Everyone knows that in the digital world, you need 3 copies of your data for it to exist. This makes the need for back up solutions imminent, especially for professionals whose reputation and bottom line are on the line when it comes to data loss! It’s a very serious situation. But surprisingly, there aren’t many easy & convenient ways to solve this problem.
I have a Thunderbolt Lacie 2 bay drive enclosure configured to RAID 1 for data redundancy. This setup gives me 2 identical copies of my photos. But 1 more is still needed. Most people will suggest that it should be an offsite solution, such as an online cloud backup service. The problem I have with that solution is: 1) it’s a pain to upload that much data (several terabytes) unless you have very fast internet speeds. 2) it continues to cost you money as a subscription. And 3) it’s a privacy/security risk to have a 3rd party in cyberspace in control of your data.
The way I’ve addressed the 3rd data copy is to buy another external hard drive, in my case a 4GB Seagate USB 3 drive, and store it in a fire safe. You can easily take said safe and move it to another location and bring it back when you need to synchronize your working data.
But this process itself has always been cumbersome at best. There wasn’t an easy way to synchronize the updated data. I wanted a simple and elegant solution like Apple’s Time Machine. But unless your photos are on your local drive, Time Machine isn’t going to work for this process. You can buy additional software to do it but who wants to spend more money?! I’m too cheap.
Enter: terminal & rsync.
I’ve recently been exploring the terminal in Mac OS X and it is one seriously powerful tool. Everyone is used to the graphical user interfaces while text terminals are scary at best and for computer nerds at worst! But if you, fellow photographer, will get your nerd on a little bit you will find the solution to your back up woes.
What this command does is synchronize two folders of data. You have your source: your photos, your lightroom catalogues, your business files, whatever you want, and you have your destination: a backup hard drive where you want the data to be copied. But it’s not merely a data copy function. Rather what makes rsync magical is that it will synchronize your folders. Meaning that after the first backup you do, it will synchronize only the changed data from source to destination. So you’re not re-copying reams of data, only the changed bits. This makes backing up your precious photos and data super easy!
You can checkout this YouTube video for a good tutorial on how the command works. Before trying it on your pictures, I suggest trying it out on some non critical data to get the feel for the command line and how this command works.
After you get the hang of it, the sure awesomeness of the backup workflow will knock your socks off! It’s ultra convenient to hook up your drive, run the command and then kick back and relax as your data is totally synchronized and safe. You don’t have to wonder if you copied these files or those files, they are all there. If you want to get ultra nerdy, you could even write a script and automate the process even further. Check out this video from 8-Bit Guy to see how to do it.
As you can see, it’s not overly difficult. Once the Terminal is demystified, you can harness its awesome power for your photography workflow. Losing data sucks. Losing photos REALLY sucks. It’s a pain, it’s inconvenient, it’s costly. Using a few simple lines of terminal code can really save you a bunch of hassle and keep your data nice & safe. 😎
I’m ultra behind in the blogging but I wanted to do an update. A mirrorless update. I’ve been a Fuji fan for quite a number of years now, using my omnipresent X100s camera all the time. Always JPEG. It became my high volume camera, especially for family trips where I refuse to lug around all my huge Nikon gear. But I want more quality and control than my iPhone camera gives me. The X100s was always the perfect companion. I love the 35mm equivalent field of view, especially for travel. It’s fantastic!
But it can be quite limiting. Which is almost always a good thing. Except for when it’s not. I found that all my travel photos, being the same focal length, were, well, the same. So I hummed and hawed about it and ended up getting a smokin’ deal on a FujiFilm XE2. I was going to buy the XPRO2 but didn’t (another blog post about that later). I got the XE2 with the “kit lens” which is an amazing lens, the 18-55. It’s a stunner. It’s sharp, it’s fast and it’s made of metal. Using Fuji is an experience in quality to say the least. Anyways, I’ve since picked up the 35mm f2 it’s a dream. But all summer long, all I shot was the 18-55.
