range, you’d nab the shot. It’s actually quicker than auto focus because you just pointed the camera and clicked the shutter button. That’s how they did it.
I wanted to try it out. But I don’t really live near any streets. LOL. 😎 I’ll try it for real when we go to the city. But it does work pretty good, especially with the Df’s low light capability. I can crank the ISO and still have clean images for the small f/8 & f/11 apertures.
Just compose and boom!
It’s a pretty cool technique. And you can do it on the cheap. I picked up the 28mm off eBay for like $250! I was leery of buying glass unseen off eBay and vowed never to do so. But I took a chance and it worked out great. The lens shipped from Japan and was in BETTER condition than what the seller had indicated. It’s essentially brand spankin’ new. Gotta love that!
Optically it’s really sharp, even wide open. I was blown away by the quality. Even on the D800, this puppy holds up. I thought that sensor would eat it for breakfast but it does a great job.
2015 is here! I thought we would be burning around in flying cars by now! Guess not. But what we do have are really tremendous cameras. I think the old film guys would be doing backflips in their graves if they could shoot with the stuff we have now. So many photo blogs and sites compare the features of this camera and that camera – but you know what? All the technologies in these new cameras are really fantastic. Auto Focus is awesome, even on less than stellar performing cameras. None of the old guys had it. Just try turning your AF off on your camera and shoot for a day. You’ll appreciate even slow AF after that! 😀
As I look over my husky collection of personal images (like 66,000 or something crazy), Lightroom allows me to sort them by metadata. Such as which camera took what number of images. My old & sold D300s definitely took the most as that was the camera I really learned photography with. But the most used camera I own isn’t my Nikon D800 or the Df – both of which I certainly do love. Rather, it is the FujiFilm X100s. The bulk of my professional work is still shot with DSRL. But my family/personal camera is the omnipresent X100s. It’s a camera that I naturally just pick up. The Nikon Df also has this spirit about it too. I love the manual controls and dials on these retro-styled cameras. But there is just something about the Fuji. It’s sum is somehow greater than its parts.
Ergonomically, it’s a winner. Small profile. Virtually silent. And then there’s the features: Macro capability, Killer sharp optics, stellar high ISO performance, leaf shutter flash sync speeds, AMAZINGLY ASTOUNDING COLOR. And this is the big one for me. The X-Trans sensor is a colour ninja. All the photo gurus go on and on about this but it is so true. This sensor renders a scene exactly as your eye sees it. Nuances of colour exist that even my D800 and Df just cannot replicate despite being bigger and 3 times more expensive. I snapped this shot just to see how the X-Trans would negotiate the wild mixture of light in this photo: Tungsten lamps in the living & kitchen illuminating the family, daylight balanced wall sconces and Christmas LEDs in the family room in the background. This is a JPEG image shot in auto WB mode! It’s amazing! And the skin tones are incredible. And look at the various shades of blue! I’m constantly blown away by this camera.
I used the X100s exclusively over the Christmas season for capturing family memories. I shoot it in JPEG. I wouldn’t dream of doing that with the Nikons. The pre-processing of the camera makes this possible. Using the X-Trans for professional work would be a dream, especially for weddings. Being able to produce pre-processed JPEG images – that are FANTASTIC – would save hours and hours of editing time. And the black and whites are the best in the business. Bar none. No contest. The FujiFilm Black and White is incredible. I’d love to compare them to say the Leica M Monochrom. So Leica, if you’re reading, send me a setup to try! 😎 I shot this one of my Nephew in very low light, using MF focus peaking to get it sharp. It was f/2 1/60 at ISO 6400. At 1:1, you can count his eyelashes. And the “noise” looks like film grain at 400 ASA. It’s astounding. Like my nephew who is the most striking little gaffer ever. His eyes are jet black!
Sony made and is making a big splash right now with its full frame Mirrorless A7 cameras. Rightly so. They’ve beat both Canon and Nikon to the punch in changing the history of photography for the better. DSLR technology is just analogue film tech ported over to digital. Mirrorless is true digital photography. No old analogue tech work arounds. It’s the real deal. I’ve looked seriously at switching to Sony, particularly with the release of the A7II. Awesome kit with killer in camera stabilization. Way less weight to lug around all day. What’s not to love? Not much. . . . Except that it uses the same sensors that Nikon does. (Or, rather, Nikon uses Sony’s sensors). This isn’t a draw back. The sensors rock the set. But as I look at the X-Trans images, I prefer the look and feel of them. The tonality and colour can’t be matched, not even by Sony’s incredible full frame sensors (Sorry Canon, you’re beaten like a rented mule on this one). I’m not ruling out Sony stuff, that’s for sure. It’s an exciting time for photography! Loads of awesome image making options. But let’s just say that I’m anxiously waiting for the X-Pro2 release. So Fuji, if you’re reading, send me a setup to try! 😎
My last point about Fuji that I want to touch on is their approach to their customers. No other camera manufacturer respects their customers more than Fuji. When you buy a camera, undoubtedly there will be some glitches and bugs to get worked out. Firmware releases generally fix those up. But that’s all they do. Seldom, if ever, is more functionality introduced to a camera – and especially not if an upgraded model has already been released. You have to buy said upgrade to get the new features. Not so with FujiFilm. They so respect their customers that they release firmware updates that make the existing products better. Even products that have already been replaced with updated models! That’s awesome! It instills confidence in the purchase for the customer. I know that my investment in Fuji is not a one time deal. They will bless me with greater functionality in the future. This is how a company can create a jubilant base of hardcore fans and supporters. It’s a two way relationship with Fuji. And they keep on giving. They show respect to the customer and for that, I give a very deep and long bow (not to mention further business in the future).
So here’s to a happy new year of image making in 2015! May all your pixels be bright! 😉