There were glorious sundogs this evening.
I was changing a poopy diaper.
I was too late.
Just a couple of quick sunset pics tonight with the Fuji XPro-2 and the 90mm f2. I dig the super saturated Velvia look in bleak winter! 😎
Our Family took an extended May Long Weekend to go to Spruce Woods Provincial Park in Manitoba. It just so happened to be only 2.5 hours from where we live so no big deal, even with the near 1 year old baby in tow. I brought along my Fuji Film XPro-2 and all three “Fuji Cron” lenses (23, 35, 50 ~ 35, 50, 76). But I shot the whole trip with only the 23mm (35mm) lens. Mainly because I am used to that focal length from my X100s fixed lens camera. But also because I believe that 35mm is the most versatile focal length for travel photography.
What makes Spruce Woods awesome is that it is a gorgeous sandy desert . . . that happens to have an incredible forest of Spruce, Aspen and Juniper trees growing out of it! As I surveyed the landscape, I was bombarded with “How can this place exist?” It seems like a twilight zone time warp walking around there! We took a Belgian horse drawn wagon tour which was really neat and then did some hiking the next day around the dunes. The two main natural attractions are the dunes and the little spring fed lake called “The Devil’s Punchbowl.” But the whole place truly is something to see.
Back to the Fuji kit. The XPro2 is my fav camera of all time. So compact and versatile in and of itself and when coupled with the little 23mm lens offers a perfect mix of portability and capability. I shot primarily in JPG as I always do with Fuji because the files are THAT good. I switched to RAW for a couple shots where I wanted extended dynamic range if I wanted to make a print later. But the JPGs are so brilliant I usually only shoot that format. There’s quite a bit of latitude for editing even the JPGs but I nearly never have to do anything to the files. They come out of camera so, so sweet. Colours are amazing. Detail is crisp and clear. What’s not to love?
So 35mm. It’s truly a versatile place to live when shooting travel (especially with kids in tow). It’s a ‘pretty wide’ way to the view the world without being toooooo wide, although if you were going for straight landscapes you’d want to be wider perhaps. I’d highly recommend this one lens/one focal length approach for your next trip. See what the restriction brings! 😎
2017 has been the year of the road trip! Not only did we do our big epic Waterton/Montana/Cypress Hills trip, we also did a few other smaller trips, including our inaugural visit to Grasslands National Park. For Canada’s 150th birthday, all the Federal Canadian parks have their
exorbitant entrance fees waved. We tried to take advantage of that as much as possible this year. I had been wanting to go to GNP for quite some time. But it’s a really different park experience. There is hardly any development in the park, let alone the region. We might associate things like playgrounds, swimming spots and beaches, ice cream stores and the like as “attractions” that will draw people to an area. Grasslands has none of these typical things. Instead, the park itself is the attraction.
The interesting (untold) history behind the creation of Grasslands is documented in the book “Dams of Contention” by Bill Redekop. The book centres around the creation of the Rafferty & Alameda Dams in South East Saskatchewan. The only reason I read the book is that I knew/know Ed and Harold Tetzlaff personally. I have a signed copy of the book in fact. As I read the book, Grasslands National Park was mentioned. In a convoluted and heavily political deal, GNP basically was created as a consolation prize for Saskatchewan after agreeing to translate Saskatchewan’s laws into French & appease/make a good impression for Quebec to sign the Canadian Constitution. This was all during the Mulroney days & the Meech Lake accord (p.131, 165). What a mouthful! When I went to Grasslands, I talked with one of the landowners who had sold their land to the government at the time of the creation of the park. She had no knowledge of this untold back story of the park’s creation.
Regardless of what actually took place in the park’s creation, it is one amazing place. For years it was a ranchers paradise. And by that, I mean it was a darn tough place to make a living. The land is dry and to sustain livestock you need a metric tonne of land. So the ranches in the area go on and on as far as the eye can see. Now the park does too. You feel about 2 inches tall walking around as the landscape is absolutely enormous and unruly. As you drive around and hike, the magnanimous quality of the area becomes abundantly clear.
The park exists in two blocks, West and East. The West has more development but the East is rapidly catching. The park has a very free quality about. Most National parks are tightly regulated. You can’t go off trails. You can’t do this, you can’t do that. Grasslands is free-for-all. You can go hiking. You can go horseback riding. You can drive. You can go where you like. In fact many of the hikes aren’t on trails of any kind. You can blaze your own trail which is refreshing. It’s a glorious dark sky preserve as well with no light pollution to speak of. We had rain every night we were there though. No stars for us. But the blessings of this wild and untamed landscape are also a bit of a double edged sword. Development and services are very scarce. If you go to Val Marie, I STRONGLY SUGGEST you fill up your gas tank. On our way to the East block we though we could fill up at Wood Mountain. Nope. We were panicking on our way to Rock Glen to get fuel!
