This is just a quick blog post showing how I was shooting some macro shots of my favourite cameras this evening.
This behind the scenes iPhone shot shows the exceedingly crude setup. Main light is an AlienBee 1600 through a gridded Photoflex soft box. I setup my home made scrim as a big reflector and did a simple blue gelled flash pointed at the back wall to give a bit of colour. Very simple setup with a decent result.
I also shot the good ol’ Nikon Df with an old 28mm manual focus lens from 19 diggity 5. I took more of a macro approach with this shot and used that same blue flash to add that hint of glancing colour to the shadow side. The blue sets it off just that extra little bit.
I shot the same kind of angle of the X-Pro2 but it doesn’t work as well to me. The X-Pro2 is more minimalistic in its design, lending to a more covert external appearance anyways (which I like). There’s just not as much going on for the accent light to bring attention too. Anyways, just a fun little shoot for something to do.
Here’s a link to the Nikon photo in 4K resolution. I shot all these files with the Nikon D800 RAW so there’s resolution to burn. 😎👍
I had to order something from B&H a while ago and to get free shipping to Canada, I needed to bump up my order. So I ordered a grid for my Photoflex Medium Litedom soft box. Grids are ridiculously expensive for softboxes, leading one to believe they are made of Unicorn Tears and Saskatchewan seal skin bindings. Or some such other mystical material. So I ordered the Impact brand 24×32 grid. It works and fits like a charm for the Photoflex box. I should have had a grid on that soft box from forever ago. They are so perfect for controlling light spill and adding amazing direction to the light. I hadn’t had a chance to even try it out much so I grabbed Ethan and some gear and we went outside to cash in on the amazing hoarfrost that stuck around all day.
In the really blue shots, I was playing with color temperature and gels. I went with a tungsten balance to shift the image to blue, then double CTO gelled my flash to bring the light back to a really nice warm temp. It’s a very interesting contrast in the light colours. For the other shots I used a simple overcast warmer temperature of around 6300K with a 1/4 CTO gel to give a bit warmer skin tone. The control that the grid gives is superb. There is no spill around the subject to illuminate everything. If you want to keep an image interesting, then pay close attention to what isn’t lit.
Our neighbour came home and I made her step into the set for a shot or two. It worked out well! I was using the FujiFilm X100s for these shots with the 3 stop ND filter engaged. This helped knock down the ambient light which would have been too much for a single LumoPro LP180 flash that I was using blasting through two gels, two layers of diffusion and the grid. These exposures were in the neighbourhood of f/2 1/250 ISO 200 plus or minus. And they are all JPEG images too. I seldom ever shoot my Fuji in RAW because the JPEGs are soooooooo great. Not so my Nikons. They live in RAW all the time. But Fuji has such incredible and captivating colour and skin tones. So, it’s JPEG for this Fuji slinging flashgun cowboy. So if you have a light, slap a grid on there and leave it there. You’ll be glad you did! 😎
I thought long and hard about getting a bigger lighting scrim. They are a super versatile tool from the strobist to the natural light shooter. They can block light, diffuse light, reflect light. In short, they rock the set. They are also ridiculously expensive to purchase commercially. I was searching for a DIY version and found Kevin Kubota’s to be about the best one out there. You can watch the informative YouTube vid here.
But I made some upgrades in the design. First of all, I found it was a lot cheaper to purchase the grey conduit rather than PVC for the main frame parts. They are the exact same size so you can still use all the same PVC fittings but the conduit is less money. Wee! 😎 Plus, it looks less distracting than white. And secondly, I found that the design for attaching the ripstop nylon to the frame was a bit lacking. If you only used it inside, it would be fine. But I do loads of outdoor work. So I needed a solution that would hold up to a Saskatchewan wind gust. I thought about it and concluded that the best way was to make basically a “fitted sheet.” I got some of the super awesome seamstress church ladies to sew me a 1 inch seam all the way around the outside edge of the material. Then I simply cut the corners off and fished the nylon elastic cord through it, tying it off to make it fit snuggly on the frame. It works like a charm! It goes together super quick and stays there, even in the wind.
You still have to be careful with it because it is basically a giant kite. But it works flawlessly and only costs a fraction of what the commercially available ones do. This is probably the only DIY thing I’ve ever made that I will continue to use on a long term basis because it’s a super slick design and it works fantastic! 😀
Check out these vids of Joe McNally using the same kind of product. The results are truly awesome!
From engagement to wedding to maternity to newborn, I’ve had the blessing of taking all of Lucas and Kayla’s life event photos. 🙂 It’s been a blast! And, this last shoot was just as exciting as the others have been. It’s a truly amazing moment to see all of life come together in the next generation. 😎 This was my first shoot managed and edited with Lightroom too. Still getting to know the software environment so I was noticeably slower than I was with Aperture. However, the speed at which Lightroom can edit and deal with D800 RAW files with amazing, blows Aperture 3 out of the water. One thing that was better in Aperture was the healing/clone brush. Lightroom’s spot retouch works better, but Apertures brush was nicer than having to do everything with little circles. I also miss Aperture’s file handling. It was so much easier to backup everything into vaults. But, the trade off is well worth it. I’m really enjoying Lightroom and glad I made the switch.
Here’s some highlights from the shoot. But first, a video of Mr. Burns talking about the Jade Monkey. (I couldn’t resist.) 😉