So I got some new flash triggers to try out. The Phottix Ares triggers are excellent! They are a simple, no frills, no TTL, no HSS “dumb” trigger that is perfect for manually controlled off camera flash. They are simple, reliable and best thing is: no sync cords! They are shoe mounted so no more flopping around. I made a YouTube video to review them:
They’re been great performers for me and they are highly recommended, especially for people just getting started with Off Camera Flash work. But even for seasoned flash veterans, they are a welcome addition to the bag to replace those flopping Pocket Wizard Plus X sync-cable-ridden triggers.
They are a great price in the US. In Canada not so much. I had mine shipped from Amazon.com and saved a bundle.
Here’s a couple of test shots with the Phottix Ares triggers.
I finally got my Nikon Df review video online. It sums up those 5 paradoxical things about the camera and offers my thoughts about buying it. I really do love the Df. 😀 It’s a fantastic all-rounder camera despite it’s flaws. I got to try out my dads old school film lenses on it as well this past weekend. They work great! I was blown away by the old 35mm f/2.8 lens. It’s sharp with no chromatic aberration wide open. Not even one of my modern AF-S Nikon primes can boast that!
This video was my first kick at the cat trying “cinematic filming techniques.” I’m no videographer, that’s for sure, but I had fun putting the montage together. Although, I recorded the outdoor scenes at temperatures between -25 and -50C (no, that’s not a typo) which made it very tricky and somewhat miserable! And I didn’t even freeze to death. Yay! 😎
Ok Photo Geeks, here’s one for ya! My long overdue video review of the Photoflex Octodome NXT XS soft box. This thing is the bomb! It’s a really well made, super sweet portrait soft box that gives awesome octagon/round catchlights in the eyes. Gotta love that! Check out the vid and the samples below where it was used on photo shoots.
PS: I also added a new page at the top of the blog for gear reviews. The page has links to all the gear reviews and recommendations I’ve done on the blog, including books, lenses, lighting gear, organizing gear and D.I.Y. gear projects. 😎
Samples of the Octodome in action!
Beginners to photography always ask what lenses should I buy (after they ask what camera should I buy). 😉 It is good to have a plan in place so that you don’t spend money on junk glass that you will want to sell later on to buy better stuff. I came across the whole 5 year plan concept on one of Jared Polin’s YouTube blogs and I thought the idea was superb. Have a plan in place that allows you to save your money and upgrade to the very best of lenses and camera bodies over time. Quality is everything! And we pay dearly for it! But it is worth it. 🙂
The plan I present here is for the beginner who has gotten into photography and really likes it & wants to take it to the next level – either hobby or business wise. As such, it starts out with the entry level camera body and kit lens. Then, it encourages buying professional level glass as the next step. Why? Because if you waste your money on junk glass now (because you can afford it), then as you get better and want to upgrade, you’ll have a bunch of junk glass nobody wants. But if you purchase higher end glass, you’ll be fine and dandy as sour candy for your entire photographic career. Camera bodies come and go but lenses last forever (well, a LOT longer than camera bodies!) 😉 As for camera bodies, you want to jump from the entry level body to the top of the pro-sumer line, then to the top of the professional line. It’s not advisable to simply buy the next update of the entry level camera body you already have. They don’t change that much from update to update.
This proposed plan may take you shorter or longer to accomplish and that’s OK. It’s totally up to how aggressively you want to pursue photography and how much cash you have on hand to bank roll it.
Check out this plan for both Canon & Nikon lenses & bodies and let me know what you think. Lists of accessories are also included. The over arching goal is get good glass in your hands that covers the focal range from super wide to long telephoto. But it really depends on what kinds of photography you want to do. For example, if you really want to do Macro photography, that lens will be further ahead on your list than say a 300mm f/2.8 wildlife lens 🙂
Ever since we bought the all new AppleTV, we’ve been watching a lot of YouTube videos. Naturally, I searched photography and found zillions of videos and channels dedicated to it. I have posted the links to some of the better known photography channels on the sidebar of my blog.
One of the channels that I find totally hilarious (in a dry British/Chinese kind of way), is DigitalRevCom. They do all kinds of crazy videos and more serious camera/lens reviews. It’s a lot of fun! One of their videos that I watched last night had to do with a comparison of camera bodies and lenses. What’s better? A pro camera body with crappy glass or a cheap camera body with awesome glass?! I’d highly recommend you watch the video to find out!
Or, I’ll just tell you the right answer. 😉 It’s always glass. ALWAYS. Lenses are always a better investment because you have them for years whereas bodies change all the time. Most people get sucked into the “bigger mega pixel count” = better game. It’s simply not the case. In fact, one theory I heard recently is that the more megapixels you have the more chance there is for blurry images because the slightest of movement can be captured by the higher/finer megapixels. It could make for crisper shots in good light, but in poor light, it might actually make the shot worse – or at the very least, require the *need* for faster glass. Anyways, it’s an interesting idea. And, the video is great. Check em’ out!!