I wanted to showcase the versatility of this compact mirrorless setup. These photos are travel photos from our cross Canada tour this summer. Western Manitoba all the way to Tofino, BC and back again. 4 provinces, thousands and thousands of kilometres traveled, Ocean, Waterfalls, Mountains, Forests, Prairies, all with one camera, one lens. Not only was it a versatile combination but it made the editing workflow nearly non-existent. By that I mean the XE2 utilizes a WYSIWYG viewfinder. The exposures seen through the eye piece are what you get in camera. Literally 97% of the time, it’s bang on. Very little editing has gone into these photos. The X system allows you to get it right in camera the first time, let alone the colour tweaks available through the film simulations. Fuji colour is the best, bar none! Anyways, here’s some photos.
Leica just officially released the M-D Typ 262 camera. You’ll quickly notice that the back of the camera takes us back to the first digital cameras . . . that didn’t have LCD screens.
That’s right, sports fans, no viewing your photos on the back of the camera. No chimping. No showing others your great shots on camera. Nope. You gotta wait until you get home and
get your film back from the lab hook up to a computer. Immediately the camera was met with criticism on the inter webs:
It is true that Leica does now have the reputation of being a boutique camera for the rich and or famous. It’s always focused on the essentials (Das Wesentliche) in having very no frills operation, no AutoFocus until recent models, no video, etc. It has remained stalwartly old fashioned in the modern hi-tech era of photography. But taking away the LCD? It’s a bit odd.
However, I wonder if such an
advancement development would change the photographic experience? People go on and on and on about how photography isn’t about gear, it’s about developing your eye and looking for moments and colour and gesture and seeing etc. It’s not about the gear you use. It’s a nice sentiment, especially for making beginners feel great about photography and not self conscious about pro-level gear they can’t afford. But it’s also total BS.
Gear does make a difference to photography. It affords capability and quality that is not otherwise achievable. This is why pros use zillion dollar pro gear. It gives them an edge on the competition as well as ability to nab photos they otherwise couldn’t get. Like shooting at ISO 5 billion in the dark and still getting a usable photo. But not only these practical things, the gear actually changes the photos. It alters the way a photographer shoots. People who use Medium Format make different photos from the person using the iPhone camera. Likewise when people switch to mirrorless. They find that not lugging around the big heavy DSLR gear all day changes their photography. Using a fixed prime instead of a kit zoom changes the photography.
So what about removing the LCD screen? Will that change one’s photography? Yep. I’ll bet it would. One, you’d be more careful. No spray and pray shooting. You’d have to be extra conscious and aware during the photo taking process to make sure you had the exposure and composition right – because you won’t know until your looking at it on a screen back home, long after the fact. This alone would make everyones’ photography better. The film guys were careful. They were thoughtful. There was a level of “critical” that is almost gone in the digital age. There was some finality to the roll of film in a way that there isn’t with high capacity memory cards affording metric tonnes of available shots.
Ditching the LCD, will it bring back the ‘film thrill’? I don’t know. It would scare me to be honest. I rely heavily on the LCD in my photography. I’m always chimping, always checking the light and the highlights. It’s a part of my photography now. I’m sure I’d find not having the crutch there unnerving. But it also might be a freeing thing too. What do you think? Boutique camera with a stupid gimmick or photographic genius in the making?
PS: I wrote my article here before watching the video. 😎
Very cool video worth a watch! Amazing to see how photography has exploded so rapidly, largely thanks to the iPhone.
Another one of Fuji’s film simulations is the Pro Neg Std. This setting is described as being for portraits with soft gradations and skin tones. The Hi version of my last blog post has a bit more of a contrasty look. This article on Fuji vs. Fuji does a great job of comparing all the simulation modes. But suffice it to say, the skin tone rendering is really, really pleasing in both the Hi and Std. modes. Just look at these kids. They look at least 17% better shot with Fuji. LOL. I do want to do a side by side comparison to my Nikons and see how the JPEGs compare. I never shoot Nikon JPEGs so I really don’t know if there is much difference. I’ll check it out in a future blog post.