One of the hikes we did with the family was the 70 Mile Butte hike. What a glorious walk it was. Of course we were on high alert so that the children didn’t get eaten by rattlesnakes. But the scenery is fantastic and well worth it! It was ridiculously hot but as you climbed the butte trail, the winds picked up and it was excellent! Apparently the aboriginals used the top of 70 Mile Butte for get togethers rather than the valley where there is no wind and insects galore. I stitched a panorama together of the view from the top in Lightroom. The photos still don’t do the view justice.
For accommodations, we stayed in the oTENTiks that the park has. You can bring a tent or camper but we elected to stay in the permanent structure. Glad we did. A heinous storm with gale force wind hit that night. The whole time I had visions of the oTENTik being carried off like Dorothy to the magical land of Oz! With no trees on the horizon to slow down the wind, it comes at you with full force! The park also has Wigwams that you can rent and camp in as well. All the sites are primitive camping and you need to bring your own water.
Grasslands National Park is a photographer’s paradise. The landscapes are vast and the perfect place for ultra-wide lenses. But even they fail to capture it all. Also, the opportunities for wildlife photography are endless. There are many unique species of animals from Bison to Prairie Dogs to Ferrets to Rattlesnakes and many others. It’s almost like being on a foreign safari shooting photos in GNP. My gear of choice with the family in tow was just my Nikon Df camera and my 24mm f/1.8 AF-S lens and the 70-200 f/4 AF-S lens. That’s it. It was a simple kit but I wanted to be as light as possible and still use full frame. It did the job admirably. I probably could have brought the 16-35 f/4 though for some extra wide angle goodness.
On our last day we decided to head over to the East Block and check it out. As mentioned previously, FUEL UP when you can! Otherwise there is basically nothing along the way. This aspect of non-development is an obstacle that tourism Saskatchewan should really look at addressing in the near future. The East Block has a lot more badlands than does the West. It was more reminiscent to Big Muddy to us. There are many cool hikes we would have liked to pursue but will have to wait until our kids are a bit older. The Valley of 1000 Devils will definitely be a must see! Grasslands National Park truly is another Saskatchewan diamond in the rough. Get off the beaten trail and goto Grasslands. It’s scenery and landscape are one of a kind. They define the wild spirit of the Land of the Living Skies! 😎
My little guy got his Gold Belt in Karate the other day. He was super pumped! He’s a very serious and dedicated kid when it comes to pretty much everything, but especially Karate. I had the vision for this photo in my mind before I set out to capture it. Here’s the process involved.
Step 1: Lighting. There was still a good deal of ambient even though the sun was setting. I didn’t want to mess around with small flash so I grabbed my Alien Bee 1600 and fired it through a small Photoflex octobox. I had my lovely assistant Phoebe hold the light for me. We bolted it to the time-tested “Gandalf-Stick” – a collapsible paint pole with an adaptor end on it. Works like a charm for moving quickly. The lighting pattern was a simple cross light setup. Subject back to the sun as always for a sweet golden rim light.
Step 2: Work the posing. Just watch how two simple things drastically change the photo.
A) Nice photo but boring. We needed to convey Karate power in this image. Have me shoot down or even eye level doesn’t do that. We need to shoot up.
B) Getting there, now Ethan looks bigger and more powerful. In the photo. All we had to do drop to the ground. Also, I wanted a wide-ish angle shot so I’m using my Nikon 24mm f1.8G lens on the Nikon D800 for maximum mega-pretzels.
C) For the final image we needed the pose to actually have energy. I got Ethan to shout out the Karate attack word for “kill” as he did his kick. It got him laughing a bit which gave me a legit smile. The photo I had in my mind came to life and his posing was perfect. The wide angle lens adds to the over all feeling of power as it optically makes his foot look huge. The flash will always freeze the motion for you even at the relatively slow sync speed of 1/250 while adding a bit of motion blur which I think looks cool.
So there you have it. Great lighting combined with getting low and wide makes for a butt kickin’ shot that I will definitely be making into a giant print! 😎
The Last Sunset of 2015! And, I finally got my Christmas lights working. Have a wonderful 2016 everybody!
+God’s Richest Blessings to you in 2016!+
Barrel racing is one of those things that runs in the blood, like farming or hunting or so many other things that exist in a symbiotic relationship with people and animals. My friend Maria wanted some photos of her and her horse Honey. So we picked one of the coldest days of the year when the light was falling fast! LOL 😎 The cloud cover was thick and it was quite dark. We were able to do a bunch of natural light stuff rather quickly but then the sky burst forth a wee silver of gold for us. We had a good 5-7 minutes to work the light before it completely faded into blue. We had to work quickly but we managed to hammer out a bunch of different looks using flash and ambient. The EXIF of the top image was 1/8 of a second at f/7.1. I was trying to drag the shutter as much as possible to get adequate ambient exposure and then use flash for the subject exposure. This relatively longer shutter speed allowed both Maria hair and Honey’s mane to motion blur in the wind but the flash exposure keeps them sharp. Handheld at 1/8 is no sweat with my 16-35mm f/4 Nikkor with VR.
