So I just got the Nikon 24mm 1.8G lens. My overall Nikon kit was lacking a fast aperture wide angle option. So now the Nikon bag is full. I’m rounding out my 85mm & 50mm 1.8G collection with the 24mm. This compliments my 16-35mm f/4 & 70-200 f/4 with fast primes. I’m really pleased with the lens so far, though I haven’t sufficiently put the lens through it’s paces yet – it’s coming soon.
Here’s a couple of sample photos from it, focusing on bokeh & centre sharpness. This lens is phenomenal wide open. The bokeh is as good as it gets for a wide angle (which aren’t known for being cream-cheese soft).
I’ll focus on this 100% crop. This was shot wide open at ISO 800 with window light. The detail of the eye lashes is unreal! The lens stacks up really well on the D800. Shooting on anything less will be even better, as the D800 sensor is pretty tough on glass.
So there you go. More review to come on this one in the near future, but suffice it to say, the lens is fantastic sharp, and very light and manageable. 😎
I was going through some junk today and at the bottom of the pile was this long forgotten red Nikon filter from back in Dad’s film days. 52mm thread. My old 50mm 1.8 AF-D lens fits it as well as my sweet 28mm 2.8 manual lens. There also happened to be this ginormous storm rolling in. Black and White + Red filter. Very cool Ansel Adams setup. I drove around town doing some ad hoc landscape/cloudscape/street stuff. Shot in JPEG today too, rather than RAW. Not sure why. Felt like a JPEG kinda day. [cool]
UPDATE: April 11, 2017
I’ve still got the 2 SB-600s up for grabs as well as the mini soft box. Everything else is sold!
It’s all in Oxbow, SK Canada and shipping can be arranged. Drop me a line if you’re interested.
Next I’ve got a couple of SB-600 flashes. They are a perfect starter flash for someone new to photography & may not want to spend a pile of money. They are in really good shape, a few scuffs and dings. They come with original box, all manuals, stand, protective bag. They do TTL and manual control and work with Nikon’s Creative Lighting System (CLS). Asking $200 each but will accept reasonable offers. (As they are discontinued now, they are going for around $250 on eBay. Manufacturer Info Here.
I’ve also got an Aurora LiteBank mini softbox for a speedlite. I’ll throw it in for free if you buy an SB-600. Or it can be yours for the low low price of $15 bones.
So today has been an exciting day for Nikon! Loads of new goodies for Photogs to covet. Finally, finally, FINALLY Nikon has returned to the greatness of yesteryear. The D3 and the D300 were amazing technology jumps for Nikon that brought them to a new level of awesomeness. You had your full frame monster flagship as well as the DX crop sensor mini-monster. It was a great & logical setup for photography products.
Then the D4 generation came out. It was D4 flagship . . . and a 36MP monster D800 . . . and a D7200 . . . and the D600 . . . and D610 . . . and a Df. It was a complete schmoz. And above all, no D400! Where was the DX upgrade with maximum FPS, rugged pro level build quality and all the great stuff that Wildlife and Sports photographers wanted?! It never came. People were left in limbo land and Nikon really seemed to be walking around the desert of product releases that nobody really wanted or asked for, splitting markets in weird ways.
But it all changed today! The D5 was released alongside mini-monster D500! This is awesome news! Now semi-pros, enthusiasts, and full time working pros FINALLY get a solid DX performer that is up to snuff. Boo ya! Congratulations Nikon for making the product that everyone wanted and reclaiming the logical glory of yesteryear.
In other news, I updated my professional portfolio website that you can check out. It was long overdue for an update and I kept the simple minimalistic style that I like. You can check it out at www.schultzphoto.ca
And, I also went for a walk with the dog today and took along the beloved FujiFilm X100s. Here’s a few street shots from the walk. Really great clouds again today!
Hello blogosphere! Contrary to popular belief, I’m not dead! I’m alive. Busy but alive. The days are just packed! (That’s an old Calvin & Hobbes comic book that I still have on my shelf). Between church life, family life, Estate executor life and professional photography life, I haven’t had time to have a blog life! Better late than never!
We took an amazing family get away in the first part of October to Cypress Hills and stayed at the Resort. We rented cabins which were perfect for us, two bedrooms, kitchenette, beautiful setting. We had the run of the place as there weren’t any other people booked in. The temperatures were crisp in the evening and a bit windy but the days were glorious. Sunny & warm! We had such a blast. Grandma & Grandpa got to hang out with the grandkids, we all got to go on some beautiful hikes and of course, take pictures!
