My little guy got his Gold Belt in Karate the other day. He was super pumped! He’s a very serious and dedicated kid when it comes to pretty much everything, but especially Karate. I had the vision for this photo in my mind before I set out to capture it. Here’s the process involved.
Step 1: Lighting. There was still a good deal of ambient even though the sun was setting. I didn’t want to mess around with small flash so I grabbed my Alien Bee 1600 and fired it through a small Photoflex octobox. I had my lovely assistant Phoebe hold the light for me. We bolted it to the time-tested “Gandalf-Stick” – a collapsible paint pole with an adaptor end on it. Works like a charm for moving quickly. The lighting pattern was a simple cross light setup. Subject back to the sun as always for a sweet golden rim light.
Step 2: Work the posing. Just watch how two simple things drastically change the photo.
A) Nice photo but boring. We needed to convey Karate power in this image. Have me shoot down or even eye level doesn’t do that. We need to shoot up.
B) Getting there, now Ethan looks bigger and more powerful. In the photo. All we had to do drop to the ground. Also, I wanted a wide-ish angle shot so I’m using my Nikon 24mm f1.8G lens on the Nikon D800 for maximum mega-pretzels.
C) For the final image we needed the pose to actually have energy. I got Ethan to shout out the Karate attack word for “kill” as he did his kick. It got him laughing a bit which gave me a legit smile. The photo I had in my mind came to life and his posing was perfect. The wide angle lens adds to the over all feeling of power as it optically makes his foot look huge. The flash will always freeze the motion for you even at the relatively slow sync speed of 1/250 while adding a bit of motion blur which I think looks cool.
So there you have it. Great lighting combined with getting low and wide makes for a butt kickin’ shot that I will definitely be making into a giant print! 😎
The Last Sunset of 2015! And, I finally got my Christmas lights working. Have a wonderful 2016 everybody!
+God’s Richest Blessings to you in 2016!+
Barrel racing is one of those things that runs in the blood, like farming or hunting or so many other things that exist in a symbiotic relationship with people and animals. My friend Maria wanted some photos of her and her horse Honey. So we picked one of the coldest days of the year when the light was falling fast! LOL 😎 The cloud cover was thick and it was quite dark. We were able to do a bunch of natural light stuff rather quickly but then the sky burst forth a wee silver of gold for us. We had a good 5-7 minutes to work the light before it completely faded into blue. We had to work quickly but we managed to hammer out a bunch of different looks using flash and ambient. The EXIF of the top image was 1/8 of a second at f/7.1. I was trying to drag the shutter as much as possible to get adequate ambient exposure and then use flash for the subject exposure. This relatively longer shutter speed allowed both Maria hair and Honey’s mane to motion blur in the wind but the flash exposure keeps them sharp. Handheld at 1/8 is no sweat with my 16-35mm f/4 Nikkor with VR.
I quickly moved from ambient to flash and back to ambient again to nab the amazing sky for silhouettes. The color was so juicy and rich that it made for the perfect background! You can’t sunset shots. They are like peanut butter and chocolate! The veritable Reese’s Pieces of the photographic world. They make for great photos & happy clients . . . and happy Photographers! 😎
I was out on Saturday night
partying playing poker with the guys getting water in Alameda. I threw the X100s in last minute, anticipating a way cool sunset. Some nice colors started happening. I found a subject, grabbed the camera and realized I had no card in it. #doh #facepalm 🙄 Thankfully there’s a wee smidgeon of internal memory available for potential customers to check the images in store morons like me to use. I took an exposure metered for balance and here it is: Not too shabby. It’s metered for the sky and the structures go to mostly silhouette. I could meter for the building but then I’d lose the richness of the color of the sky. Or, I could use flash and illuminate the whole terminal. (Well, I could but that would be dumb). So the only other option is HDR, right? Layer several exposures together in software and get the shot. Well, not any more!