I shot these Black & White images in the Monochrome setting with a yellow filter. It gives little extra to the skin tonality I think.
Yesterday was a glorious winter day in SE Saskatchewan. We had amazing hoarfrost and then the sky opened up with a glorious blue backdrop. It was majestic as all get out. I slapped the ol’ X100s into Velvia film simulation which is known for it’s highly saturated bombastic colour. (You either love it or hate it I think). It gave an extra level of contrast to the colour palette. I was out visiting a parishioner and I drove past an old abandoned farm yard – except for racoons & squirrels. I stopped after my visit and walked around, capitalizing on all the beauty of the day and the history of the location.
2016 is not only the year that Nikon got its mojo back, but it is FujiFilm’s year to shine! Since the release announcement of the X-Pro2, X-E2s, X-70 and sweet new telephoto lens, the interwebs have been a buzz with excitement. I’m no different. I’ve been with the X-System for 3 years now when I got the X100s – still a goto camera for me. It’s been an omnipresent companion on all my family trips and events because of the size/ergonomics and of course phenomenal image quality & colour rendition from a crop sensor. I still love that camera and will never sell it.
I’m totally stoked for the X-Pro2. The first version was a fantastic camera with its own quirks and quickly rose to cult status – as did the whole X-System really. While other manufacturers continue to pump out updated models, FujiFilm takes their time. They make their current products better with firmware updates. That immediately garnered my respect. Sure, lots of manufacturers fix up bugs in their products with firmware updates, but seldom if ever do they add new features. Instead, you must buy the updated release version to get them. I love FujiFilm!
The X-Pro2 caught my attention because it is the long awaited update to the classic first version. I knew that Fuji would take their time, gain input from photographers who know and love their products, and then produce an amazing camera that people can’t wait to purchase. They have not disappointed! There are already several amazing reviews/first impression blogs & videos up now. As I haven’t actually seen or used the camera in real life I have nothing of value to add to the discussion. However, the features I’m most interested in are as follows.
The first thing is that they’ve done a great job in making the camera weather resistant. The new Fujinon lenses will all be weather sealed too. This really puts the “Pro” in X-Pro2. I’m thinking of wedding photographers or landscape people or even travel documentary photographers. Having gear that can keep up to the elements is a must.
Also hardware wise, I’m delighted to hear that it has dual SD card slots. This in my mind is another Pro feature. Whether for redundancy on critical wedding jobs or over flow or a JPEG/RAW workflow, this is an excellent feature to have. Glad they included a UHS-II slot too for fast data transfer. This will help immensely for buffer clearing, especially RAW files which will be bigger on the all new 24MP sensor. This is a welcome jump up from 16 in my books. FujiFilm colour and skin tones are absolutely incredible. And now with 24MP, you get more glorious pixels of both. And phenomenal high ISO performance as well. So exciting!
Another feature I’m really excited about is the new ACROS black and white film simulation. I’m a huge fan of Fuji black and white straight out of camera. In fact, I almost never shoot my X100s in RAW. The JPEGs are so great and I love the colour so much I just go JPEG. Especially for black and white. But now to have a really punchy and contrasty black and white option in the ACROS film simulation, it’s all kicked up to notches unknown to mankind. I’m looking at you Leica Monochrom! It will be great to see how the new X-Trans sensor handles the B&W tonality.
Another upgrade that may not seem like much is the sync speed for flash bumping up to 1/250s. This is awesome! I love using my X100s for flash stuff because of the leaf shutter and syncing capabilities it has. But to get that extra wee smidgeon of ambient killing power from 250 instead of 180 does help quite a bit. I’m dying to shoot the new X-Pro2 with some telephoto glass for portrait work. So far I’ve only ever shot the 23mm/35mm lens on the X100s. But if I could get the 90mm f/2 or the 56mm 1.2, I’d be a happy portraitist indeed.