For this trip I brought my full Nikon setup. Usually I’ve replaced the whole kit with my Fuji X100s for family trips because of the versatility, small size and awesome image quality. But for this trip, I wanted to shoot the forest in full frame with my D800. Also I knew I’d be doing some family portraits that showed the glorious fall colour that was still there (Thank the Lord!). So I brought out the dynamic range duo of the D800 & the Df. It’s the best of both worlds for low light performance and resolution.
We went to Conglomerate Cliffs the first day there. It was incredibly windy but still breathtakingly beautiful. I shot some family photos there with flash. I brought along my Alien Bee 1600 and battery pack. It’s such a great light. Super value for the money and I love the volume of light it produces. Quick Photoflex soft box and there you go. Instant Christmas Card photo magic.
We also had some fun doing light painting with the kids and their glow sticks. They had fun whirling them around and seeing the cool streams of colour.
Cypress Hills also has a dark sky preserve with an observatory. We had a decent night but the clouds were rolling in. Were able to nab some northern lights though, and I think I caught a falling star too.
All in all it was a fantastic trip. I cannot recommend Cypress Hills enough. If you’ve never been, you’ve gotta go check it out. It’s provincial treasure! 😎
Well, my time with the Nikon 1 V3 is over. I was a blast of a camera and a great opportunity. Thanks again to Nikon Canada for contacting me and letting me take it for a spin! My only regret was that our weather here while I had the camera was oh so uncooperative. -50 billion ºC is never fun, especially when you want to get out and shoot a camera. 😎 Check out the full video review here:
I put it through it’s paces in three main ways. I came at the camera as a Manual Mode DSLR shooter. Could the V3 keep up to the advanced shooter? Yep. Yep it can. It’s got enough external controls to keep me happy. I wanted to know additionally how the FT-1 Adapter would work for wildlife and for macro. It’s very capable! The incredible field of view you get from the CX sensor and full frame lenses is fantastic. Also for macro. The 105mm Micro Nikkor I used with the V3 made an excellent combo. And, I wanted to know how the image quality stacked up, especially in low light with high ISO. Shazam! It’s incredible. Nikon really hit a home run with the V3. The extra perks of built in WiFi and the articulating screen make it so much more enjoyable than it’s predecessors. Too many people write off the Nikon 1 series because of the small sensor. That’s a shame! It’s an incredibly capable camera and system with loads of uses and appeal to consumers to prosumers! 😀
We shot a winter wedding last weekend. Fortunately the freezing rain that was forecast didn’t show up. Instead we had some snowy and blustery cold conditions to contend with. I’ll do a later post with some images from that wedding because it as a lot of fun and the bride chose an amazing venue to do some of the wedding party photos.
It was in the Virdin Auditorium. What an amazing location! We did a bunch of fun group things and then I asked if the backdrop could be brought down and the theatrical lights be used to light a portrait of the bride. I knew I wanted to try the V3 in this setting with the 18.5mm lens to see how it would hold up. It was challenging light for the camera to balance in that it was only lit by CTB and Magenta gelled spot lights.
I thought the camera did amazingly well. This photo is straight from camera, neutral picture control JPG. The colour tones are pleasing and rich. Just for fun, I shot the same setup with my Nikon Df & 50mm 1.8G lens for comparison:
It’s definitely not possible to do an “apples-to-apples” comparison here but it gives you an idea of what the Nikon V3 can do contrasted with a $3000.00 DSLR setup. There is more tonality and colour nuance captured by the Full Frame DSLR sensor, but to be honest, the V3 image is more contrasty which I prefer for the overall look of this photo. Also, the Df at 1.8 is bokelicious wonderland where the V3 keeps pretty much everything in focus at 1.8.
Here are some ~100% crops to see how the V3 holds up at 1600 ISO. The Df is at 800 ISO here just for comparison purposes.
You can see that the V3 detail is noticeably less than the Df, which is expected due to sensor size. But, it handles the noise amazingly well. Her eyelashes are discernible. Her hair is beginning to get a bit mottled together but to my eye, it’s still incredibly good! I’m impressed with the performance!
Here is one more unedited straight from camera JPG. I’m blown away by the skin tones here. They are very pleasing and creamy. The colour reproduction is really quite good as well. This scene has a metric tonne of white in it and the nuance between the snow, the shady snow, the dress, the shirt and the flowers is discernible.