One of the other extremely awesome things about the X100s is the ability to take tonal control of the image. You can manually adjust the shadows, highlights, color and sharpness of any image before you take it. So, after reviewing the first one, I decided to hit the ol’ Q button and tweak away. Here’s the next image:
This image has got the Velvia Film simulation going plus -1 dialed into shadow tone, decreasing the shadow contrast. Look how much more detail is there from one simple adjustment! It’s awesome! But I wanted to push it one step further and here’s the final image:
There’s even more detail held with no sacrifice of color. I kicked it up a notch in camera. And, by switching to fluorescent white balance, I got a beautiful dusty rose tint to the image. That’s pure awesome! 😀
These images are all straight out of camera JPEGS with exception of watermark and resize for web. The Fuji Rocks the Set. I rest my case. 😎
I saw this old car the other day and new I had to come back and grab an image. I wanted to try some HDR stuff with the D800. This was a composite of 5 RAW files in Nik Software’s HDR eFex Pro 2. It’s a bit of a grunt with 5 giant files, but it came together well. I was hoping for a more dramatic sunset, but I’ll take the sunburst instead. 🙂 I’m not a car guy, but I think this is a 1948 Chevy Fleetmaster.
Had to make a water run tonight to the supple bounty of Alameda. It was approaching golden light which is always exciting. It was also dusty as all get out. Dust, fog, mist – they are all the theme park of light. We lucked out and ran into much dust on the roads to let the sunset have the mucho fun. 😎
Driving to Moose Jaw Tuesday night I stopped at Macoun to make this image. The flooding from last year hasn’t gone away. It may be out of the media but it is still affecting the lives of many people in rural Saskatchewan.
This is a brief tutorial on making HDR images. There’s zillions of other posts/pages on the information super highway already so you can look up more info there about it. But this is how I do it. Which makes it infinitely better. 8) Just kidding! 😉
HDR stands for High Dynamic Range. It’s been around forever conceptually, even since film days. But now, with digital it’s easy and fun. Get a camera and a tripod and find a scene that has loads of contrast: lots of lights and darks. The idea behind this kind of photography is to keep all the detail in the darks and in the light parts of the image. Because the camera currently cannot capture the same amount of dynamic range that the human eye can see, in one camera photo you don’t get as much range as you see with your eye. So, you take 3-7 photos of varied exposure and layer them together with software. I use Nik’s HDR eFex Pro. It’s super slick and comes with many final image presets you can apply to stylize the final image, making it look as surreal or as realistic as you want.
OK, here’s a sunset one I took the other night. And in all truth, it’s not how I typically do it. I was on top of my roof with my 70-300 lens and I did this handheld, which isn’t optimal. Get a tripod so there is no camera movement.
So, the first image: bang. Here it is.The camera meters the scene and determines that this is the best balance of light and dark. We get all that rich colour in the sky & the river. But the valley hills have gone dark and silhouetted the evergreen. This was at ISO 400 f/8 70mm and the shutter was 1/100.
The next shot speeds the shutter up to 1/200, recording an even darker, more saturated image. This one gives the mad colour, but kills off almost all the detail in the hills.The third image washes out the sky but it lifts the details up out of the hills with a slower shutter speed of 1/50. All three images are 1 stop of light apart from each other.
Now, technically, it would be better to get a couple more images here to further lift the details out of the dark regions. But, as I mentioned, this was handheld. If you have a tripod it’s easy to do.
Then, after feeding the photos into the Nik software (I use it as a plug in with Aperture) you can arrive at the final HDR image. There’s loads of darks and lights, rich colours and highlight detail that otherwise would have been lost. HDR is having your cake and eating it too. 8) When you stylize the image, you can make it look wild with texture, like I did here to make the clouds go boom. But you can also finish them to look realistic too which I did for this photo of Good Shepherd Lutheran Church in Regina. The light pouring in from that window would have made getting a balanced exposure difficult.