Day 7 was laden with awesome water-based adventure! It all began around 11:15AM with a scenic float down the flathead river, courtesy of Montana Raft Co! It involved one excited 7 year old jumping overboard to his heart’s delight!
Every day of this incredible road trip just got better and better. We thought we had seen the most incredible stuff the day before and then we encounter more mind-blowing scenery and unbelievable vistas. That was Day 6 in a nutshell!
So Day 2 of our epic road trip took us to Waterton Park. It was only a few minutes from our campground and we spent the whole day there taking in the sights. Pictures and story after the jump.
I’ve always wanted a long telephoto lens for the Fuji X system because I love love love the skin tones & nuanced colour that Fuji produces. I saw the K&F Concept lens adapter for Nikon G/AI lenses to the X mount for a mind blowing $30 bones on Amazon. I didn’t have any high hopes at all about the quality or usability of the adaptor but for the cheap price, how wrong could a guy go? So I got one shipped out.
I opened the box and was blown away. The whole thing is metal. It has a built in aperture control for Nikon’s new G lenses that don’t have an aperture ring. And it works to keep the lens wide open, stopped all the way down and a couple of in between settings that are largely guesses. None of the settings register with the camera because there is no communication between camera and lens. It’s just a simple adaptor. So it’s manual everything. But Fuji’s focus peaking even at 1.8 is a snap. Works great!
I slapped on the 70-200 f/4 which balances decently with the small camera body. You could shoot wildlife with it gaining the extra reach of the crop sensor but manual focus on fast moving subjects requires ninja like reflexes that I no longer possess.
But for portrait stuff………
I’d say it works just fine. These two sample images are straight out of camera other than my resize for web lightroom setting. Here’s a 100% crop of Phoebe’s eye:
It is tack sharp! This is wide open too. You’ll see from the included info that the camera only records the shutter speed & ISO settings. Aperture is not and for some reason it defaults to a 50mm lens. But the results are awesome. The skin tones are so, so great. And it’s sharp! Did I say that already? So this image is 200mm 1/180 ISO 200 handheld JPEG shot with a Nikon SB-900 through a Lumiquest Softbox III triggered with Phottix Ares triggers! How’s that a for a FrankenSetup!? lol
I love Fuji lenses and they rock the set. But for 30 bucks, you can’t go wrong with the K&F Concept adaptor. Highly recommend picking one up!
I’m ultra behind in the blogging but I wanted to do an update. A mirrorless update. I’ve been a Fuji fan for quite a number of years now, using my omnipresent X100s camera all the time. Always JPEG. It became my high volume camera, especially for family trips where I refuse to lug around all my huge Nikon gear. But I want more quality and control than my iPhone camera gives me. The X100s was always the perfect companion. I love the 35mm equivalent field of view, especially for travel. It’s fantastic!
But it can be quite limiting. Which is almost always a good thing. Except for when it’s not. I found that all my travel photos, being the same focal length, were, well, the same. So I hummed and hawed about it and ended up getting a smokin’ deal on a FujiFilm XE2. I was going to buy the XPRO2 but didn’t (another blog post about that later). I got the XE2 with the “kit lens” which is an amazing lens, the 18-55. It’s a stunner. It’s sharp, it’s fast and it’s made of metal. Using Fuji is an experience in quality to say the least. Anyways, I’ve since picked up the 35mm f2 it’s a dream. But all summer long, all I shot was the 18-55.
I wanted to showcase the versatility of this compact mirrorless setup. These photos are travel photos from our cross Canada tour this summer. Western Manitoba all the way to Tofino, BC and back again. 4 provinces, thousands and thousands of kilometres traveled, Ocean, Waterfalls, Mountains, Forests, Prairies, all with one camera, one lens. Not only was it a versatile combination but it made the editing workflow nearly non-existent. By that I mean the XE2 utilizes a WYSIWYG viewfinder. The exposures seen through the eye piece are what you get in camera. Literally 97% of the time, it’s bang on. Very little editing has gone into these photos. The X system allows you to get it right in camera the first time, let alone the colour tweaks available through the film simulations. Fuji colour is the best, bar none! Anyways, here’s some photos.