Overall, it’s impressive image quality for a small CX sensor. If I was a person looking to upgrade from a camera phone camera or point and shoot but didn’t want to lug around a big DSLR, the Nikon 1 V3 would totally fit the bill. 😎
My whole entire life just got incredibly busy! More on that later! But in the mean time, Nikon Canada sent me the latest Nikon 1 camera to play with. The V3 is a sleek new mirrorless camera from Nikon and it is a tremendous upgrade from the V1 that I currently own. When I was contacted about doing the product test, I had my choice of the 1 Series lenses to try out. I opted for the 18.5 f/1.8 lens. I wanted to see how a fast aperture would work on the little camera. In a nutshell, it works great! There are so many features about this camera that are really impressive. One is the wifi. Having the built-in ability to transfer and view files on your phone from the camera is awesome. You can use the free wifi utility app to take pictures too, though the functionality of that feature is quite limited. More details to come about this experience though.
I shot the above photo this morning using the FT1 mount adapter I also requested from Nikon. I’ve wanted to try this since it came out and haven’t had the opportunity. As I have a bunch of Full Frame Nikon glass at my disposal when you strap them onto the tiny mirrorless system it unleashes all kinds of creative opportunities. I can see two really practical applications in the incredibly awesome telephoto reach this combination of a tiny sensor and big lenses gives you. (2.7x crop factor makes my 200mm f/4 lens a 540mm f/4!). But also the macro possibilities are exciting as well. That small 18MP sensor will capture a load of detail.
Also, I wanted to see how Nikon had improved the CX sensor’s low light performance. So far it is looking fantastic. The image above was taken at 3200 ISO and it looks very good. Both of these images here were transferred straight out of the camera with no post processing. So, on the first glance, the V3 looks like a super camera! I’m sure consumers who would likely buy an entry level DSLR will find the V3 sufficient for their needs and beyond. I’ll probably do a video review of this setup in the near future and discuss it in more detail. I’m impressed so far and the articulating touch screen is awesome! 😎
Normally, I would never use a 50mm lens for portrait work as shown here in this post. Why not? Because the 85mm is better. Way better. Always. People shots, like these ones, look better in telephoto. That is an undeniable, scientific fact. Take it to the bank. Ever since I got my 85 (Nikon’s new 1.8G version which is optically as good as the billion dollar 1.4 bigger brother version), my 50mm seldom saw the light of day. But I decided that I missed the 50mm focal length. It was my favourite for many years when I was shooting DX format (making it nearly an 85). So, I decided to get a copy of Nikon’s newest 50mm 1.8G lens. WOW. For the money, this lens is utterly fantastic!
I bought it because I want to shoot it at 1.8. I had heard about how great it was wide open and I had to see for myself. So, yep. It totally lives up to the hype. It’s awesome. It’s colours are punchy and saturated. It’s bokeh is great. It’s SHARP wide open and only gets better as you stop down. There is very little chromatic aberration. Sure, it’s a quick fix in Lightroom (like vignetting), but it’s great to know that the lens you are using is made well enough to handle it. The lens is also light. It’s compact. It’s inexpensive. What’s not to love?! This lens is Nikon’s gift to the photography world, for amateur and pro alike. Seldom do you ever run into a product that is of such good quality at an affordable price. #DEAL!
After cajoling the children to come and sit in a chair by a window (patio door, in point of fact), here’s the results. I shot the images mainly at 1.8, one at 5.6 to see the stopped-down performance and 2.2 which is where I would normally shoot a 1.8 lens. I like to stop down a little bit to gain extra performance and sharpness. But with this lens, you don’t have to. You can actually shoot it wide open and the results are superb.
Here is a 100% crop wide open. Aside from a quadrillion dollar Zeiss Otus, it doesn’t get much better than this in the 50mm range! Nikon currently doesn’t make a “Professional” Gold-Ring Nikkor at 50mm. They did come out with the 58mm 1.4G at a whopping $1700 (?!) but I’m not convinced the results are all that different to warrant the extra expense. In fact, it has several optical issues that, while they may give it character, it’s still not performing as clean as this 50 1.8G. Bang for your buck wise, Nikon’s current generation of 1.8G prime lenses are just awesome and worth every penny. I’ve greatly owning them and using them constantly. For the price points, the lenses are so good, it hardly warrants spending the extra thousand dollars to get the gold rings. Unless you care about showing off gold rings. Gold paint at the dollar store is like, a dollar. 😎