There’s a zillion other features about the X-Pro2 that others have already commented on and will continue to do in the weeks to come. The stuff I listed just scratches the surface of what will undoubtedly become another classic camera for Fuji.
If you want one, get on the pre-order list ASAP. If you order from The Camera Store, they have a promo discount on the new 35mm f/2 lens as well.
Congratulations FujiFilm! 2016 is your year to shine!
There was some pretty neat fog out this morning when I was out and about. It gradually lifted but still hung on for a bit. I threw the X100s in the car. The black and white images are all just FujiFilm JPEGs with a bit of extra contrast dialled in. I’m really excited about the release of the X-Pro2 in that it has an Acros film simulation. I already love Fuji B&W so much that the Acros will be icing on the monochrome cake! Can’t wait for that camera! 😎
Mine baby is 8 years old today! That’s insane & unbelievable. It seems like just yesterday we were going to the hospital to have her. She’s the sweetest, most caring and compassionate person I have ever met. And she’s ridiculously cute!
I busted out the ol’ photo mill (Nikon Df, 50mm & 85mm 1.8G) for some birthday pics. We used 1 light (Nikon SB-900 flash triggered by a SU-800 commander) with 3 different modifiers used in 4 different ways.
The first setup was the good old shoot through umbrella. It produces winning light all the time. It’s soft. It’s directional. It’s fool proof, quick goto lighting. It’s also pretty boring. Good thing Phoebe is cute. I said that already though. 😎
Next, was a small soft box. The LumiQuest Softbox III to be specific. It introduces more shadow tonality. A bit more depth and interest to the shots. It’s pretty cool light, especially when used in close to the subject.
Then it was a Honl grid. Deep shadows. Much more intrigue and edginess, almost teenaged light. But she’s only 8 so we had to back it off and bring the shadows up a notch.
So viola! We went back to the umbrella but this time I bounced the light off the white ceiling and back down through the umbrella that she was holding as a prop. It gives a double defused ultra soft giant look to the light. Shadows are very, very soft and silky smooth.
At the Live Nativity, I lit the whole set with one strand of rope lights. I’ve always been impressed about how LEDs can kick out some serious lumens. I was thinking that you could actually use them for photography as a constant light source. So I plugged in the strand and held it up in front of the kids. It’s pretty cool light! And, it gives some pretty killer catch lights. You could manipulate the shape of the lights into anything you wanted and it would look cool. Chuck some cute kids in front of a christmas tree with a fast 85 or 50mm lens and you’re golden.
There are truly only very few moments in a person’s life when you enter a room and instantly know that you are surrounded by giants. People so incredibly bright and knowledgable that they have already forgotten more than you will ever know. Being in a room with Dr. Hamilton Greenwood is one of those such moments. He is a brilliant biologist, educator and photographer and he has been a family friend for many years.
Recently he did a TEDx talk in Saskatoon, SK. His talk is perfectly woven together with his own stunning wildlife and nature photography from our great province of Saskatchewan. Check out the talk here, it is totally worth your time and you will be highly rewarded!
Description from the TEDx Talk:
Educator and Wildlife Photographer | Hamilton Greenwood is an adult educator and wildlife biologist with a passion for using photographs to inspire. He is the department head at Saskatchewan Polytechnic’s Natural Resource Technology Programs, and a sessional lecturer for both the University of Saskatchewan and the Saskatchewan Urban Native Teacher Education Program (SUNTEP). With an undergraduate degree in Biology from Queen’s University and a PhD from McGill, he has taught a generation of people who contribute to Natural Resource Management in Western Canada. As a teacher, he is known for the passion and commitment which be brings with him to his classrooms. Hamilton’s personal and professional life has found a wonderful bridge in landscape, wildlife and still-life photography. His images are widely published and freely shared with many non-governmental organizations. These photographs, and countless hours in the wild, are the canvasses from which he works.