I quickly moved from ambient to flash and back to ambient again to nab the amazing sky for silhouettes. The color was so juicy and rich that it made for the perfect background! You can’t sunset shots. They are like peanut butter and chocolate! The veritable Reese’s Pieces of the photographic world. They make for great photos & happy clients . . . and happy Photographers! 😎
I was out on Saturday night
partying playing poker with the guys getting water in Alameda. I threw the X100s in last minute, anticipating a way cool sunset. Some nice colors started happening. I found a subject, grabbed the camera and realized I had no card in it. #doh #facepalm 🙄 Thankfully there’s a wee smidgeon of internal memory available for potential customers to check the images in store morons like me to use. I took an exposure metered for balance and here it is: Not too shabby. It’s metered for the sky and the structures go to mostly silhouette. I could meter for the building but then I’d lose the richness of the color of the sky. Or, I could use flash and illuminate the whole terminal. (Well, I could but that would be dumb). So the only other option is HDR, right? Layer several exposures together in software and get the shot. Well, not any more!
One of the other extremely awesome things about the X100s is the ability to take tonal control of the image. You can manually adjust the shadows, highlights, color and sharpness of any image before you take it. So, after reviewing the first one, I decided to hit the ol’ Q button and tweak away. Here’s the next image:
This image has got the Velvia Film simulation going plus -1 dialed into shadow tone, decreasing the shadow contrast. Look how much more detail is there from one simple adjustment! It’s awesome! But I wanted to push it one step further and here’s the final image:
There’s even more detail held with no sacrifice of color. I kicked it up a notch in camera. And, by switching to fluorescent white balance, I got a beautiful dusty rose tint to the image. That’s pure awesome! 😀
These images are all straight out of camera JPEGS with exception of watermark and resize for web. The Fuji Rocks the Set. I rest my case. 😎
I saw this old car the other day and new I had to come back and grab an image. I wanted to try some HDR stuff with the D800. This was a composite of 5 RAW files in Nik Software’s HDR eFex Pro 2. It’s a bit of a grunt with 5 giant files, but it came together well. I was hoping for a more dramatic sunset, but I’ll take the sunburst instead. 🙂 I’m not a car guy, but I think this is a 1948 Chevy Fleetmaster.
Had to make a water run tonight to the supple bounty of Alameda. It was approaching golden light which is always exciting. It was also dusty as all get out. Dust, fog, mist – they are all the theme park of light. We lucked out and ran into much dust on the roads to let the sunset have the mucho fun. 😎
Driving to Moose Jaw Tuesday night I stopped at Macoun to make this image. The flooding from last year hasn’t gone away. It may be out of the media but it is still affecting the lives of many people in rural Saskatchewan.
This is a brief tutorial on making HDR images. There’s zillions of other posts/pages on the information super highway already so you can look up more info there about it. But this is how I do it. Which makes it infinitely better. 8) Just kidding! 😉
HDR stands for High Dynamic Range. It’s been around forever conceptually, even since film days. But now, with digital it’s easy and fun. Get a camera and a tripod and find a scene that has loads of contrast: lots of lights and darks. The idea behind this kind of photography is to keep all the detail in the darks and in the light parts of the image. Because the camera currently cannot capture the same amount of dynamic range that the human eye can see, in one camera photo you don’t get as much range as you see with your eye. So, you take 3-7 photos of varied exposure and layer them together with software. I use Nik’s HDR eFex Pro. It’s super slick and comes with many final image presets you can apply to stylize the final image, making it look as surreal or as realistic as you want.
OK, here’s a sunset one I took the other night. And in all truth, it’s not how I typically do it. I was on top of my roof with my 70-300 lens and I did this handheld, which isn’t optimal. Get a tripod so there is no camera movement.
So, the first image: bang. Here it is.The camera meters the scene and determines that this is the best balance of light and dark. We get all that rich colour in the sky & the river. But the valley hills have gone dark and silhouetted the evergreen. This was at ISO 400 f/8 70mm and the shutter was 1/100.
The next shot speeds the shutter up to 1/200, recording an even darker, more saturated image. This one gives the mad colour, but kills off almost all the detail in the hills.The third image washes out the sky but it lifts the details up out of the hills with a slower shutter speed of 1/50. All three images are 1 stop of light apart from each other.
Now, technically, it would be better to get a couple more images here to further lift the details out of the dark regions. But, as I mentioned, this was handheld. If you have a tripod it’s easy to do.
Then, after feeding the photos into the Nik software (I use it as a plug in with Aperture) you can arrive at the final HDR image. There’s loads of darks and lights, rich colours and highlight detail that otherwise would have been lost. HDR is having your cake and eating it too. 8) When you stylize the image, you can make it look wild with texture, like I did here to make the clouds go boom. But you can also finish them to look realistic too which I did for this photo of Good Shepherd Lutheran Church in Regina. The light pouring in from that window would have made getting a balanced exposure difficult.
It will never ever be August 1st, 2011 ever again. Savour each moment, every day! 8)
Challenge of the Day: Sunset. (With no sun).