I must confess, ever since I got the Nikon Df, my X100s has been on vacation. I still love it to death. But I find that the Df gives me more versatility with my DSLR lenses. However, every time I go and re-pick up the X100s, I think I could totally sell all my DSLR gear and just go mirror less Fuji. They are so light and wonderful in almost every way. So compact. So handy and versatile. And of course, the B&W. I love shooting the X100s in black and white. I just love how the Fuji renders the files. I have to do virtually nothing to them providing I shot the exposure right in camera. I had it along as the image maker today and shot primarily in black and white. Most JPEG and a few RAW files – which are easy to edit into Black and White gold since Lightroom has got the Fuji camera profiles now. Quick user preset of wee exposure tweaks and you are golden. I love this camera!!! It was the perfect camera to enjoy a day up at Kenosee Lake with the family. 😎
The kids wanted to go looking for crocuses yesterday. So did I. 🙂 So we went out back and found a few little bunches. I’m not sure if they are just starting to come up or are nearly done. Normally they’ve come up even through a light snow. But this year the weather has been wonky so say the least. I feel a special attachment to crocuses as they are “Saskatchewan’s Flower” at least anecdotally. 😉 I’ve seen more crocuses than tiger-lilies, I’ll put it to you that way. heehehe…..
About the technique for nabbing these photos. I went out with a collapsible reflector/diffuser to block the harsh sunlight that was pouring in. I had my D800 & 105mm macro for this detail-rich gig. I was shooting at apertures of f/16 or f/32 so I needed more light reach this at ISO 100 and 1/250. I used my Orbis ring flash and SB-900 synced with an SC-29 cord. I basically was able to set the Orbis on edge on the ground, which doubled as a rest, and shoot right through it. It worked great. 😎 The macro detail that the D800 can capture is really tremendous! Here’s a 100% crop and the full shot beneath.
It was only -38 with the windchill today so I thought I’d go and do some HDR photography… I’m insane. But it’s true, the worst weather often gives the best opportunities for making photos. We had killer sun dogs again today as the weather was diabolical. I actually didn’t really set out to do HDR. I wanted a slow shutter speed shot of drifting snow. But I realized I forgot my variable ND filter in my other camera bag. Doh. So HDR it was! (more…)
Susan Hill and I ran two DSLR and Photography workshops this past week in the charming little town of Redvers, SK. The classes were held at the Redvers public library and 30 people in all took the course. It was tonnes of fun! 😎 Helping people take their camera off of Auto Mode is always such a treat. As for myself, I bought my first DSLR (Nikon D40) because I hated how slow and laggy my point and shoot was. I took a billion photos in auto mode and loved every minute of it. Nothing really changed until I got a 50mm f/1.8. Best thing ever for turning the ol’ mode dial to A mode. That’s what started my foray into being a full blown photo and exposure nerd. We introduced the participants to all the basics of ISO, Aperture and Shutter speed – knowing full well nobody is going to become a full blown M mode shooter overnight. But to have someone take me by the hand and guide me through everything would have been helpful to me when I was getting interested in photography. But we all had a blast and we will be running more classes in the future. 😀
I love DSLR technology, don’t get me wrong. But there is something about the FujiFilm X100s that opens one’s eyes to a different kind of reality. It’s beyond the sensor and retro styling. It’s beyond all the amazing technology smooshed into a neat little X-Package. 😉 The whole photographic experience changes when you’ve got one camera with one lens. It forces you to see the world differently but gives you all the tools you need. I love walking around with a camera that is so compact but also ready for nearly any situation. I went for a little walk with the dog the other day to nab some more fall color. I didn’t feel like lugging the D800 and a lens bag around so I chucked the X100s in my pocket and away I went. I really wanted to make use of the Fuji’s in camera processing film styles. This is truly a versatile camera. Being able to tweak the shadow and highlight zones is super for enhancing a mood. In the case of fall quickly coming to a close, dark deep shadows and gloomy skies really bring out the over all death theme of the season. But at the same time, the rich velvia colours can really pop and make us think “no, all is not lost yet!” Some life still remains. 😎
Ah, winter. We live in it the majority of our lives in Canada. Why not get married in it?! 😎 No reason not too, other than heinous blizzards, sketchy travel conditions and . . . it’s cold. Usually. But not February 9th of this year! It was an incredibly beautiful day. Blue sky, frost covered trees, mild temperatures, no wind! I was truly blessed to be part of a winter wedding with some amazing folks from the Alida area.
And not only was doing a winter wedding a new thing for me, so was being a second shooter. My awesome photog friend Susan Hill from Carievale found herself in a last minute health bind and needed an extra lens on the wedding. I was glad that I was available to help.
It was a metric tonne of fun to watch how another photographer handles a wedding but also to see how truly complimentary it was to get two perspectives on the same moments and events. By both of us taking pictures, it was actually less stressful overall. I knew that whatever I wasn’t getting, Susan was, and vice versa. What the client ends up with is double coverage of the event and double the amount of stellar images from the big day. What’s not to love?! 😉
I thoroughly enjoyed the experience – even though I don’t normally shoot weddings. 😉 I got to shoot some off camera flash stuff which I love. Strobist skills came in handy as the sanctuary where we did the formals was very, very dark. Dark wood ceiling and brick walls and dark flooring chewed up the light. We through up 3 speedlights in umbrellas which made an impromptu studio. Bouncing the light would have been nicer, but it wasn’t an option. Solving problems on the fly is mandatory stuff for wedding photogs. Having another photographer there made it less scary and easy to deal with as Susan has a tremendous eye and great compositional skills. She lined the families up, got everyone ready and all I did was press the shutter.
The snow was FEET deep back by the grotto, but we braved the soaked socks and frozen feet to get the shots. We nearly killed the poor bride and groom, but they were amazing! They went full speed ahead for all the shots and didn’t tell us to go jump in the frozen lake! 😀
We wound up the night at the reception which was one of the best I’ve ever attended. It was heartfelt and more importantly, didn’t drag on forever! 😉 It was truly a blessing to help capture a young couple’s memories of the big day. Susan and I had a blast and I certainly hope to be able to work with her again on future projects. If she can put up with me… 😎
Lately in computing there have been a couple pretty major technology jumps. By that I mean, we’ve got USB 3.0, Thunderbolt, and SSD technology all becoming more and more available. The speed upgrades are a big improvement over USB 2.0, FireWire and normal hard drives. I remember when Mac first brought out USB in their blueberry iMacs. Nobody used USB! And then, it became standard for like 10+ years. hehheeheh… 😉 And now, we’ve had another big tech jump offering never before seen speeds which really help the overall computing experience, especially when it comes to editing photos. I was blown away by the performance of my i5 MacBook Air with 128GB SSD, especially in comparison to my aging Core Duo iMac. So before going to sleep last night I started wondering about the ultimate photo editing computer. Could it be done on the cheap?
Ideally, when you say “ultimate” everyone thinks MacPro tower. But they are 1) expensive, 2) seldom updated, 3) physically huge. So what other options exist in the Mac realm for maximum grunt computers? The new iMacs are nice but a 27″ i5 1TB old school HD with 8GB of RAM is 2 grand. You could always nab a MacBook Pro too. But you’ll be spending the mad scratch getting a pimped out model with all the bells and whistles too. What’s left? MacBook Air. Yep, doable. But if you want a desktop option, all that’s left is the Mac Mini. Is it a contender?
Check it out. You can buy the best Mac Mini with 2.6 GHz quad core i7 processor with 4GB RAM and 1TB of old school HD for $899. Canadian. Not too overwhelming. BUT, the ability to kick the mini up a notch is pure awesome. RAM is cheap. You can get 16GB of RAM for the 2012 MacMini from CanadaRAM for $137 bones. But what about the old slow HD? You can pull it out of there and replace it with an 256GB SSD for $219.99. It will require a bit of hacking on your part, but there’s tonnes of good tutorials on YouTube about how to make the switch. So, you get a smoking fast chip, blistering SSD hard drive and a fat 16GB of RAM for a grand total of: $1255.99 before tax and monitor. Not too shabby!
You can buy Apple’s Premium $999.99 monitor or, wait until an updated Retina versions come out. In the mean time, you can nab a sufficient 24″ ASUS HDMI connection monitor for $199.99! 😎 So, for the complete cost of $1455.98 before tax, you are well ahead of the top iMac for $600 less, minus 3 inches of screen real estate. Not bad!
Maybe in retrospect, this little Mac Mini build isn’t the “ultimate” setup. But it’s pretty darn close for a whole pile less money! Who doesn’t like that?! 😀 I think the performance of this little suped-up setup would sizzle for photo editing. The integrated intel 4000 graphics will be fine for Photoshop/Lightroom/Aperture apps. Plus, you get scads of ports for external storage solutions from promise pegasus to drobo to g-technology in one tiny little footprint. I think it’s a killer setup!
Granted, I’m a little late to the party. But I want to set the record straight on the Nikon 1 V1. “It doesn’t suck!” It’s amazing little camera! This image of the kids is straight out of camera with no edits (other than water mark and resize). The colours are amazingly vibrant! All the images are very contrasty and punchy, and I like it! I finally had the chance to go for a little walk around today with it and shot a couple of landscapes. Other than the fact that it was a foggy abysmal day, I found that it set the stage for some cool black and white. I shot in JPEG and RAW and had a good experience with both. RAW always gives more latitude, but the JPEG performance is really nice. The only achilles heel is the high ISO, which is to be expected for a small sensor camera. But it’s not that bad, all things considered. When you evaluate the performance against my current DSLR, the D300s, it doesn’t lose by that much in color and dynamic range. It’s negligible really. ISO get’s punched in the face, but we already knew that. For outdoor day to day stuff, in my opinion, the Nikon 1 brings the thunder. And, its far more portable. But I already mentioned that. 😎
This post is not intended to be a mantra for hunting season. Ahem. 😎 It’s about seizing the moment before it’s gone. The “capture” aspect of photography is really of the essence. Event photographers and wedding folk know this well. But even landscapers or point and shooters can glean a lesson from it. If a picture is happening before you, go shoot it. Don’t wait and come back later. Chances are good it won’t be there. Take the 5 minutes to stop, get out and make the frame. Like time, you can never get it back. And personally, I hate living with that “Doh! I wish I would have stopped and got that photo!” It applies to all of life.
This shot was one of those times. I was on my way back from a shoot and saw these 3 combines and the grain cart tractor parked in a harvested field. All of them red. With a nice little moon overhead. I had to stop. I pulled the car over and walked out into the field. I didn’t have a tripod but I had a step ladder with me. So, I used it as a rest and was able to take some frames to make this HDR image. I’m pleased with how it turned out as it grabs what harvest time on the prairies is all about. I could have drove past, but I’m glad I seized the moment! 😎
It’s a photo shoot I won’t soon forget! Leighton contacted me about taking some photos of him and his girlfriend Brandy. Simple and straightforward enough. But then, there was a catch. A wonderful catch indeed. Turns out that at the very end of the shoot, he popped the question! And the camera caught the whole thing!! 😎 It was tremendous and I was excited to be part of the adventure. Catching real emotion and moments with a camera is an unbelievable experience. 🙂 And . . . she said “yes.” 😀
I was driving home tonight from my niece’s birthday party and the sky was absolutely incredible with Northern Lights. The moon was full and bright which actually hindered how amazing the lights were! I had my camera with me so I pulled off to the side of the road and hand held these shots at 1.6 seconds each. Crazy. Thankfully my 16-35mm has VR! 😎 The second shot looks like a wormhole from Star Trek! 🙂
Regan’s birthday present finally arrived! She wanted some new bling and bling she got. To go along with it, I decided I’d take snapshots of everyone listed on the necklace . . . in black and white. 😎 It’s timeless and awesome.